Robert Butler - The Empire of Night

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In the first two books of his critically acclaimed Christopher Marlowe Cobb series,
and
, Pulitzer Prize-winner Robert Olen Butler won the hearts of historical crime fiction fans with the artfulness of his World War I settings, his swashbuckling action, and his charismatic leading man, a Chicago journalist recruited by American intelligence. In the third installment,
,
Kit” is now a full-blown spy, and he has to go deep undercover to unravel a secret German plot for turning zeppelins into dangerous killing machines.
It is 1917, and the United States is still wavering on the brink of war. At an elite intelligence meeting at a Hyde Park mansion, Kit’s handlers pair him up with someone he would never have expected — his mother. There’s a German mole somewhere in the British government, and the most likely suspect happens to be a diehard fan of the famous American theater actress Isabel Cobb. Disguised as a German-American reporter named Joseph William Hunter, Kit follows his mother and her escort Sir Albert Stockman from the relative safety of London into the lion’s den of Berlin.

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I turned right, into the alley, and hustled a little into the closest doorway, which was recessed and provided the refuse cans to run interference for any casual glances in this direction.

I leaned back against the door, took off my cap, slid down to a touch more than refuse-can height, and I leaned forward just enough to put one eye on the loading dock.

A hundred feet away, the slouchers were unslouching as the Daimler stopped at the platform edge. One of them flipped his cigarette butt and disappeared into the back of the building. His colleague reslouched and the driver appeared on the platform and the two men spoke casually, the driver bumming a cigarette. I leaned back into the doorway for a few moments.

New voices now, and I leaned forward carefully once more to look.

Stockman had appeared on the platform with a short wisp of a steel-haired man in a three-piece suit. Heinrich Reinauer himself, I presumed. The two loading dock boys disappeared into the bed of the truck, and the driver approached Reinauer and made a stiff little bow. He presented a clipboard, and Heinrich signed.

The boys emerged.

Stockman took a step toward them.

They were carrying one of the packing boxes I’d seen in the courtyard at Stockman House. One of the two upright boxes the size and shape of a three-drawer filing cabinet. They were keeping it upright.

Stockman stepped to them, stopped them, patted the box, and spoke a word. They sat it at his feet. He examined the label, the steel cord binders, the four sides.

He nodded at Heinrich, who spoke a word, and the two boys took up the box again and carried it into the building.

Stockman and Reinauer spoke and the driver came down off the platform.

The two loading boys reappeared and disappeared into the truck. The second box came out, got a once-over from Stockman, and vanished into the warehouse with its twin.

And that was it.

Stockman and Reinauer followed. The driver circled his cab, and he and the Daimler ground gears and rolled into Cuvry-Strasse and away.

I stood up, put my cap on, leaned against the door, and lit the last Fatima in my pack.

I didn’t have much.

But at least I knew my next move.

Only these two boxes from the castle were involved in this rendezvous with Stockman and the importer. He’d seen to them personally. The truck was sent away, but the boxes remained. This late in the day I figured there was a chance they’d stay till tomorrow. Surely there was no good reason to offload them here at this hour otherwise. If they didn’t remain, I was helpless anyway.

When the dark came, I’d have to pay another visit — a more intimate visit — to Number 11 Schlesische-Strasse.

But first I had a rendezvous of my own. At the Kabarett called Zum Grauen Köter.

28

The Gray Dog. South of the Stettiner train station on Borsig-Strasse, it was twenty yards down a side alleyway, in the cellar of a Braten und Bier joint. A perfect place for a Zeppelin blackout party.

My brass eagle boutonnière in place — my actual face restored as well, with cocoa butter and Castile soap — I descended into too much smoke and noise, in a room that would fit on the stage of the Duke of York’s and was jammed with tables and Berliners. Some rooms demand you read their bouquet like a wine, and this one was beer and roast meat and sweat and mustard and tobacco and lavender perfume and even a waft of femaleness, coming, I guessed, from the line of half a dozen kicking chorines in negligees who had to work hard not to fall off at each end of the tiny stage.

A pianist banged away in the far dark corner and the girls were singing about a lusty husband dancing around a rose bush with his wife. The headwaiter in a tux took a look at my lapel and guided me to a small back row table and sat me down, pressing the second chair tight into place. The girls kicked high and belted out an untranslatable “ KlingklanggloriBusch .” They were loud and shrill in the way chorus girls often seemed to think was alluring but they were competing with a few dozen ongoing conversations in the room.

A girl came to my table in a tux and asked what I was drinking. I had work to do later tonight, so I ordered what the Berliners called a kühle Blonde , a cool fair maiden, a wheat beer that Germans used for sobering up. The girl gave me a sly look as if to ask what I’d been doing the last few days. She brought the Weissbier in a pint-sized stone bottle and poured the contents into a massive, half-gallon-size glass goblet, which the pint of beer nevertheless filled to overflowing with an inordinate amount of foam.

I paused to watch it froth away and I became abruptly aware of a presence beside me. Before I could look up, a man’s voice said in German, “That is Monday beer. No authentic man should drink wheat beer on a Thursday.”

I knew the voice.

I lifted my face to look into the boxer’s mug that belonged to Jeremy Miller.

I was very glad to see him alive, but I repressed the urge to jump up and clap him on the shoulder.

“What if I had a bad Wednesday night?” I said.

“Then you should stay away from a place like this,” he said. “Too much smoke and noise.”

I nodded him to the other chair.

He sat.

The girl in the tux came up and bent to Jeremy and took his order, which I didn’t hear.

We leaned near each other and spoke in English, audible to each other but walled in by the noise of the Gray Dog.

“How’d you get away on Friday?” I asked.

“Briefly I joined the search for myself,” he said.

“Your blue suit,” I said.

“My blue suit. There were several lately hired Blue Suits that evening. I had a convincing reference.”

“Are you sure?” I said. “I thought perhaps they’d let you in on purpose to trap you.”

“The thought did occur.”

“And?”

“It still occurs.”

Jeremy’s drink arrived. A stone bottle and a glass goblet. He was drinking light too.

“We’re a couple of fine dudes,” I said, nodding at his wheat beer.

“I look forward to someone reading us wrong and picking a fight,” he said.

The girl finished pouring and slipped away.

“How do we toast with these?” I said, thinking of the awkward shape and size of the glass.

“It’s hardly a toasting sort of drink,” he said. “Perhaps to recuperation.”

I looked at my own glass. “There seems to be no safe alternative to two hands,” I said.

“You are correct,” he said.

So we agreed together, on the occasion of this fortunate reunion, to accept a milder meaning for two-fisted drinking.

We sipped through the foam and it was light and it tasted more of banana than of malted wheat; I presumed from the yeast.

“The headwaiter seemed to know you were coming,” I said, thinking of his meaningful glance at my buttonhole adornment resulting in what seemed to be the only available table in the place and then his securing the second chair.

“We have friends here and there.”

“Pro-Brits in Germany?”

“Ask me again when we are alone,” he said.

“We have an opportunity for that tonight,” I said.

“Good,” he said. “Does it involve our friend?”

“Our baronet. Yes.”

We sipped again at our cure for a hangover as the chorus kicked its last kick and its girls fluttered away through a side door off left. While the crowd still applauded, the emcee bounced onto the stage in monocle and tux.

As soon as he was squared around to them, the applause died and most of the conversations died and the emcee cried, “ Gott strafe England!

God punish England.

And the crowd roared back, “ Er strafe es!

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