José Saramago - Skylight

Emílio got up and went to his son’s room. The boy had fallen into a restless sleep, which he kept waking from and then sliding back into. Incoherent words emerged from his dry lips. In the corners of his mouth, small translucent bubbles of saliva marked the passing of the fever. Very gently, Emílio slipped the thermometer under his son’s arm. He left it there for the required amount of time, then went back to the dining room. Carmen looked up from her sewing, but asked no questions. He checked the thermometer: 102.5. Henrique’s temperature appeared to be going down. He placed the thermometer on the table where his wife could reach it, but despite her longing to know the result, she made no attempt to get up and read it. She waited for her husband to speak.

Emílio took a few hesitant steps. The clock in the apartment upstairs struck three. Carmen was waiting, her head pounding, her teeth gritted to keep from heaping insults on her husband. Emílio went to bed without saying a word. He was worn out by that prolonged vigil and weary both of his wife and of himself. His throat was tight with anxiety: it was her fault he could not speak; she was the one obliging him to withdraw like someone creeping away in order to die or to weep.

For Carmen this was the final proof that her husband lacked all human feeling. Only a monster would behave like that: leaving her in ignorance and going to bed as if there were nothing wrong, as if their son’s illness were of no importance.

She got up and went over to the table. She looked at the thermometer, then went back to her chair. She did not go to bed that night. Like the victors in medieval battles, she remained on the field after the fight was over. She had won. Besides, she would have found the slightest contact with her husband that night unbearable.

Given the nature of the job he did, Caetano Cunha led a rather bat-like existence. He worked while others slept, and while he rested, with windows and eyes closed, those others went about their business in the daylight. This fact gave him the measure of his own importance, for he firmly believed that he was better than most people and for various reasons, not the least of which was that nocturnal life of his, spent hunched over a Linotype machine while the city slept.

It was still dark when he left work, and the sight of the deserted streets, damp and shining from the dank river air, made him happy. Rather than going straight home, he would wander those silent streets haunted by the dark shapes of women. However tired he was, he would stop and talk to them. If he fancied something more, he would go a little further than mere talk, but even if he didn’t, talking to them was enough.

Caetano liked women, all women. He could be aroused by the merest twitch of a skirt. He felt an irresistible attraction for women of easy virtue. Vice, dissolution, love for sale, all fascinated him. He knew most of the city’s brothels, knew the price list by heart, could tell you off the top of his head (or so he boasted to himself) the names of a good few dozen women he had slept with.

Only one woman despised him: his own wife. As far as he was concerned, Justina was a totally asexual creature, with no needs and no desires. If he happened to touch her while they were in bed together, he would recoil in disgust, repelled by her hard, thin body, her dry, almost parchment-like skin. “She’s not a woman, she’s a bag of bones,” he would think.

Justina saw the disgust in his eyes and said nothing. The flame of desire had long since burned out in her. She reciprocated her husband’s contempt with her own still more boundless contempt. She knew he was unfaithful to her and frankly didn’t care, but what she would not tolerate was having him boast about his conquests at home. Not because she was jealous, but because, aware of how far she had fallen in marrying a man like him, she preferred not to descend to his level. And when Caetano, carried away by his naturally loud, irascible temperament, abused her verbally or compared her with other women, she could silence him with just a few words. To someone of Caetano’s Don Juanesque character, those words constituted a humiliation, a reminder of a failure that still burned in his flesh and in his mind. Whenever he heard them, he was tempted to attack his wife physically, but at such moments, Justina’s eyes blazed with a fierce fire, her mouth curled into a sneer, and he shrank back.

That’s why, when they were together, silence was the rule and words the exception. That’s why only icy sentiments and indifference filled the vacuum of the hours they spent together. The mustiness that permeated the apartment, its whole subterranean atmosphere, was redolent of an abandoned tomb.

Tuesday was Caetano’s day off. This meant he didn’t need to arrive home until late morning; he would sleep until the afternoon and only then have lunch. Maybe it was that late lunch, or possibly the prospect of spending the night in bed beside his wife, but Tuesdays were the days when Caetano’s ill humor was most likely to surface, however hard he tried to suppress it. On those days, Justina’s reserve became still more marked and seemed to double in thickness. Accustomed to the insuperable distance between them, Caetano could never understand why it should become even greater. In revenge, he would exaggerate the crudeness of his words and gestures, the brusqueness of his movements. What particularly annoyed him was the fact that his wife always chose Tuesday as the day on which to air their dead daughter’s clothes and carefully polish the glass on her eternally smiling photo. He felt this ceremony was intended as a criticism of him, and though he was sure that, in this respect at least, he did not deserve any criticism, he nevertheless found that weekly parading of memories deeply troubling.

Tuesdays were unhappy days in the Caetano Cunha household, nervous, edgy days when Justina, if pried out of her usual state of abstraction, would turn violent and aggressive. Days when Caetano was afraid to open his mouth because every word seemed charged with electricity. Days on which some evil little devil seemed to take pleasure in making the atmosphere in their apartment unbreathable.

The clouds that had covered the sky the previous night had cleared away. The sun poured in through the glass canopy over the enclosed balcony at the back, its iron struts casting a shadow on the floor like prison bars. Caetano had just had his lunch. He looked at the clock and saw that it was nearly four. He lumbered to his feet. He was in the habit of sleeping without his pajama bottoms on. His large abdomen strained at the buttons of his loose pajama jacket, giving him a striking resemblance to one of those plump, doll-like figures created by Rafael Bordalo. While his swollen belly might be laughable, his flushed, scowling face could not have been more unpleasant. Oblivious to both these things, he left the bedroom, walked through the kitchen, without saying a word to his wife, and went into the bathroom. He opened the window and looked up at the sky. The intense light made him blink like an owl. He gazed indifferently out at the neighboring back yards, at three cats playing on one of the roofs, and didn’t even notice the pure, supple flight of a passing swallow.

Then his eyes fixed on a point much closer to home. In the neighboring window, that of Lídia’s bathroom, he could see the sleeve of a pink dressing gown moving about. Now and then, the sleeve fell back to reveal a bare forearm. Leaning on the windowsill, with the lower part of his body hidden, Caetano could not take his eyes off her window. He could see very little, but what he saw was still enough to excite him. He leaned farther out and met the ironic gaze of his wife, watching him from the balcony. His face hardened. Then suddenly she was there before him, handing him a coffeepot.