Christian Jungersen - The Exception

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Four women work at the Danish Centre for Genocide Information. When two of them start receiving death threats, they suspect they are being stalked by Mirko Zigic, a Serbian torturer and war criminal. But perhaps he is not the person behind the threats — it could be someone in their very midst.

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At lunch time Iben is still going on to Anne-Lise about Dragan. Camilla doesn’t feel like saying anything. She still doesn’t feel very well and eats her celery sticks in tiny bites.

No one around the lunch table is her old self. Anne-Lise is the only one who looks pleased. Malene is trying to open a pack of rye toasts, but fumbles and the whole thing slips from her hands. It falls to the floor and several slices break. No one bothers to make a little joke to make her feel better. No one calls her clumsy either. They simply stay silent.

It wasn’t until Camilla was an adult that she learned the main secret of survival. It’s simple. When someone is angry, you stand aside to allow the person’s anger to pass and hit the next one in line. She only wishes she had realised this many, many years earlier. This past year, the ‘next in line’ had been Anne-Lise. Now it seems to be Malene.

Malene picks up the most damaged slice of toast. She tries to show concern at the new information Iben has discovered about Dragan. Instead, she just looks lost.

Camilla can’t deny that, one way or another, she’s pleased to see Malene cut down to size. For one thing, she can’t stand the way Malene dresses, with her low-slung hipsters and sexy short tops — all completely unsuitable for the office.

Malene is chewing a sandwich. Camilla can see some cheese and bread sticking in between Malene’s teeth when she opens her mouth to speak.

‘You know, I can’t help wondering what else you’ve been lying to us about.’

She’s so transparent! Malene is hoping for approval from Iben and Anne-Lise.

Nobody responds.

‘Right. We’d better be good.’

She’s still trying hard to sound like her old self, but even that stock comment strikes a false note. Usually they always get up and return to their desks, but not this time. Iben and Anne-Lise are not done eating. Only after several minutes does Anne-Lise pull her chair back. Iben follows her at once. And Camilla does too.

After lunch Camilla starts comparing a selection of Scandinavian hotels. DCGI is planning to host a small inter-Nordic seminar. Paul has asked her to make a list of the relative advantages and drawbacks of each as well as their prices so that he can make an informed decision. When he finally turns up, that is. She struggles with numbers and foreign-exchange rates. Meanwhile the Centre’s users keep phoning.

In the midst of everything, Malene is pestering her. Obviously, when Malene failed to win the others over by picking on her, she realised her only chance was for the two of them to join forces. So now, Camilla hasn’t had a peaceful moment all afternoon because Malene keeps coming over to have a chat about this or that — TV shows, or gossip about the board, or the users.

Camilla replies as briefly as she can to Malene’s chatter and keeps staring at the hotel details on her screen. At least it’s satisfying to have a handle on their tricks and know how to protect herself.

When Camilla goes off to fetch a new box of labels from the storeroom, Malene soon turns up.

‘Camilla, I want you to know something. It’s quite important if you’re to understand how Iben reacts to things.’

By now Camilla is determined to ignore everything Malene says. She pretends to look for something inside one of the shelving units, but Malene continues: ‘Iben had to be treated by psychiatrists when she was nineteen years old. She isn’t anywhere near as stable as she makes out. Back then she was much angrier and much more anxious than she is now. She actually wandered about in the streets with a knife strapped to her leg. Until they started treating her, that is.’

Camilla turns to look at Malene.

‘You know, it could be Iben who has identity problems,’ she continues. ‘A split personality, if you like. What if she’s the one who sent the emails? Maybe she can’t face who she really is and that’s driving her against the two of us?’

What Malene is also implying is that Iben could have been the one who poured oil over the steps in Malene’s staircase and removed the railing in front of the large window. She just doesn’t say so.

Camilla can’t get away from the fact that there might be something in what Malene is telling her. It’s true that once or twice Camilla has noticed a strange bulge on the inside of Iben’s leg. Could it be that Iben has a knife tied to her leg all the time? Is she on the brink of becoming paranoid? And dangerously aggressive as well? Perhaps she has been ill for a long time.

After Malene’s revelations, Camilla finds a bit of research to do in the library. Passing behind Iben, she wants to see if there is still a bulge somewhere on Iben’s legs and get a glimpse of what Iben has been frantically writing about all this week, between her calls to Yugoslavia and giving Camilla a hard time.

Camilla discovers it’s impossible to spot any telltale lumps under Iben’s clothing, and every time Camilla walks by, Iben closes the document window. For the last couple of days Iben has been printing out something almost every hour, which is what she typically does when she is writing one of her long articles for Genocide News . But as far as Camilla knows, Iben isn’t scheduled to send in another article any time soon.

Iben’s fervour makes Camilla nervous. Maybe she’s making up a blanket of lies about Camilla and Dragan to show Paul when he comes back. What else could it be? Has Iben ferreted out more about them? Is she going to get Camilla fired?

Camilla can’t look through Iben’s wastepaper basket for printed pages, but in the evening the cleaners sometimes tip the contents of their baskets into the huge bag in the printer room. She goes to have a look. The container is full. Perhaps papers from the previous day are still there.

The door of the printer room can’t be locked. What if someone comes in and finds her burrowing in the black bag full of other people’s waste? What’s her story then?

Camilla cannot think of one. She stands still and listens. Not a sound, no approaching steps or voices. But who says she would hear anything? Camilla peeks outside. Just then, Iben looks up from her screen. Camilla smiles stiffly. No response. Iben doesn’t smile back, just carries on writing.

Camilla closes the door and gets on with her search. The first layer is made up of wrappers from books that arrived for Anne-Lise this morning, and the next one is reams of database printouts. Then, almost at the bottom, Camilla finds the contents of yesterday’s wastepaper baskets. Just as she had hoped.

She leafs through several bundles of printed pages without taking them out of the bag. Then she digs deeper. At the very bottom of the waste there are small pieces of torn-up paper. Someone has taken the trouble to tear up her work before throwing it away. Camilla takes some of the largest fragments over to the window, and begins to read:

chology of Evil IX

We are rats! Experimental rats. Only condemned

run in the labyrinth after social psycho

laws we don’t know.

She puts five more pieces together on the window sill.

y interes

gan when I once read in a newspaper abou

vestigation into traffic in a parking area. People took

longer to get out of their slot if another car was waiting

to park there. Men left their places much faster if the

waiting car was a high-prestige brand.

Women were indifferent to the brand and to the

presumed cost of the waiting car. None of the drivers

knew that they were acting according to these rules.

They just did what they did. We are all predictable.

We are rats.

Camilla doesn’t doubt for a second that it’s Iben who has written this. She cannot think what it has to do with herself or Dragan. The remaining bits are too small to make sense

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