John Passos - Manhattan transfer

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Considered by many to be John Dos Passos’s greatest work, Manhattan Transfer is an “expressionistic picture of New York” (New York Times) in the 1920s that reveals the lives of wealthy power brokers and struggling immigrants alike. From Fourteenth Street to the Bowery, Delmonico’s to the underbelly of the city waterfront, Dos Passos chronicles the lives of characters struggling to become a part of modernity before they are destroyed by it.
More than seventy-five years after its first publication, Manhattan Transfer still stands as “a novel of the very first importance” (Sinclair Lewis). It is a masterpeice of modern fiction and a lasting tribute to the dual-edged nature of the American dream.

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‘It’s a knack that I can prophesy in you more than in any girl, and more charmingly than any girl I’ve ever known.’

‘Prophesy?’ asked Ellen, looking up at him laughing.

‘You shouldnt pick up an old man’s word… I’m expressing myself badly… That’s always a dangerous sign. No, you understand so perfectly, though you disdain it a little… admit that… What we need on such a periodical, that I’m sure you could explain it to me far better.’

‘Of course what you want to do is make every reader feel Johnny on the spot in the center of things.’

‘As if she were having lunch right here at the Algonquin.’

‘Not today but tomorrow,’ added Ellen.

Mr Harpsicourt laughed his creaky little laugh and tried to look deep among the laughing gold specs in her gray eyes. Blushing she looked down into the gutted half of an alligator pear in her plate. Like the sense of a mirror behind her she felt the smart probing glances of men and women at the tables round about.

The pancakes were comfortably furry against his ginbitten tongue. Jimmy Herf sat in Child’s in the middle of a noisy drunken company. Eyes, lips, evening dresses, the smell of bacon and coffee blurred and throbbed about him. He ate the pancakes painstakingly, called for more coffee. He felt better. He had been afraid he was going to feel sick. He began reading the paper. The print swam and spread like Japanese flowers. Then it was sharp again, orderly, running in a smooth black and white paste over his orderly black and white brain:

Misguided youth again took its toll of tragedy amid the tinsel gayeties of Coney Island fresh painted for the season when plainclothes men arrested ‘Dutch’ Robinson and a girl companion alleged to be the Flapper Bandit. The pair are accused of committing more than a score of holdups in Brooklyn and Queens. The police had been watching the couple for some days. They had rented a small kitchenette apartment at 7356 Seacroft Avenue. Suspicion was first aroused when the girl, about to become a mother, was taken in an ambulance to the Canarsie Presbyterian Hospital. Hospital attendants were surprised by Robinson’s seemingly endless supply of money. The girl had a private room, expensive flowers and fruit were sent in to her daily, and a well-known physician was called into consultation at the man’s request. When it came to the point of registering the name of the baby girl the young man admitted to the physician that they were not married. One of the hospital attendants, noticing that the woman answered to the description published in the Evening Times of the flapper bandit and her pal, telephoned the police. Plainclothes men sleuthed the couple for some days after they had returned to the apartment on Seacroft Avenue and this afternoon made the arrests.

The arrest of the flapper bandit…

A hot biscuit landed on Herf’s paper. He looked up with a start; a darkeyed Jewish girl at the next table was making a face at him. He nodded and took off an imaginary hat. ‘I thank thee lovely nymph,’ he said thickly and began eating the biscuit.

‘Quit dat djer hear?’ the young man who sat beside her, who looked like a prizefighter’s trainer, bellowed in her ear.

The people at Herf’s table all had their mouths open laughing. He picked up his check, vaguely said good night and walked out. The clock over the cashier’s desk said three o’clock. Outside a rowdy scattering of people still milled about Columbus Circle. A smell of rainy pavements mingled with the exhausts of cars and occasionally there was a whiff of wet earth and sprouting grass from the Park. He stood a long time on the corner not knowing which way to go. These nights he hated to go home. He felt vaguely sorry that the Flapper Bandit and her pal had been arrested. He wished they could have escaped. He had looked forward to reading their exploits every day in the papers. Poor devils, he thought. And with a newborn baby too.

Meanwhile a rumpus had started behind him in Child’s. He went back and looked through the window across the griddle where sizzled three abandoned buttercakes. The waiters were struggling to eject a tall man in a dress suit. The thickjawed friend of the Jewish girl who had thrown the biscuit was being held back by his friends. Then the bouncer elbowed his way through the crowd. He was a small broadshouldered man with deepset tired monkey eyes. Calmly and without enthusiasm he took hold of the tall man. In a flash he had him shooting through the door. Out on the pavement the tall man looked about him dazedly and tried to straighten his collar. At that moment a policewagon drove up jingling. Two policemen jumped out and quickly arrested three Italians who stood chatting quietly on the corner. Herf and the tall man in the dress suit looked at each other, almost spoke and walked off greatly sobered in opposite directions.

5 The Burthen of Nineveh

Seeping in red twilight out of the Gulf Stream fog, throbbing brassthroat that howls through the stiff-fingered streets, prying open glazed eyes of skyscrapers, splashing red lead on the girdered thighs of the five bridges, teasing caterwauling tugboats into heat under the toppling smoketrees of the harbor.

Spring puckering our mouths, spring giving us gooseflesh grows gigantic out of the droning of sirens, crashes with enormous scaring din through the halted traffic, between attentive frozen tiptoe blocks.

Mr Densch with the collar of his woolly ulster up round his ears and a big English cap pulled down far over his eyes, walked nervously back and forth on the damp boat deck of the Volendam . He looked out through a drizzly rain at the gray wharfhouses and the waterfront buildings etched against a sky of inconceivable bitterness. A ruined man, a ruined man, he kept whispering to himself. At last the ship’s whistle boomed out for the third time. Mr Densch, his fingers in his ears, stood screened by a lifeboat watching the rift of dirty water between the ship’s side and the wharf widen, widen. The deck trembled under his feet as the screws bit into the current. Gray like a photograph the buildings of Manhattan began sliding by. Below decks the band was playing O Titin-e Titin-e . Red ferryboats, carferries, tugs, sandscows, lumberschooners, tramp steamers drifted between him and the steaming towering city that gathered itself into a pyramid and began to sink mistily into the browngreen water of the bay.

Mr Densch went below to his stateroom. Mrs Densch in a cloche hat hung with a yellow veil was crying quietly with her head on a basket of fruit. ‘Dont Serena,’ he said huskily. ‘Dont… We like Marienbad… We need a rest. Our position isnt so hopeless. I’ll go and send Blackhead a radio… After all it’s his stubbornness and rashness that brought the firm to… to this. That man thinks he’s a king on earth… This’ll… this’ll get under his skin. If curses can kill I’ll be a dead man tomorrow.’ To his surprise he found the gray drawn lines of his face cracking into a smile. Mrs Densch lifted her head and opened her mouth to speak to him, but the tears got the better of her. He looked at himself in the glass, squared his shoulders and adjusted his cap. ‘Well Serena,’ he said with a trace of jauntiness in his voice, ‘this is the end of my business career… I’ll go send that radio.’

Mother’s face swoops down and kisses him; his hands clutch her dress, and she has gone leaving him in the dark, leaving a frail lingering fragrance in the dark that makes him cry. Little Martin lies tossing within the iron bars of his crib. Outside dark, and beyond walls and outside again the horrible great dark of grownup people, rumbling, jiggling, creeping in chunks through the windows, putting fingers through the crack in the door. From outside above the roar of wheels comes a strangling wail clutching his throat. Pyramids of dark piled above him fall crumpling on top of him. He yells, gagging between yells. Nounou walks towards the crib along a saving gangplank of light ‘Dont you be scared… that aint nothin.’ Her black face grins at him, her black hand straightens the covers. ‘Just a fire engine passin… You wouldn’t be sceered of a fire engine.’

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