Pete Hamill - Snow in August

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In the year 1947, Michael Devlin, eleven years old and 100 percent American-Irish, is about to forge an extraordinary bond with a refugee of war named Rabbi Judah Hirsch. Standing united against a common enemy, they will summon from ancient sources a power in desperately short supply in modern Brooklyn — a force that’s forgotten by most of the world but is known to believers as magic.

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She hugged him and put a bill in the palm of his hand.

“Keep the faith, Michael,” she said, “and keep on dreaming, kid.”

She pirouetted away and Michael opened his hand. A five-dollar bill. From a nightmare! He’d never had a five-dollar bill of his own before, and his head filled with objects as he hurried on to mass: flowers for his mother, a box of chocolates for her, comic books, maybe a hardcover book. Or he could give the whole five bucks to his mother to help save for a phonograph. Or maybe he could have a date with Mary Cunningham. Take her for a soda. Or to the Grandview when his mother wasn’t working. He’d never gone out with a girl, but he knew about dates from the movies and Archie comics and Harold Teen in the Daily News . And Sonny talked about the things you did with girls. In the balcony. In the park.

He turned into Kelly Street, skipping along, thinking about girls and the things Sonny told him about them and the mysteries of their bodies. He wondered too what Mary Cunningham thought when she saw him in his new blue suit and what she would think if he talked to her in Yiddish or quoted Latin from the mass. Would she think he was weird? Or would she think he was the smartest guy she’d ever met? He wondered too what it would be like to touch her skin or play with her hair, and then wondered if such thoughts were sins.

And then stopped near the synagogue as he heard a low, angry, keening sound. A sound of deep, hopeless pain.

He followed the sound to the corner, and there was Rabbi Hirsch, his face the color of ashes, anger and grief clenching his jaws. He had a coarse towel in his hands and was violently scrubbing the walls of the front of the synagogue. Someone had painted about a dozen red swastikas on the dirty white bricks. The words JEW GO were daubed on the sealed front door. Even the sight of Michael did not ease his pained fury.

“How could they do this?” the rabbi shouted bitterly. “ Who could do this?”

Michael put his arm around the rabbi’s waist, trying to comfort him, but the rabbi pulled away from the boy, seething with anger, and grabbed the picket fence for support. Michael backed away, feeling wounded and stupid, but also fearful that the wet paint would end up on his new suit. The rabbi reached for a mop and stabbed at the swastikas, smearing the fresh red paint.

“Wait here,” Michael said. “Don’t go away.”

He ran all the way to Sacred Heart, fighting a stitch in his side, ignoring the sweat that was dampening his fresh shirt. Each time he faltered, gasping for breath, he saw Rabbi Hirsch in his mind’s eye, and rage urged him on. Outside the church, the sidewalk was packed with people in flowered hats and new suits and newsboys selling The Tablet . It was as if the whole neighborhood were converging on the 10 A.M. solemn high mass that was to celebrate the resurrection of Jesus. Michael pushed through them, thinking, Move, goddamn it, move, and took the steps two at a time into the church.

The nine o’clock mass was over, but the pews were almost full of those who wanted to hear the solemn high mass at ten, sung by three priests. Michael glanced up and saw that the choirboys were already assembled in the loft. An usher tried to stop him, but he pushed the man aside and hurried down the aisle and into the sacristy. He was relieved to find Father Heaney sitting on a chair, smoking a cigarette, finished with his own duties. The three other priests were helping each other don the gorgeous gold-embroidered white vestments used at Easter.

“Father Heaney!” Michael hissed. “Listen, there’s — I gotta — you have to—”

“Take a deep breath, kid,” the priest mumbled, “then tell me what you’re trying to say.”

Father Heaney listened as Michael told him the story, his voice hushed, to avoid distracting the other priests, who were busy dressing, talking among themselves. Father Heaney’s face shifted. A deep vertical crease carved itself into his brow.

“I’ll call the cops,” he said, standing suddenly and going to the sink to quench his cigarette.

“No, you can’t do that, Father. The cops don’t care, we don’t ever call the cops, they— we’ve got to help him.”

“Why?”

Four alter boys suddenly entered the sacristy. Michael nodded hello. The altar boys went to the door leading to the altar and waited. Out in the sanctuary, the choir began to sing. One of the priests glanced at the wall clock, said, Let’s go, and altar boys and priests went out to begin mass as music surged around them. Father Heaney stood looking at Michael. His eyes were more focused now, as if a film of indifference or boredom were being peeled away.

“We’re not cops,” Father Heaney said, when he and Michael were alone. Outside, the music soared. “Why should we get involved, kid?”

“Because Rabbi Hirsch is a good guy!”

“How do you know?” Father Heaney said, in the tone of someone who had seen too much evil.

Michael exploded. “How do I know? I’m the Shabbos goy at the synagogue! I help him turn on the lights every Saturday morning. I’m teaching him English. He’s teaching me Yiddish. And his wife is dead and he’s alone and he doesn’t need some goddamned Nazi painting his synagogue!” The words clogged, as Michael realized he’d used the word goddamned to a priest, and then rushed forth again. “My father died fighting the Nazis. You saw all kinds of guys die in the war, you—”

Father Heaney’s slits of eyes opened wider and he stepped back a foot, as if the words had pierced a part of him that had been numb for a long time. He raised a hand, palm out, stopping the flow of Michael’s words. He reached for his coat.

“Come on,” he said.

He walked out into the church, pointed at a few men and gestured for them to follow him. He grabbed one of the altar boys from the previous mass, a tall Italian kid named Albert. Some parishioners looked up from their prayer books at Father Heaney as if wondering why he was disrupting the mass. The choir reached a pitch and then stopped. Mr. Gallagher, the owner of the hardware store across the street, arrived late and was searching for a seat when Father Heaney took him by the elbow and guided him back outside.

At the foot of the church steps, Father Heaney started giving orders like the military man he’d once been. He slipped two dollars to Albert, the altar boy, and sent him to buy some coffee and buns at the bakery. He convinced Mr. Gallagher to open the hardware store and hand out rags and scrubbers and solvents. On the corner near the schoolyard, he saw Charlie Senator, who had left his leg at Anzio, limping toward the church. He whispered a few words to him, and Senator gave him a small salute and fell in line.

Then all of them were marching down the avenue, carrying mops and rags, pails and solvents. People in Easter finery looked at them in surprise. A few more men joined the line of march, with Father Heaney and Michael out front, as the platoon crossed the great square at the entrance to the park and turned into Kelly Street.

Father Heaney’s face was now clenched in righteous anger, his mouth etched tight, the muscles moving in his jaws. He didn’t say a word. Michael wondered if he’d gone too far, mentioning his father. His mother never did that, not to the landlord, not to Michael, not ever, and he’d never done it before either. But it just came out, and it was true. Private Tommy Devlin had died fighting these momsers . These lousy pricks. And he suddenly pictured his father marching with them down Kelly Street, going again to fight the Nazis. Then he realized he was the only boy among almost a dozen men. And saw himself with his father’s platoon. Helmeted. Carrying a machine gun. Going to get these bastards who killed babies and old ladies and turned men into living skeletons. Heading for Belgium.

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