Joanna Ruocco - The Mothering Coven

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Fiction. Mapping a utopia on the brink, THE MOTHERING COVEN's rare blend of charisma and pyrotechnic wordplay makes for an utterly original act of storytelling. Bertrand has disappeared from the house she shared with seven women-artists, scientists, and of course, witches. As the women plan a party for Mrs. Borage's hundredth birthday, Bertrand's absence threatens to dissolve the world they've created. "Deliriously imagined, THE MOTHERING COVEN is a work of wonder. Joanna Ruocco arrives: marvelous, and fully sprung!" — Carole Maso. "[A]n engagingly whimsical tale, graceful and inventive, with its own distinctive lexicon"-Robert Coover.

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Who mailed us 26 tons of spices? Agnes opens the little card. The handwriting is appalling. It looks like something-something Mrs. Borage. Something-something love. Something-something… Magellan? Who invited Magellan?

“I didn’t mean to,” says Ozark.

But did Magellan mail butter? No, he didn’t. This will require a cookbook. Annals of the Irish Potato Famine. Le Ménagier de Paris. The Many Ways for Cooking Eggs. Agnes checks the recipe box instead.

Oil of Cockatoos

Take lavender cotton, knotgrass, ribwort, French mallows, strawberry strings, walnut tree leaves, the tops of young bays, sage of virtue, fine Roman wormwood, chamomile and red roses, of each two handful, twenty quick cockatoos, and beat them all together in a great mortar, and put to them a quart of calves’ foot oil, and grind them all well together with two ounces cloves well-beaten, and put them in an earthen pot, and stop it very close that no air come into it, and set it nine days in a cellar or cold place, then open your pot and put into it half pound yellow wax cut very small, and let it boil six or eight hours. Strain .

“Crisco!” cries Agnes. There is still a great big can of it. Thank goodness.

[:]

“Did you give Mrs. Scattergood her invitation?” asks Ozark.

“Of course,” says Mrs. Borage.

“I think it was a fragment of the episteme,” says Ozark. “Something irresolvable.”

“That’s lovely, dear,” says Mrs. Borage.

[:]

It is midnight. Neither today nor tomorrow.

“I am not ninety-nine nor one hundred, but something else,” thinks Mrs. Borage. She slips out of the house and stands barefoot on the bricks between the cairns. A red leaf of lettuce sails past in the wind.

Will Bertrand return with white sails? The cairns seem shorter. Mrs. Borage gazes over them. She sees a ship without sails. It is a black funerary craft. The leaves rush past in the wind. The sawing trees sound like the surf.

Mrs. Borage searches the cairns for the faces of the dead. The cabbages are badly decomposed. Mrs. Borage plugs her nose. It is a pungent deliquescence.

“The spirits have left them,” says Mrs. Borage. Her spirit feels far off also, aligning with the sun and moon, in syzygy.

[:]

When Mrs. Borage wakes up in the morning, she moves swiftly to the bedroom window. She would not be surprised if the world were covered with salt. It is not. The grass is yellow; the streets are gray. Mr. Henderson’s rooftop is dry and black.

The cairns have fallen. Trampled vegetables are strewn all across the yard. Now the brick pathway is just a series of linked circles.

“An eternity chain,” sighs Mrs. Borage.

Mrs. Borage inspects the yard. Here and there the grass has been torn. Great muddy gouges. Are those the prints of odd-toed hyraxes? Hartebeests? Soldiers marching in footwear special ordered to the front by their commander Gebhard Leberecht von Blücher? Ms. Kidney’s dogs give no comment. They are looking at their painted toenails, cyan blue, cyan green.

[:]

Ozark watches Mrs. Borage through the dining room window. Mrs. Borage is raking leaves with great vigor.

“She doesn’t seem any older,” thinks Ozark. “She seems closer to the sun.” Ozark feels as though she is seeing Mrs. Borage through bright yellow rays. Ozark walks out into the yard. She looks at the house. It has been wrapped in yellow barricade tape.

“Have we been condemned?” asks Ozark. Mrs. Borage is wearing crimson bluchers and her white ponytail is tied with a crimson ribbon. She’s whistling.

Ozark pulls at the yellow barricade tape. She rips a short strip and flips it caution-side down. She takes out her big black paint marker and writes the first thing that comes to her. She nails the banner above the door.

KOLIK JAZYKŮ ZNÁŜ, TOLIKRÁT JSI ČLOVĚKEM

She thinks it means, “Merry Meet We Within This Circle,” or maybe “Blessed the Gods Who Turn the Mighty Wheel.”

[:]

A many-colored montgolfière floats close to the tree line. Ozark blinks. The cloud cover rearranges itself rapidly on windy days. Now she can’t be certain. Would Bertrand return in a montgolfière? Her last postcard was an aerial view of Croton Magnus!

Agnes runs out into the yard to watch the montgolfière floating low over the trees. Her heart beats faster. Still, what is Croton Magnus known for, if not its steep terraces, its high, narrow roads and scenic overlooks? She can’t go chasing every montgolfière, dragon kite, and Cessna. The toast is burning.

[:]

Suddenly, Mrs. Borage hears a plaintive sound, wavering and thin. She throws down her rake.

“The Song of the Herring!” thinks Mrs. Borage.

The montgolfière crests Mr. Henderson’s house and starts to rise, the many-colored envelope expanding, and in the tiny gondola, Manxmen waving, singing along to the whine of the whisper burner, the old sad songs of the Irish Sea. Mrs. Borage waves back.

“I’ve never ridden in a montgolfière!” says Mrs. Borage. It is a crime in this day and age, that a centenarian can say that.

“Come around the house,” calls Fiona. Mrs. Borage gasps. A touring motorcycle, pink bodywork and gold chrome. Pink balloons trail from the exhaust pipe, and soup cans, and stuffed cockatoos.

“Happy birthday,” say the cockatoos.

“Happy birthday,” says Mrs. Borage. She smiles at Fiona. Her wig is large and freshly powdered.

“I don’t think the helmet will fit,” says Mrs. Borage.

Fiona dons the green helmet.

“It fits,” calls Fiona. Her antlers branch against the sky. She climbs onto the motorcycle. She kickstarts the engine. Around and around the pyre rides Fiona. The motorcycle is very loud. Mrs. Borage shuts her eyes.

The sound of the engine fades into the distance. Dorcas is picking up the broken pinwheels.

“She’ll be back,” says Dorcas.

[:]

Before Bryce began to découpage, she studied sports medicine. She doesn’t remember much. The foundations. Pheidip-pides at Marathon. The pentathletes at Delphi. She tries to remember more but she finds that her memories are very similar to Monet’s water lilies. She closes her eyes and concentrates, but she sees floating shapes.

“Green, ocher, blue, ultramarine,” says Bryce. Were her memories always like this?

“It’s my ecstatic temporality,” cries Bryce. “I’ve found it.”

She takes off her cap with the streaming ribbons. She takes off her cherry satin sash. She takes off her corset. She doesn’t want to be discredited by an hourglass figure, a relic of common time. She puts on her smock and starts to nail the barn stars to the side of the house.

Rosettes mean good fortune. Bryce paints eight red petals.

“She loves us,” says Bryce. “She loves us not.”

She looks up at the sky. Is that a castle?

“It is definitely a corbelled turret,” says Bryce. “White battlements.”

A War in Heaven? Today?

It must be the fixative she’s spraying. Another scotoma.

“I need a respirator,” thinks Bryce.

[:]

A pink and gold motorcycle is gliding silently up the street. Agnes squints. No, it is a red and purple bicycle rickshaw. Could it be? Dragomir! He is wearing a black suit and a blue tie. He has a little mustache. He has turned into quite a dashing young man. It helps that he is carrying a red rose.

“Happy birthday Mrs. Borage,” says Dragomir.

“Nut mix,” says Agnes. She is an aggressive hostess. Dragomir takes the handful of nuts. He takes another handful of nuts. He and Mrs. Borage stroll over to admire the dogs. Dragomir tells Mrs. Borage of his recent divorce from a cabriolet driver in Central Park. Mrs. Borage remembers Central Park.

“The golden gates,” she says, wisely. She remembers the heavy fog, how she sat beneath the shade trees in winter, drinking lavender chocolate, the golden cables lashed to the clouds.

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