Alison Moore - The Lighthouse

Even though she has been expecting him, it is not until he is standing in front of her saying hello, saying her name, that she realises that this is Mr Futh. She can feel the heat coming off his skin. He asks for his room and she gives him the key. He says, ‘I’d be very grateful if you would bring my supper to my room,’ and then, after gazing at his feet for a while as if he is trying to think of something, he walks towards the lift.

She will fetch his supper when she has finished her orange. She turns back to the bar, and the new girl goes back to inspecting her nails, and only Bernard continues to stare at the doorway through which Mr Futh has disappeared.

Futh stands in the lift. The door is closed but he has not yet pressed the button which will take him up to his room. He stood in front of Ester feeling very peculiar, no doubt due to sunburn, sunstroke. He thought for a moment that he might be having a panic attack right there in the bar. Remembering his relaxation technique, he looked down at the floor, at his feet, seeing hers, bare on the unswept floorboards, her high heels slipped off. He was unable to concentrate, to focus on his feet, on relaxing his toes and so on. He was disconcerted by her. He stood there too long, staring at her feet, becoming suddenly aware of doing so and limping quickly away to the lift.

Now he stands there, procrastinating, looking at the buttons but not pressing them. He wants to go back and talk to her, about his supper — he wonders whether he ought to tell her that he does not care much for salad. He does not want any to be wasted on his account. Perhaps he should ask her for some after-sun lotion — he would like her to come to his room with a pot of cold cream and, without being asked, dab it onto his sunburn, her cool fingertips soothing his forehead and the back of his neck.

He reaches for the button which will open the lift doors again, before pressing instead the one which will take him upstairs.

In his room, he goes straight over to the bed and sits down. He thinks about lying back but knows that if he does he will fall asleep and wake up there in the small hours or in the morning, still on top of the covers in his shorts and sandals, still in the same position, cold and stiff.

With a great deal of effort, he stands up. Reaching out to open his suitcase, he notices that the zip is not quite done up. He wonders whether he was careless that morning or whether it came undone, or was undone, during transit. He unzips it fully and sees his clothes neatly folded just as he packed them. He finds no suspicious packages tucked into the toes of his shoes.

He takes out his wash bag and looks for his razor. He has not shaved for days. His wash bag is crammed full of things he does not really need, has never made use of, but which he always takes with him. He has bath salts in there, a bath mitt, a pumice stone.

The bathroom is even smaller than he remembers. He fills the short tub, taking out the neglected bath salts and pouring them under the running water. He puts the mitt and the pumice stone on the side with his razor, undresses and gets in. It is only when he is submerged in water too hot for his sunburn that he realises he did not see the lighthouse in his suitcase.

When he gets out, his skin is very clean and soft and sore. He drains the water, leaving behind his dead skin cells and thousands of millimetres of stubble.

Emerging from the bathroom, he expects to find his supper on the side but there is nothing there. He puts on his pyjamas and moves his suitcase from the bed to a chair and is just about to get into bed without having had his supper when he turns back to his suitcase, opens it up and looks again for his lighthouse. After searching thoroughly without finding it, he stands wondering for a few moments. He looks at his watch — it is nearly closing time. He goes to the door and looks out into the empty corridor. He does not want to get dressed again but he does not have a dressing gown. Stepping into the corridor just as he is, he goes quickly to the lift and down to the bar.

Seeing that Ester’s stool is empty, he asks the girl behind the bar where Ester is. He puts the question in German and the girl’s brief reply is also in German but Futh does not know enough of the language to understand what she has said. He would ask her to repeat herself but she has quickly turned back to her customer. Futh looks around and sees, sitting at a small table, the barman who refused him breakfast at the beginning of the week. He decides not to ask him about Ester, which, besides, would mean him walking across the room in his pyjamas.

He leaves the bar again, gets back into the lift and goes upstairs. After hesitating for a moment in the corridor, he walks down it to the door at the end which says ‘PRIVATE’. It is a fire door. He pushes it open and goes through.

On the other side, there is a further stretch of corridor leading to another door, the entrance to a private apartment. Futh listens at the apartment door and thinks that he can hear something, a woman talking. He knocks. When there is no answer, he tries the handle. The unlocked door opens and he finds himself looking into a brightly lit hallway, at the far end of which is an open door and beyond it a room whose light is also on. He calls Ester’s name. Clearly hearing someone laughing, he calls once more from the doorway and then ventures into the apartment, the door closing quietly behind him.

Futh, making his way down the hallway, calling Ester’s name again, passes a small living room on one side and an even smaller kitchen on the other. There is nobody in either. He enters the end room and realises that the female voice he heard was drifting up from the street below, coming in through an open window.

Near the window, there is a bed, and Futh sits down on it to rest his aching legs while he decides what to do about his lighthouse. He supposes it could wait until morning. He could ask about it at breakfast time. But that man might be there instead of Ester, and Futh does not see him being helpful at all.

While he is thinking, he looks around, seeing the dog-eared romance on Ester’s nightstand, and next to it a bottle of lotion which he picks up. Squeezing some into the palm of his hand, he tries it on his sunburn but it stings.

In the other half of the room there is an en suite bathroom which he did not notice before, but the door is open and he can see that the bathroom, whose light is off, is empty. Near the bathroom door there is a wardrobe and a dressing table, and on top of the dressing table there is a silver lighthouse. He stands up slowly and crosses the room, but as he nears the dressing table he hears someone coming into the apartment. Futh is suddenly acutely aware of being out of bounds, that while he could have explained his being on the wrong side of the private door, the fire door, there is no excuse for being discovered in Ester’s bedroom in his pyjamas. Regretting his intrusion, he slips into the bathroom and pushes the door to.

The bathroom window is open and through it Futh can see the full moon. On the window sill he sees half a dozen Venus flytraps and is reminded of Gloria. He pictures her opening her kitchen door in her slippers, smiling at him and saying as she turned away, ‘Come in and keep me company.’

There was, on the occasion which he is remembering, no supper. Gloria took him upstairs, into Kenny’s bedroom, where she was drinking straight from a bottle of something which she said would put hairs on his chest. She went back to doing what she had been doing, going through Kenny’s drawers, putting his things into a box.