Peter Stamm - Seven Years

They had been together since high school, she said, and had grown up only a mile or two apart. Rüdiger had decided to go into architecture for her sake. He could just as well have done something completely different. You know him, he can do anything and does nothing.

When she started university, Sonia had found a room in a communal apartment, but Rüdiger continued to travel into the city from his parents’ house at Possenhofen every day. We had a good time, but it bugged me that he was still at his parents’. But his mother’s nice, I said. Yes, she is, and so’s his father too, but Rüdiger somehow can’t get free of them. Eventually I gave him an ultimatum. He decided in favor of his parents. Sonia laughed. She could easily imagine Rüdiger never getting married, he wasn’t really interested in women. Do you think he’s gay? No, said Sonia, he’s not interested in men either. What’s left? She shrugged her shoulders. I don’t know. She said she didn’t hold anything against Rüdiger, quite the contrary, at seventeen she’d been quite relieved to have a boyfriend who wasn’t pressuring her into this and that. I didn’t respond. It’s the same with work, said Sonia, perhaps that bothered me more. He’s just got no energy. It’s typical of him to have bailed before his final. Now he can go on being a student for another year. I wouldn’t be surprised if he never receives his degree.

We were out of the mountains and crossing a huge flat plain. The nearer we got to Milan, the denser the traffic. Sonia was silent now, she had to concentrate. Then we were in open country again, and the traffic was lighter. What do you look to a woman for? she asked. I don’t look for anything in particular. When I’ve fallen in love with her, I just have to take her the way she is. Sonia laughed. I must be a hopeless romantic. That’s why women have to be sensible and choose their men. Is that what you do? I asked. She didn’t say anything for a moment, and then she replied, sure I do that.

The air was hazy, and the car got very hot. We rolled the windows down and listened to the radio, and then later to cassettes. Every so often I would offer to take over the driving, but each time she shook her head and said, I can do it. Two or three times she stopped, without consulting me, at a service station, and we drank lukewarm coffee from the thermos, and peed, and then we drove on.

It was late afternoon when we got to the coast, and about an hour later we were in France. Not much farther now, said Sonia.

We reached Marseilles at eight in the evening, after driving for twelve hours. Unfortunately it took us another half an hour to find the house where Sonia’s friend lived. It wasn’t far from the old harbor, but the quarter was a tangle of one-way streets, and we drove around in endless circles, sometimes following signs to CENTRE VILLE, and sometimes TOUTES DIRECTIONS. Isn’t that great, I said, wherever you want to get to there’s only one way. Sonia didn’t say anything. She looked tired and stressed out.

Finally we found the house, a five-story Art Nouveau building with a grimy facade, and not too far away from it, an empty parking spot. Sonia switched the engine off and sat still. She said she was a bit tired now. Shall I carry you upstairs? She said Antje lived on the fifth floor.

Sonia went ahead while I lugged her suitcase and my bag up the steps. Above me I could hear the two friends greeting each other. This is Alexander, said Sonia, once I reached the door, and this is Antje. Alex, I said, and shook hands with the painter. She wore capri pants and a sleeveless top. Her hair was as blond as Sonia’s. She had small strong hands and must have been quite a bit older than us, around forty, I guessed.

So did you manage to snaffle him after all? she said with a naughty grin. Antje! cried Sonia with a show of horror, and laughed. We’re just buddies, as you know perfectly well. Antje asked us in, she had some food ready. She led the way down a dark hallway. From the outside, the building had looked a bit dilapidated, but the apartment was in a good state, the rooms were bright and had high ceilings and old creaky floorboards. The walls were covered with small old paintings of animals, meerkats and birds, ungulates and rodents. There was something disturbing about them, they were eerie and seemed to be observing us, lying in wait. Antje led the way out onto the balcony, and a table laid with bread and cheese, raw ham, olives, and a large bowl of salad, all in the light of an oil lamp and a few candles.

We ate and drank wine and talked. At eleven, Antje asked us if we felt like going out, but Sonia said she was dog tired. You can choose, said Antje, either you can sleep with your nice buddy in the guest room, or you can share the master bed with me. Sonia was sheepish, I hadn’t seen that in her before, it was quite moving. After her brief hesitation, she said, I’ll sleep with you. That’s what I was afraid of, said Antje. Come on, I’ll show you the room. The two women disappeared together. I stayed on the balcony, looking down onto the street, from where there was noisy shouting. A delivery truck was in the middle of the road and the driver of a car was leaning out of the window cursing the truck driver, who was taking all the time in the world to unload some large boxes and pile them up on the sidewalk.

Sonia says to wish you a good night, said Antje, when she came back. Do you mind if I have a cigarette? I asked if the paintings in the apartment were all by her. There was something disconcerting about them. Come, said Antje, and she took a couple of hurried drags, and put out her cigarette. She took me into the sitting room and switched on the light. Look at them closely. Once again I had the feeling I was being watched, but it took me a while to understand the cause of it. The animals had human eyes. I’ll show you my new ones, said Antje. She led me to a large room at the end of the hallway. The parquet floor was covered by large pieces of cardboard, on the walls were a few dark pictures, but in the half-light it was difficult to make out what they were. Antje walked through the room and bent down. A construction light on a tripod flared up, so bright that for a moment I was dazzled. Then I saw the strange beings in the paintings, a man with a fish head and an enormous cock he was holding in both hands, a bull mounting a cow, both with human heads, two dogs with human privates, licking each other. In the background were sketched in cityscapes, half-decayed high-rise apartments, deserted pedestrian walkways, a gray industrial park. The paintings were done in oil, in dark shades, and they had something old masterly about them. The one of the two dogs was still unfinished, the background was just outlined in charcoal on the primed canvas. I didn’t know what to say. I didn’t find the paintings beautiful, they were even more disquieting than the small ones in the other rooms, but they were undeniably powerful and unsettling. They didn’t seem to me to go with my idea of Antje, who in her conversation was pretty conventional, the way she talked to Sonia about clothes and going out and Munich compared to Marseilles. Antje didn’t seem to be interested at all in my opinion. Welcome to the zoo, she said with a mocking expression. She unplugged the light, and it was dark, but a different dark now that I knew what terrifying beings were concealed in it. We went back out to the balcony. Antje filled our glasses and looked at me directly. The silence was difficult, I had the feeling I had to say something. You’re unsettling. Yes, said Antje. It wasn’t a confirmation, more a sort of prompt, as though expecting me to carry on. I felt as if I was being tested. What’s the name of the painter who did The Garden of Earthly Delights? That’s what it reminds me of. Don’t trouble yourself, said Antje. Sonia doesn’t like them either. Perhaps you’re both just too young and cosseted. She asked me what my animal was. I thought about it, but I couldn’t think of one. A bird? I suggested. That’s what they all say. Antje shook her head. A gazelle. That would fit Sonia better than me, I said. Antje twisted her mouth. No, Sonia is domesticated. She’s a sheep, or maybe a guinea pig, yes, that’s right, a guinea pig. I laughed. You’re not very nice, are you. I’m most like a dog, said Antje, a stray dog, that’s not very flattering either. I wondered what sort of animal Ivona might be. Perhaps a dog as well, I thought, but Ivona wasn’t domesticated, under her quiet, long-suffering manner there was still something wild, a resolve that I’d rarely come across in a human being.