John Sayles - A Moment in the Sun

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It’s 1897. Gold has been discovered in the Yukon. New York is under the sway of Hearst and Pulitzer. And in a few months, an American battleship will explode in a Cuban harbor, plunging the U.S. into war. Spanning five years and half a dozen countries, this is the unforgettable story of that extraordinary moment: the turn of the twentieth century, as seen by one of the greatest storytellers of our time.
Shot through with a lyrical intensity and stunning detail that recall Doctorow and
both,
takes the whole era in its sights — from the white-racist coup in Wilmington, North Carolina to the bloody dawn of U.S. interventionism in the Philippines. Beginning with Hod Brackenridge searching for his fortune in the North, and hurtling forward on the voices of a breathtaking range of men and women — Royal Scott, an African American infantryman whose life outside the military has been destroyed; Diosdado Concepcíon, a Filipino insurgent fighting against his country’s new colonizers; and more than a dozen others, Mark Twain and President McKinley’s assassin among them — this is a story as big as its subject: history rediscovered through the lives of the people who made it happen.

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They continue to move forward, the men watching the treetops now. On the third day ashore they saw a few of the guerillas , hacked dead with machete blows and laid out on the side of the road, already stripped of equipment and some of their clothes. Cubans who fought on the Spanish side of this mess, but not looking any different from the insurrectos .

“Why would a man want to fight against his own people?” Junior wanted to know.

“We used the Crows to track the Sioux,” said Achille, who did a stretch in the 9th Cavalry when he was a young man. “Used the Tonkawa to fight the Comanches. But to a man outside they all just Indians.”

They march past a dead American, sitting propped at the base of a huge ceiba tree bordering another canefield. His whole middle is wet with blood, and there are a half dozen vultures circling in the sky. If the man’s head was at a normal angle it would look like he was resting.

“There’s the music,” says Bevill ahead of Royal and yes, he can hear it now, very light and distant but lots of it, no break between gunshots, just louder ones and softer ones.

They cross the field and fall out under the shade of the mango trees by a big plantation house. Men hurry their fixings out, rolling smokes, Too Tall cutting open a green cigar he has bought from some roadside muchacho and wadding the tobacco into his pipe. Royal drinks, realizes his canteen is already half empty. It is a beautiful spot. It is all beautiful country but for the heat and if you had the right clothes and nothing much to do and nobody was shooting at you it would be a paradise. Royal’s stomach is still not right from the green mangoes they boiled down for dinner last night, smelled like turpentine but tasted sweet. His stomach hasn’t been right, in fact, since the trip over on the Concho , the drinking water warm and brownish, the food no better than usual and all that rolling in the hold, sick even at night and having to take turns for time up on deck.

“Somebody’s catching hell,” says Gamble. “That firing aint let up once.”

The men listen. Birds are still singing, the high-pitched frogs are awake and throbbing, and through it they can hear the rattle and roll of rifle fire punctuated with an infrequent bass note of artillery.

Junior points. “Over there.”

They look and can see a cloud of white smoke rising above the jungle canopy to the right, maybe a half-mile away.

“That’ll be our battery,” says Sergeant Jacks. “Four pieces. Working kind of slow.”

They listen awhile, then lose interest, some men unhitching their loads and lying back on the ground, some talking quietly, most sitting alone with their own thoughts.

Insurrectos say they cut the Spaniards’ heads off if they catch em,” muses Achille. “Say the Spanish do the same, put em out on a stake.”

“What that mean to us?” asks Coop, who lays back with his eyes closed and his hands folded on his chest.

“Means maybe some of them Spanish boys been wanting to surrender, get sent back home. Now they got us to give up to.”

“Don’t sound like nobody surrenderin to nobody up there.”

“They got their officers behind em, stick em with a sword they don’t keep fighting.”

“So alls we got to do is kill all their officers.”

“That would do it.”

“Good,” says Coop. “I keep that in mind.”

Sergeant Jacks comes by to inspect rifles, just the rookies, and Royal pulls out the oiled rag he keeps stuffed down the muzzle.

“There’s a village called Caney,” says the sergeant as he handles the Krag, “behind a fort on a hill. We sposed to take that, then swing over and help the main force at San Juan.” He has never volunteered this kind of information before, never explained, and Royal wonders why he wants them to know this now. “We get into the shit, you just do what you see everybody else doing.”

The sun is directly overhead when they are formed up again and marched toward the gunfire. Royal is out off the path as a flanker with Junior, struggling through the brush, when they come to a man hanging upside-down from a tree, a rope tied to his ankle. Another Cuban, a guerilla , with palm fronds fastened around his body. Blood has run from the hole where his eye used to be to collect in his hair and spatter down onto the broad-leaved plants below.

“Sniper,” says Junior, pausing to look up into the nearby treetops. “No telling how many of ours he killed.”

The battle is louder now, flankers called in as they approach the end of the cover. Now and again there is the whine of a closer bullet, leaves and palm branches fluttering down from above, snipped by the spillover from the fighting in front of them. A sharp crack here and there and wood chips flying. The men strip off the load of bedrolls and haversacks, jettison everything but rifle, rounds, and canteen. Royal imagines he is dead.

If he is dead they can’t kill him.

He crouches with the others at the end of the woods and looks through the trees at what is waiting. A rugged stretch of mostly open ground, green-brown chaparral with a few spindly trees leading to a steep hill crowned by a stone fort. There are wooden blockhouses stretching off to the left of it, and then, on another hill slightly behind, a village with a tall stone church. Royal imagines his mother at her table, quiet and all cried out. He imagines Jessie with a black armband over her white shirtwaist sleeve, wearing it for him, solemn for a year, maybe more. Being dead is nothing, exactly that, nothing, so much better than being afraid, being injured, in pain, maimed.

He is dead and whatever happens next cannot hurt him.

Lieutenant Caldwell strolls in front of them, still inside the first line of trees, shouting to be heard over the gunfire that seems to be mostly off to the right of the hill.

“We will need to step into the open to form ranks,” says the lieutenant. “And we will advance in extended order at once. We are part of a larger maneuver — people are counting on us and we cannot fail them. Sergeants!”

They step out and form a firing line then, sergeants trotting parallel and shouting, getting the intervals right while the volleys from the fort swing their way. There is nothing to hide behind, and though most of the rounds sing over their heads a few men fall and soldiers sidestep to fill in the gaps. G and H Companies are out front in the firing line, Royal near the far left, with C and D to follow a hundred yards back in support, the rest crouching back in reserve. Royal sees the 4th Infantry, who had been with them on the Concho , whites to port and blacks to starboard, step out to form on their left flank. There had been lots of jokes across the bowline stretched between them about who was being protected from who.

“Firing line, forward — march!”

Kid Mabley blows the order and they quickstep ahead.

The idea seems to be to keep moving forward and hope all of them are not dead by the time they reach the top. Royal checks to each side to be sure he is not getting out front too far and sees that more men are falling. He feels the bullets singing past as much as he hears them and keeps walking through the chaparral, everything very bright, very clear and thinking he should be firing like some of the others but there is nothing, nobody up there visible to shoot at. The line reaches some small trees and there is barbed wire stretched between them, a half dozen strands of it and posts every three feet to kick and club through, something to concentrate on furiously as chunks of wood crack into splinters and more men fall. Somebody is screaming behind him. The line is scattered when he comes into the clear again, Royal trotting with the few left on either side of Sergeant Jacks.

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