John Sayles - A Moment in the Sun

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It’s 1897. Gold has been discovered in the Yukon. New York is under the sway of Hearst and Pulitzer. And in a few months, an American battleship will explode in a Cuban harbor, plunging the U.S. into war. Spanning five years and half a dozen countries, this is the unforgettable story of that extraordinary moment: the turn of the twentieth century, as seen by one of the greatest storytellers of our time.
Shot through with a lyrical intensity and stunning detail that recall Doctorow and
both,
takes the whole era in its sights — from the white-racist coup in Wilmington, North Carolina to the bloody dawn of U.S. interventionism in the Philippines. Beginning with Hod Brackenridge searching for his fortune in the North, and hurtling forward on the voices of a breathtaking range of men and women — Royal Scott, an African American infantryman whose life outside the military has been destroyed; Diosdado Concepcíon, a Filipino insurgent fighting against his country’s new colonizers; and more than a dozen others, Mark Twain and President McKinley’s assassin among them — this is a story as big as its subject: history rediscovered through the lives of the people who made it happen.

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It is Brother Bones again, only now he is wearing the Interlocutor’s frock coat, gripping on to the lapels and striking an orator’s pose. “Ladies and gennlemens, extinguished guests,” he begins, “the tropic of my discoursation tonight is entitled ‘The Enfranchisement of the Lower Orders,’ or ‘How come we gots to let them Irish vote?’ ”

Niles snorts a little laugh through his nose.

“It has come to my retention,” the Perfessor continues, “that this fair city—” and here he pauses to look up at the sports in the balcony, “—aint near as fair as it might be.”

The colored sports thinks this is funny, slapping hands on the railing and on each other’s backs. “ Doesn’t nobody but trash go to those shows ,” Alma used to say when she was still with the family, before the incident with Niles. But maybe she only meant among her own people, for nobody in Wilmington would think of Judge Manigault’s boys or the Lassiters or the Bellamys or the de Rossets, all well represented here tonight by their younger generations, as trash. Harry misses Alma — the new one Judge has hired can’t cook much and is painful to look at, with some sort of goiter sticking out on her neck.

“Leastways it don’t look so fair if you is hangin roun City Hall waitin fo a handout or one a them gummint jobs what used to go to members of the Caucasian Persuasion.”

It is maybe too uncomfortably true to get much of a laugh, thinks Harry, but somebody has clearly done their advance work.

“But what I caint unnerstan is how this great big ole city, the largest metropopulist in the Old North State, has got itself one hunnid an sixty-nine saloons and houses of ill dispute — an I been to em all , fokes — but only five mayors.”

This breaks the house up. There are, in fact, at least five distinct slates of mayor and aldermen claiming the reins of the city, including the one the Judge is backing that just suffered defeat in a Raleigh courtroom. The Judge has no use for the bunch declared winners by the governor, and can rant for hours about the hell there will be to pay if they are allowed to serve out the full two years left in their term.

“This yere is a sorrowful state of affairs,” says the Perfessor, “an I intends to correctify it by thowin my own hat into the ring — as soon as I pawns it back fum Mist’ Miller.”

Niles starts to giggle. He owes money to Miller, quite a bit, and has made Harry swear never to reveal to the Judge that his son is in debt to a colored man.

“As the sixth or seventh mayor of this fine city, I promises to do my nutmost to put a chicken in every pot — and for them what aint got no pot, we’s passin em out down to Repubikin Hindquarters tomorrow mo’nin.”

“Ten dollars, then,” says Niles, affably, and holds his hand out without taking his eyes off the stage, as if ten dollars is nothing, as if the hundreds before, yes, it must be hundreds now, have been a passing trifle. Harry feels strange, exchanging money in a public place like a carnival tout, but digs out the bill and lays it in his brother’s hand.

“An since the Consternation of the United States says how it’s the perjority of the people what gets to call the shots, I promises to insinuate Negro Abomination here in Wimminton!”

Boos and hisses now, not all of them good-natured. The Perfessor holds his ground.

“The white fokes has abominated the political spear here in Wimminton long enough, and all they done so far has been to run the jint down to its present state of putrification, their gummint caricatured by pecuniary misfeasances and gross incontinence. Now it’s our toin!”

More boos, though a few shout Amen from the balcony. Fun is fun, but it is possible to cut too close to the bone.

“I spose they’s a good number of you fokes out there considers youself Confederates.”

Cheers and rebel yells answer this. Niles looks around with shining eyes as the boys downstairs, most of them his old friends, hoot and stomp their feet. Their daddy, the Judge, fought for the Great Lost Cause, as did any man of his generation with two legs and ballocks hanging between them. The comedian has touched a nerve.

“An I is a former advocate of the Fusionist Party.”

Booing again. The Fusionists are the alliance of carpetbagger, nigger-cosseting Republicans and poor white Populists who dominated local politics in the last election.

“So I suggests we jine together an forms a co-lition betwixt the Confed-erates and the Fusionists — we call it the Confusionist Party.”

It is good enough to get most of them back on his side. If people get this het up over a pretend colored politician, Harry thinks, what will they do if a real one appears?

“Cause politics in Wimminton is the con fu sinist thing I ever try to wrap my nappy head around!”

Applause now, people conceding the truth of his point.

“If any of you fine peoples,” the Perfessor finishes, “care to hear the rest of my perambulation, I can be foun at the Abysinnian Embassy — Fo’th Street, co’ner of Bladen.”

The Darktown address gets the Perfessor a nice laugh to part with, the curtain beginning to rise before he is fully into the wings.

There is a battleship upon the stage.

Coop has done it in a carriage before, but never with springs like this. Usually they creak and groan, bringing out a lot of shushing from the gal, as if anybody from the house could hear. White people’s carriages. It always give him a little thrill, to think of the Mister and maybe even the white Missus parking their bottoms where his bare black ass been only hours before, busy at what they never want to imagine. Sweet Alma is on him, big warm breasts nestling his cheeks, rolling on him slow and tight and the leather against his ass so soft and warm. And these springs. A quiet ride, that’s what it is — if he ever runs into old Wicklow again he’ll have to compliment the man. Alma grips the back of the seat and presses close to him, smelling like cinnamon, calling him Clarence, Clarence baby, but that’s okay because there’s no one else to hear, not even the coach horse like a few times in white folks’ barns, grinding their oats without interest only a stall panel away. Maybe that’s how he’ll do it, he thinks, be Coop with the Indian gals by the Fort or whatever ones you can buy in Cuba if they go, be Coop for the stripes and the brass and the white men and the whole damn world you got to bow down to, and save Clarence, save the real man, for a sweet pretty woman like Alma Moultrie.

“Darlin,” he says to her, her big eyes drinking him in, the carriage rocking ever so slightly but with no complaint from the springs, “I been needing this for so long.”

The battleship rocks on plasterboard seas, and there is an intake of breath followed by a hum of comment as people recognize it as the Maine. It is only scrim, of course, unpainted but with the details somehow projected from behind it. Harry smiles at the relatively crude wave effect at its base, two long cutouts of blue swells that rise and fall rhythmically against each other to create a peaceful, safe-harbor illusion.

The operetta begins with the tenor up on deck in his uniform and Dolly St. Claire below, isolated in a spotlight extreme stage left, trading verses as the light turns golden sunset yellow—

Just a song at twilight, when the lights are low

And the flickering shadows — softly come and go

— the soubrette back home thinking of her loved one as he does the same on board in Havana’s harbor.

The Maine . Harry has studied the pictures, has read the accounts of witnesses and experts, and entertains the possibility that it was nothing but a boiler bursting to disastrous result, an unsurprising phenomenon given the enormous pressure brought upon rivet and seam in the massive steam-powered vessels. They are floating bombs, as every engineer will agree — but a torpedo in the night and an underhanded foe make for better newspaper circulation.

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