John Sayles - A Moment in the Sun

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It’s 1897. Gold has been discovered in the Yukon. New York is under the sway of Hearst and Pulitzer. And in a few months, an American battleship will explode in a Cuban harbor, plunging the U.S. into war. Spanning five years and half a dozen countries, this is the unforgettable story of that extraordinary moment: the turn of the twentieth century, as seen by one of the greatest storytellers of our time.
Shot through with a lyrical intensity and stunning detail that recall Doctorow and
both,
takes the whole era in its sights — from the white-racist coup in Wilmington, North Carolina to the bloody dawn of U.S. interventionism in the Philippines. Beginning with Hod Brackenridge searching for his fortune in the North, and hurtling forward on the voices of a breathtaking range of men and women — Royal Scott, an African American infantryman whose life outside the military has been destroyed; Diosdado Concepcíon, a Filipino insurgent fighting against his country’s new colonizers; and more than a dozen others, Mark Twain and President McKinley’s assassin among them — this is a story as big as its subject: history rediscovered through the lives of the people who made it happen.

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“The Jesuits’ aim is to develop the man,” Diosdado replied, carefully draining his voice of all irony, “not his ability to become wealthy.”

“Easy for a priest to say, with what they get away with.”

Jesús, María, y José ,” his mother ejaculated, her reflexive response to Don Nicasio’s criticism of the church or its minions.

“I’m only saying the Lord has provided very well for them on these islands. The rest of us have to scratch for what we eat.”

Diosdado was polite and remote on these visits, and his father, who was not stupid, knew that something had changed between them.

“Now there is a sensible young man,” he announced when General Aguinaldo and the Junta accepted the Spaniards’ financial inducement to go into exile. “Get the indios to die for you, then escape with the treasure.”

At the station in Tarlac, after the last visit, he took Diosdado’s arm to draw him near and look deep into his eyes. “These are dangerous times, mi hijo ,” he said. “You must step carefully.”

“I know, Father.”

“So,” said Don Nicasio, laying a thick hand on his shoulder, “we understand each other?”

Scraping and banging of wood above him. Diosdado says another Ave Maria. The man who finally flips over the crate and levers it open is Chinese and does not even speak Cantonese, only hissing and flapping his arms for Diosdado to hurry, and then scurrying away into the night.

It is hard for Diosdado to straighten his legs at first, to stand. He is not on the dock but on a barge loaded with similar crates anchored nearly a hundred yards out from the shore, several shabby-looking sampans and junks and smaller boats floating in between. It is very quiet, perhaps a curfew in effect, in which case he has to find a new place to hide very quickly. He looks around for the man who freed him — gone. There are some electric lights lining the Praya, and only a few gas lamps still shining, scattered up the slopes that back the city. It must be very late. Diosdado brings his knees up and down several times to get the blood back into his legs, then ties his sack to the back of his belt and starts for the shore, stepping as carefully as he can from boat to boat, the flimsier craft threatening to slide out from under his feet as he makes each transfer, grabbing on to anything he can for balance and trying to look as if this is his usual route, something normal. He stops, crouching in one very tippy rowboat, to rest and to rehearse his lies, both the ones the Committee has given him and the ones he has invented on the journey. José Corpus, if anybody inquires, is here in the Colony pursuing business opportunities, hoping to find buyers for the iron ore from his home province. He is in between residences at the moment — is there a clean, relatively inexpensive commercial hotel he should know about? And right at the moment he has to get to the dock without drowning.

Diosdado slips the rowboat from its painter and paddles with his hands to bring it bumping gently against the side of a junk, able to stand precariously and grab the higher gunwale with both hands to haul himself up. There are people on the deck, dozens of them, fast asleep. He steps cautiously over and around them, not a one stirring, till he reaches the port side. There is a lower sampan tied next to the junk, only a short jump across and down, but he freezes for a long moment, staring anxiously at the open spot where he wants to land. Someone coughs behind him and he makes the leap, a little too forcefully, his momentum sending him bouncing off the far side of the prow of the smaller boat and into the water, the splash rousing what must be dozens of geese held in cages under the sampan’s awning, flapping and honking an alarm that could wake the souls of drowned sailors. Diosdado swims frantically then, dog-paddling from moored boat to moored boat, finally finding the bottom rung of a weed-slimed metal ladder leading up to the wooden dock.

There is no time to sprawl and recover. Diosdado staggers quickly out of the range of the shore lights, the geese still hysterical behind him, finally settling behind a heap of wooden pallets next to a stone warehouse. He looks around, dripping and gasping to catch his breath. He is amazed to find that he recognizes the place — it is the old Pedder’s Wharf, where he disembarked with his father the first time Don Nicasio brought him along on a buying trip. They stayed at a beautiful hotel halfway up the slope on Ice House Street, and spent an afternoon at the Cricket Grounds watching Englishmen in white uniforms swat a hard round ball and run between two pegs.

Diosdado pulls his good clothes, soaking, out of the sack and twists the seawater out of them, draping them carefully over sections of pallet to dry. The geese are quiet now. He is in Hongkong, in the deep of the night, with a handful of silver and a head full of lies, and no idea if he’ll ever go home again.

By the time the sun is barely peeking over the harbor and Kowloon across the way there are already too many Chinese in Hongkong. The streets are choked with them, shouting, waving their arms, making deals from opposite sides of the street, peddling food from carts, the rickshaw boys swarming like hungry gulls if they see a white man who dares to walk. Diosdado makes his way through it all in his wrinkled, still-damp suit, navigating by memory and the muttered directions of Chinese men in too much of a hurry to look him in the eye.

There are Chinese in Manila, of course, thousands of them, the coolies in Binondo running ducklike under their burdens, the merchants haggling in their shops on the Escolta, the gamblers and opium dealers in Tondo luring the adventurous and weak of mettle into perdition. One of General Aguinaldo’s plans, when the Republic is established, is to limit the number of coolies allowed into the country as workers, hoping to leave more jobs open for the dispossessed Filipino kasamas who flock in from the provinces hoping to change their lives. It seems a hopeless idea, like building a sea wall capable of stopping a tidal wave. With decent leadership and a shared purpose, thinks Diosdado as he shakes off the trio of fan-tan parlor touts pulling at his arms, these people will rule the world.

Statue Square seems almost deserted by comparison. A broad open ground between the Hongkong Club and the various British administration buildings, narrow walks crossing the immaculately kept lawns, all leading to Victoria Regina’s elaborately canopied pavilion and its unobstructed view of the harbor. She is cast in bronze, a portly lady with fierce eyes sitting on an angular throne, ornamented pillars supporting the dome above her head, an outsized replica of the royal scepter sticking up straight from its crest like the spike on a Prussian’s helmet. There are no soldiers guarding the pavilion, only a few British clerks strolling past and a man who looks Indian trimming the grass in front of the Hongkong Club. Diosdado sits on the third step of the granite base as he has been instructed, the Queen behind him, and watches the harbor. The traffic in the water is no more orderly than that in the market district, junks and sampans and opium traders barely missing the rickety little fishing boats as they whip past, all in a seemingly random frenzy of activity. He sits below Victoria and watches, feeling his clothes dry out in the morning sun, hungry and tired and hoping he is not a day early or a day late. It is possibly the most exposed position in all of Hongkong. At least, he thinks, if someone is coming he will be easy to find.

Hours pass. Diosdado is able to pick out the Star Ferry boats, crossing to Kowloon and back, from the rest of the floating bedlam in the harbor. He sees the steamer from Manila, the one he is not on, ease up to Blake’s Pier and disgorge its passengers. The shadow of the royal scepter begins to lengthen across the Square.

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