John Sayles - A Moment in the Sun

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It’s 1897. Gold has been discovered in the Yukon. New York is under the sway of Hearst and Pulitzer. And in a few months, an American battleship will explode in a Cuban harbor, plunging the U.S. into war. Spanning five years and half a dozen countries, this is the unforgettable story of that extraordinary moment: the turn of the twentieth century, as seen by one of the greatest storytellers of our time.
Shot through with a lyrical intensity and stunning detail that recall Doctorow and
both,
takes the whole era in its sights — from the white-racist coup in Wilmington, North Carolina to the bloody dawn of U.S. interventionism in the Philippines. Beginning with Hod Brackenridge searching for his fortune in the North, and hurtling forward on the voices of a breathtaking range of men and women — Royal Scott, an African American infantryman whose life outside the military has been destroyed; Diosdado Concepcíon, a Filipino insurgent fighting against his country’s new colonizers; and more than a dozen others, Mark Twain and President McKinley’s assassin among them — this is a story as big as its subject: history rediscovered through the lives of the people who made it happen.

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“They aint gonna care he’s so little,” says Royal as they hurry away. “They kill him anyways.”

There are a few shacks up by the tree line and a broken dugout boat tumbling in the surf and Coop finds a fish lying in the dry sand, gills still pumping.

“This got to be a googoofish,” he shouts before flinging it over the breakers and into the sea. “Don’t know where it suppose to be.”

“We could of ate that.”

“I aint eatin no more fish in this lifetime.” Coop has been the one most eager to believe the rumor that they will all be replaced by Texas Vols and sent back home. “Rice neither. I get back it’s gone be steak and potatoes or nothin.”

There is a woman, youngish, eyeing them from up the bank of a little stream that empties out into the ocean, standing motionless. There are still a lot of them up here never seen an American, colored or not. A number of the palm trees have bolo slashes on their sides, footholds, and Jacks looks into the tops for snipers. It has become that kind of fight, like a handful of wasps worrying a water buffalo. No way they can bring you down, but now and then you get stung.

The tracks of the band, six of them now, appear on the far side of the stream past the nipa fronds, cutting away from the roaring surf and into a jumble of boulders. The new one is bigger, barefoot. Jacks holds his arm up and Gamble and Ponder scoot ahead into the rocks, ducking low as they run. The rest of the patrol squats or takes a knee. There is no shade here, and Jacks has his midday headache, the rhythmic pounding from the shore working on him all morning long. Huachuca and Bliss would cook you but it never made you wet like this, like you been steamed through. He wonders how Lupe would make out here. He misses her.

Gamble and Ponder pop out and wave them up.

“Single file,” he says, and they head into the boulders.

The rocks are near shoulder-high, no reason they should be there, just something God didn’t have noplace else to put. The men walk silently, rifles held high and ready. Jacks doesn’t have to do much sergeanting with this bunch, all of them experienced soldiers now, turning quick but holding fire when the rustling off to the left turns out to be only a monitor lizard, one of the big long ones that all start to sing when the sun drops out of sight.

They come out at the base of a low dune with a few crooked palms sticking out from the top. The rebels have climbed it.

“These boys never learnt to cover they tracks,” says Coop and then his head makes a snapping sound, a wet clot of it hitting Jacks on the shoulder and they are all down on their bellies firing at the top of the dune at the spot between two palms where there was a flash of metal. Gamble and Ponder split wide from each other, lizard-crawling up the slope while the others continue to pour it on to cover them. They hold fire when the boys wave.

Coop is gone, laid backward in the sand with a hole between his eyes and his head in a puddle.

“Cover him up with something,” says Jacks and trudges up the side of the dune, slinging his rifle and dropping onto his hands for the steep part. It is only a boy at the top between the palms, shot four or five times, a Mauser lying next to him. Ponder picks up the rifle to put another in him, but the chamber is empty.

“Hit the man when he didn’t have but one shot,” says the corporal. “What’s the odds on that?”

Diosdado has given up trying to read the gunfire. It was Fulanito and then a lot of Krags and then silence.

“Road just up over the top of this hill,” the American says, pointing. “You head east on it. But that boy, if they didn’t get him, he gone get lost.”

“You could join us.”

“And yall could give up. You give them rifles over, I bet they still payin out.”

There are Americans, white men, living in his father’s hacienda now. Americans hold the railroad all the way up to Bayambang. When he gets the men to Candelaria they will bury the rifles and split up, each going to a baryo where they have friends, and pass as Juan Tamad. See their families, maybe raise a crop until it is time to strike again. The yanquis are impatient people, and if they think this war is a disease they can never shake, persistant and painful, maybe they will go home.

His men are waiting for an order. There is no firing now and they feel the enemy closing in.

“Go back and find the boy if you can,” he says to Royal Scott, “and lead him to the road when it is safe. We aren’t finished yet.”

He starts over the hill and the others hurry after.

Royal backtracks a ways and then sits out in the open just over the crest of a dune. Fulanito should find his way at least this far, and if it is the others they will at least see he is unarmed. He rubs the flea bites on his legs softly with the palm of his hand, soothing not scratching like Mama taught him, and waits. Bung will have told everybody left near the shore by now and they will make themselves scarce. It seems like the end of the earth, but the flag has followed him even here.

He recognizes them before the faces take detail, the way they move on patrol, their shapes. Sergeant Jacks spreads them out in a defensive position and climbs the dune alone.

“You not supposed to be here, Private.”

“That aint a lie.”

Jacks steps past him to the top, looks down the other side, then comes back to sit beside Royal in the sand.

“Where they gone to?”

“Up the road. There’s a village.”

“That boy killed Cooper. We come into any village, somebody’s dyin.”

“Cooper.”

“Uh-huh.”

The waves seem very far away, rolling now, and the sky has gone clean of bad weather. Royal is wearing only a wrapped cloth like Bung does and feels naked next to the sergeant. Jacks stands.

“You better get your story together, son.”

The other men nod and Too Tall mutters a hello when he comes back down with the sergeant, but they keep their eyes away like he might be a ghost. Corporal Ponder is carrying Fulanito’s Mauser.

“Those people long gone,” Jacks tells them. “So we just liberate this prisoner and head back to the garrison.”

They follow their own tracks back over the dunes to the boy’s body. They have rolled him onto his side and except for the blood he could be napping in the sand. Coop’s body is stretched out way down the slope, a palm leaf covering his head. It wasn’t an easy shot.

Nobody offers to help when Royal squats and puts Coop’s body over his shoulder to carry. He feels the head sticky against the small of his back as they walk, over and through the dunes to the beach, making their way around the boulders, squeezing through the nipa and crossing the stream knee-high where it spreads out. The tide is up now, only a little strip of sand left uncovered. Royal kneels and lays Coop down on it.

“I get something we can carry him in the rest of the way.”

“You go with him, Hardaway,” says Jacks, looking into Royal’s eyes. “Might be some of them googoos still about.”

He leads Hardaway to Bung’s hut, better built than most, and unties the hammock stretched between the deck post and the cocoanut palm growing next to it. He speaks softly, searching hard for the words in Tagalog. Bung won’t be far away.

“What you say there?” Hardaway asks when they are coming back with the hammock.

“Told where that boy is. Maybe somebody will do for him before the crabs get busy.”

The others have stripped most of Coop’s clothes off.

“I tell the lieutenant you got lost in the river, got caught, run away and spent you some time in the sun out here,” says Sergeant Jacks, tossing Coop’s pants at him. “But you best walk in there looking like a soldier and not some wildass golliwog been shacked up with a native gal.”

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