John Sayles - A Moment in the Sun

The lieutenant said to leave the church alone. No sense in being disrespectful.

They veer off the road and march through a section of what they called chaparral at Huachuca, Gamble moaning a bit now and holding his shattered arm tight to his side. Royal has Junior’s Krag still, the artificer having taken his own to use it for parts. With the marching orders there was no way to send the body back, but the boys pitched in and dug a good deep hole and borrowed a cross from the church. There is no chaplain with either H or L, so they stood uncovered around the hole and the lieutenant said some words and told Royal he would write to the Luncefords in New York and then they filled it in. Royal would write, too, only they might blame him for it. It doesn’t seem possible that anything, much less one little piece of paper, could start from this hot island in the middle of the sea and find its way to some colored people lost in a great city in the north of America.

Royal moves ahead with the column, all his joints aching now with the fever, flushed with a liquid heat that seems to flow up across the back of his neck to his cheeks and to his temples and everything so bright it is hard to tell what is near and what is far as they reach the river, the same one, he thinks, but a different spot, and the column bends alongside it for nearly a mile before the lieutenant says it is a place they can ford.

The banks look high here but when it is Royal’s turn he sees there is a section that has caved in and the head of the column has already reached the far side, men holding their rifles over their heads and wading up to their chests, moving slowly on what looks like slippery footing, the double line bent in the middle by the current. The water is cold and feels good on his legs, tugging. It is all a jumble of rocks below and the Krag seems to weigh as much as a man when he lifts it overhead, Hardaway making little noises in front of him, afraid of his snakes like always in the water and the current is even stronger than it looks, making you brace yourself and push one leg forward and get a foothold before you dare swing ahead. There are no shoals but the sound of the water rushing between the soldiers is insistent, deafening, and it is Too Tall just next to him upstream who falls and knocks him loose, off his feet in the water and swept away and the bottom is gone, can’t find it, his head under once, hat gone, men’s shouting voices growing distant so quickly and he thrashes his free hand and his feet searching for something, anything and then finally thinks let it go and lets Junior’s Krag slip from his hands so he can try to swim. But the banks are so high here, the river deeper, swifter, and his arms are so weary, the fever taking all the starch out of him and Royal gulps air and puts his head in the cold water and just lets it take him away. Away. Make himself scarce. He is getting scarcer and scarcer, the cold passing into him, and it is an annoyance that he has to raise his head to take a breath.

There is a tree downed partway across the river ahead and if he had the strength he might paddle around it and let the river keep him. A branch cuts his cheek as he is driven into it by the current and his legs are swept under and then he is struggling with the tree, wrestling branches and ducking under and then there are rocks, some of them sharp on his hands, and he pulls himself half out of the water like a mudpuppy, legs still tugged by the current behind, and lies on his face with nothing left to spend. He doesn’t think they’ll bother to send anybody after him.

The heat is gone out of him and the chills come, running up the backs of his legs and out his arms like ripples before a fast wind. The rushing river sounds hollow and far away, all sound dull till the snap of the rifle bolt above.

Royal manages to roll onto his side. A boy stands on the thick trunk of the upended tree, bare toes dug into the bark, his skinny arms leveling a battle-scarred Model 93 Mauser at Royal’s head. He looks scared or excited or both. He says something and jerks the barrel of the rifle up and down.

Royal closes his eyes and lays an arm over his face.

Kalaw whistles the warning and Diosdado slows, raises his arms over his head so they can see that it is him. The sentry waves him on gravely, no question as to whether his mission in Taugtod was successful or not. When he approaches the camp he sees them all gathered around somebody, men barely glancing at him as he steps to the center to find out what has happened.

It is little Fulanito with a big, black American. The American looks more exhausted than scared. Bayani comes up the hill then and tells them to break camp, that one yanqui in the river means more are near, then goes to explain to the refugees who have joined them what may happen next.

“Sit down here,” Diosdado says to the American, who he can see is surprised to be addressed in his own language. The man, who is big but not so big as some of them, has to support himself with one arm to stay upright, even sitting.

“You are of the 25th Infantry.”

The man nods.

“And you have burned Las Ciegas.”

When Colonel San Miguel ordered the attack on the garrison, Diosdado told Bayani to stall enough getting there that they were not part of it. Since Aguinaldo’s capture the Republic has ceased to exist as such, only groups of independent raiders left, striking when they have the advantage. Why attack the enemy where he is dug in with an ample supply of ammunition?

“The people are all gone there,” says the American.

“Yes. Some have come to us.” He points to the dozen they have met on the way, sitting anxiously with the things they have carried piled around them. “And where is your column going?”

The man hesitates. “They don’t tell us the names till after we took it over.”

Subig will be next. The column must have crossed some distance upriver. Nothing to be done, and he needs to get his people to San Marcelino before the yanquis arrive.

“What is your name?”

“Royal Scott,” says the americano negro . “Private.”

Diosdado looks the man in the eye and sees only someone waiting, resigned, for what happens next. This close, their faces are only human, not like the stories from Manila or the cartoons in the newspapers. But he finds himself speaking very slowly, as if to a child.

“I must tell you, Private Scott, that you have only two courses open. Either you will come with us in silence as a prisoner and a cargador —a carrier of things — or we must shoot you now.”

Fulanito stands with his rifle aimed, unwavering, waiting for the Amer-ican’s response.

The rebels hang their heaviest supplies on a pole they lift onto the American’s shoulders. Most of the Pampanganos want to return to the burned village and rebuild, but Nilda lifts her own burden and begins to walk. The American, Roy, gives her only a quick glance and does not smile at her. The rebels are going north to Zambales, they say, and that is where she wants to be. He looks like he is wounded or sick, Roy, staggering under the load, struggling to keep up with the swiftly moving band. She walks behind, and once when he seems about to topple she puts a hand to his back and gently pushes forward. She asks the Virgin, in the familiar but respectful way that Padre Praxides taught her in Candelaria, to intercede.

Mother of God , she prays, do not let them shoot this man .

The Temple of Music belongs on the head of a Byzantine despot. Its sides, anchored by statues of bards and Bacchae, are a deep Chinese red with trimmings in gold and yellow, the panels of its massive dome an aquatic blue-green, facing its slightly less gaudy sister, the Ethnology Building, across the Esplanade. Today it is even hotter inside the Temple than out, many of the patient citizens dabbing the sweat from their faces with handkerchiefs as they wait to greet the President. The line begins outside, where a pretty girl strolls along it selling samples of cool Lithia Water from a tray, then hooks into the southeast entrance. Inside there are soldiers and Exposition police forming a chute between their human chain and the curving row of seats, to guide the well-wishers in single file toward their destination. A soloist is playing Bach’s Toccata and Fugue in D Minor on the immense organ that takes up much of the eastern wall of the structure. There is a slight blue-green cast to everything touched by the afternoon sun slanting through the dome panels. The President is flanked by his secretary, Cortelyou, and the Exposition director, who introduces any prominent Buffalonians as the line comes from the left. A pair of Secret Service men stand across from them, watching the crowd.