John Sayles - A Moment in the Sun

“Sorry, Miss,” says Hod.

She looks at the negro. “Boxin over?”

“Just about to start, the real one.” Smokey points to Hod. “He got to change.”

She nods and stands, glancing at Hod as she steps out of the crib. “He aint no fighter.”

“Nemmine her,” says Smokey, tossing a pair of stained trunks onto the cot. He holds up a pair of high-topped leather shoes. “These aint gonna fit you, is they?”

“Don’t appear so.”

“Put them of yours back on when you ready, then.” Smokey watches as Hod strips down, turning away when he peels his long underwear off. There are postcards of naked women stuck all over the walls, naked women holding tennis rackets, astride bicycles, lounging on divans, naked women staring right at you.

“These are big, too,” says Hod, holding the waist of the trunks out with his thumbs.

“You put this in there, protect your privates.” Smokey hands him a molded triangle with padding stuffed in it. “Then pull them drawstrings tight. You sure you been in the ring?”

Hod wedges the protector into the trunks, then wriggles his hips to get it to sit right. “There wasn’t any ropes. The other miners just crowded around in sort of a circle.”

Smokey shakes his head. “Makin you toe the line with Chrysanthemum Joe.”

“He somebody?”

The colored man snorts. “He put that left hand of his on your chin, you find out quick who he is. Beat Kid McCoy twice .”

“What you think I ought to do?” Hod is more worried about the crowd, raw-faced and shouting around the ring, of being humiliated, than of the soft-spoken man from the Pack Train Restaurant.

Smokey strikes a pose — arms slightly bent and extended out before him, loose fists held palms toward the ground, left hand and foot slightly forward of the right, right elbow tucked in close to the ribs. “You stand like this,” he says, “then you try catch his hits with your gloves or duck your head away from them. With Joe they gonna come in bunches, so stay on your toes, keep movin. This here,” he taps the spot between the ribs just below his breastbone, “this is your mark . You let him hit you sharp on that mark, your knees gonna buckle right under you. So you keep this elbow down here ready to block him, throw it across your mark when he try at it.”

“That leaves my head open on the right.”

Smokey smiles, showing a few missing teeth. “Don’t it though? That’s what beau tiful about the game. Whatever a man do, it open him up to something comin back.”

“So if I think he’s gonna—”

“Last thing you want to do out there is any think in, son. It’s all time and distance, time and distance, and then you just got to have a feel for it.”

“You were a fighter?”

Smokey begins to wrap Hod’s left hand in a tight, complicated cross-pattern with a roll of cloth bandage. “Bare-knuckle days. My last bout I went twenny-eight rounds with Peter Jackson when he come over from Australia. Near kilt each other.”

Hod looks down at his heavy shoes. “These gonna be all right?”

Smokey nods. “Got a nice tread on em. Wood floor, slicked up with blood—”

Hod feels a little dizzy. He tries to focus on one of the postcards. A naked woman with dimpled knees and a feathered hat poses, chin up and eyes to the heavens, before a backdrop of a distant, smoking volcano.

“Should I try to hit him back?”

“Try to hit him first and then get away. Hit him, hold him, wrestle him around. Just don’t get him mad at you.”

There is a roar from the dance floor as one or both of the prospectors hit the floor.

“I think I better piss first.”

Smokey sighs, starts out. “I get you a cuspidor.” He pauses with the flag half lifted to look back. “Whenever you think you can’t stand no more, you take your dive. And once you in that tank, stay under for a while. Can’t nobody hit you with nothing down there.”

Three hundred men turn to look, whiskey-ornery, as Smokey brings Hod back into the dance hall. Jeff Smith stands with Niles Manigault and several of the others from the Parlor at the side of the little improvised ring, cargo rope stretched between four cattle stanchions nailed to the floor. The one they call the Sheeny Kid barks out from the center.

“Gentlemen, if I may direct your attention — now entering the squared circle — from the mists of County Cork — European Catchweight Champion and challenger for the Heavyweight crown — the Gaelic Goliath — Young McGiiiiiiiiinty!”

Smokey holds the ropes apart and Hod ducks in to more jeers than applause. He stands trying to look above the men’s howling faces and sees the red-haired girl from the little room leaning against the far wall with her arms crossed. He wishes she wasn’t there.

“Hey Soapy!” cries a man from within the mass of spectators. “Where’d you dig this stiff up?”

Laughter then, overtaken by excited chatter and then cheers as Choynski steps in from the street wrapped in a bearskin, his manager shoving a path clear to the ring. “And his opponent—” cries the Kid, turning to gesture theatrically toward the arriving fighter, “—for the first time in the north country — a battler of great renown — the California Terror — the Hebrew Hercules — Chysanthemum Joe Co-wiiiiiinski!”

Wild applause and foot stomping as Smokey pulls Hod over to meet Choynksi and his manager in the center of the ring, each man’s second watching the other as the little gloves are pulled on and laced, Hod expecting something heavier with padding in them. These are more to protect your own knuckles than the other man’s face.

Choynski half-turns to raise an arm and acknowledge the cheers, while Hod hangdogs down at the tobacco-stained floor.

“This evening we will be witnessing an open-rounded exhibition of the scientific art of self-defense, fought under the Queensbury rules,” the Kid continues to some booing by the more vicious element in the crowd. “Rounds of three minutes with a one-minute respite in between, a downed fighter taking a ten-count from the referee—” indicating the character the men in the Parlor called Reverend Bowers, “—shall constitute a knockout and end the bout.”

“Just call it now, Reverend, and save the dub a beating!” calls a man by the woodstove at the back. More laughter.

“Gentlemen — a show of appreciation for our two warriors!”

More applause then. “Two,” says a man behind Hod’s corner.

“He won’t survive the first,” says another.

“Four ounces.”

“Piker.”

“All right, eight then.”

“You’re on. He falls like timber in the first.”

There is more betting, none venturing that Hod will last beyond three rounds, and then a sourdough raps a blacksmith’s hammer against a hunk of metal pipe hung on a rope and Hod is pushed into battle.

There is no run to this deal. Choynski steps up and whap! whap! hits Hod twice in the face before he can cover it with his forearms and elbows and thump! delivers a short-armed hook to his ribs that hurts a lot worse. Choynski steps back and begins to casually pick openings, shooting his right fist into Hod — head, body, head, head — Hod turtling in and backstepping to the rope, which stretches too much to hold his weight. He stumbles sideways, loses his balance and tumbles forward to grab the fighter around the neck and hang on. Choynski catches Hod and pulls him in, pressing foreheads. There is already booing, and somebody’s shoe whizzes over the rope to thump Hod in the back.

“You better throw some leather, son,” Choynski mutters in his ear before pushing him away, “or these people are gonna string us up.”