Rick Moody - The Diviners

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The Diviners: краткое содержание, описание и аннотация

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During one month in the autumn of election year 200, scores of movie-business strivers are focused on one goal: getting a piece of an elusive, but surely huge, television saga. The one that opens with Huns sweeping through Mongolia and closes with a Mormon diviner in the Las Vegas desert; the sure-to-please-everyone multigenerational TV miniseries about diviners, those miracle workers who bring water to perpetually thirsty (and hungry and love-starved) humankind. Among the wannabes: Vanessa Meandro, hot-tempered head of Means of Production, and indie film company; her harried and varied staff; a Sikh cab driver, promoted to the office of theory and practice of TV; a bipolar bicycle messenger, who makes a fateful mis-delivery; two celebrity publicists, the Vanderbilt girls; a thriller writer who gives Botox parties; the daughter of a L.A. big-shot, who is hired to fetch Vanessas Krispy Kremes and more; a word man who coined the phrase inspired by a true story; and a supreme court justice who wants to write the script. A few true artists surface in the course of Moodys rollicking but intricately woven novel, and real emotion eventually blossoms for most of Vanessas staff at Means of Production, even herself. The Diviners is a cautionary tale about pointless ambition; a richly detailed look at the interlocking worlds of money, politics, addiction, sex, work, and family in modern America; and a masterpiece of comedy that will bring Rick Moody to still higher levels of appreciation. QUOTES A spirited, side-splitting romp through the scorpion-ridden wastes of U.S. showbizcool, hip and wickedly funnyA prodigiously talented writer, Moody offers a multitude of pleasures. His edgy prose is superb; his comedic talent raises, at a bare minimum, a giggle a page; his immersion in popular culture never compromises an acute, acerbic intelligence. Globe and Mail (reviewed by Guy Vanderhaeghe) A hugely entertaining social satire, The Diviners represents a real change for the writer, at least in tonethough he wasnt making any special effort to be more accessible, he has done just that.The book has such a lyrical, musical quality that its like an easy-to-read Finnegans Wake. Calgary Herald A rollicking novel about the interlocking worlds of entertainment, money and politics.The cast is huge and colourful, and the summing-up of a confused era is reminiscent of Jonathan Franzens The Corrections. Vancouver Sun

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What is the best kind of cereal? The best kind is whatever kind he is eating. Sometimes he eats cereal for breakfast, lunch, and dinner. In the aisle, his mother says there will be dried lentils, and there will be chapattis and there will be aloo gobi and there will be cashews and naan bread, which is a bread that he likes. There will be achars. He likes cereal better. Soon they are clumped in a line behind all the people clumped, and his mother hands him a newspaper with a lot of ladies in it. He is distracted by the ladies until his mother is going past the man with the machine where you rub the boxes. This man asks if Jaspreet would like to rub one of the boxes, and Jaspreet looks at his mother, and his mother sighs. What he really wants is to ride on the belt that goes past the man, but he will not do that today, since there are a lot of people behind them. Instead he will put the box on the machine. He runs around the end and stands where the man with the apron is standing, and he takes the box of cereal that he has already eaten most of, and he rubs the box and rubs the box again, and the machine beeps. He wants to do it again.

The man says, “Just once, otherwise you’ll have to pay for it twice.” To Jaspreet’s mother: “He’s a natural.”

He can tell that the man is saying something that’s a joke, except that Jaspreet can’t understand what’s so funny. And his mother, who should understand the joke, doesn’t seem to think it’s funny. She looks cross. Maybe there were other funny things that happened today, but he can’t exactly remember. After the exchange-of-money part, they are out on the sidewalk, and he is carrying the bags because that is one thing he can do that no one else can do. Except that he gets bored. Maybe his mother will be singing something in her feathery voice while they carry the bags back to the house.

Sometimes when they get home his father is waiting in his car out in front of the building, and sometimes he isn’t waiting because he is working late into the night. On those evenings, Jaspreet needs to go to bed without his father telling him a story. Being strong is always the moral of the story. Be strong, you have to be strong, but if his father doesn’t tell him a story, then he is not strong, he’s weak, because there’s a moment at the end of the day when he always knows that something is going on, some joke is being told, except that he doesn’t understand what’s so funny and he wants to be included, except that he’s not included, he’s standing off to one side, no matter when it is, and if it’s during the day, then there are some other kids standing with him, all of them looking like they forgot something important, and then there are those other kids in the hall, whispering. At night, in bed, he can remember all of this, in bed, and it doesn’t matter if his mother is beautiful and his father is strong and drives a fancy car, it only matters that he doesn’t understand the jokes. The feeling is like wanting to break something over his head.

His father is not waiting when they get home, and his mother is short-tempered, and she is unlocking the front door in a way that is not good, and Jaspreet knows not to speak. Instead, he goes into the room where the television is, and he looks at the lone fish in the goldfish bowl and he watches the fish turn and turn again. Soon someone will have to feed this fish. What the fish does is rush to the top of the water, which is good.

His mother calls, and he goes into the kitchen. His mother! She asks him to use the rolling pin, which is a special task. He likes to help roll out the dough for pastries, and he eats some of the dough, and suddenly he is hungry and doesn’t know if he can wait until dinner because he is hungry, and his mother slaps his hand and tells him not to eat all of it yet. But there is a dish of dried lentils, and so he eats some. The chapattis will be better than the raw dough.

Then there is a knock on the door.

Someone is at the door! Jaspreet goes to hide in the television room, beside the couch. He doesn’t know why he goes running to hide. He always does. Sometimes there is a cat living in the apartment, which is the cat belonging to the neighbors, because sometimes the neighbors go away, and Jaspreet’s father brings in the cat. And when the cat comes to stay, Jaspreet tries to pull the tail of the cat, and the cat goes running and hides under the couch.

It’s just his father, who is knocking at the door, and now he is putting his key in the door, and now he is opening the door, and now he is coming inside. His father is strong! His father has special gloves. His father has a beautiful turban, and sometimes his father takes off the turban and Jaspreet sees his father’s hair. One day he, too, will wear the turban. Jaspreet likes to pull on his father’s hair, and he likes to pull on the tail of the cat, and he likes to smell his father’s hair, and his father lets him pull on his hair as long as he doesn’t do it hard. He comes running, out from behind the sofa to where his father is, and he trips over a yellow bulldozer that is right in the middle of the floor, a bulldozer that his mother told him to pick up, and he did pick it up, and then he put it back where it was, and now he has tripped over it. When he dusts himself off, he sees that his father is not alone.

The pale lady has yellow hair, hair that is the color of the sun in his drawing of the sun. And the lady is thin like a coatrack. She is wearing a long red coat. A raincoat. His father gives him a hug and he musses his hair, but Jaspreet doesn’t know why. Jaspreet stares at the pale lady for a long time, until his father tells him he doesn’t need to be staring, and then his father says her name. And he tells Jaspreet’s name to the pale lady, and she extends her hand, and Jaspreet looks at her thin hand. Then his mother comes out of the kitchen, and she is wiping off her hands on a towel, and she sees the pale lady, and then Jaspreet and his mother are staring at the pale lady, and the pale lady is staring back at them. The pale lady tries to get his mother interested in her hand, but she continues wiping off her own hands and then after a while she extends her hand. Jaspreet makes a noise in his throat that is not a word. The noise is like there’s a lot of water in the back of his throat, and he keeps making it, and then he goes over and touches the raincoat of the pale lady and puts his hand in her pocket.

“He likes to see what’s in a person’s pockets,” his father explains.

She nods and she pulls out a piece of fabric. It’s many colors, the piece of fabric, and she gives it to him, and he wraps it around his head.

“Jeanine has come here to meet Jaspreet.” His father is saying something else, but Jaspreet has the colorful fabric and he goes back into the television room, and the pale lady comes with him into the television room. And he’s carrying the fabric, and he is holding it around his head like it’s a turban. He points at the goldfish, and the pale lady, in a surprised way, says the word goldfish, and when he taps on the glass, the fish startles, and he points at it again.

“Do you feed the fish?” She keeps saying everything slowly like he can’t understand, when he can understand fine. Jaspreet goes into the kitchen to fetch the can that has the fish food and when he’s in the kitchen, he can see his mother with her hands on her hips, and he can see his father, who is tugging on his beard. His mother is whispering.

“Did you get paid for this fancy new job? Did you get paid for it? And is it part of your job that now you are bringing home the sexy Americans on a Friday night? From the job that doesn’t actually pay any money to you? The one where you quit your job that paid? Like you think you are working in a movie? Maybe the white lady in the living room will start singing a ballad to you, which you can put in your American movie? You think they actually want you to work at this company? You are not a student anymore and you have a family to take care of. That is your responsibility, and you are fooling around like a child, and your employer from the taxi service is calling the house, wanting to know why you have not come in. Did you even tell him that you are not working there any longer? I didn’t come all this way to raise my son in this country with a lazy husband.”

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