Rick Moody - Demonology

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Demonology: краткое содержание, описание и аннотация

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Among the swirl of ethnic weddings at a marriage mill in Connecticut, grief-stricken employee Andrew Wakefield plans an evil revenge against his dead sister's fiancé that involves a chicken mask and human ashes. Andrew, the central character in "The Mansion on the Hill," is just one of the many offbeat and troubled characters who populate
the second short story collection by Rick Moody, the author of the acclaimed novels The Ice StormPurple America. In this brilliant, satirical collection framed by the deaths of two sisters, Moody uses his acerbic wit and perceptive eye to address our futile attempts to find meaning and catharsis in our suffering.
Moody's stories navigate long, winding roads over which the author capably propels his readers toward certain intended epiphanies. In "The Carnival Tradition," he plays with the chronology of two aspiring bohemians in Hoboken, New Jersey, in 1985, then brings them back to when they met as teenagers ten years earlier on Halloween. What begins as a send-up of scrambling and pretentious artists evolves into a comedy of manners about rich and awkward adolescents, finally becoming a devastating meditation on the loss of love and the death of youthful dreams. The story's maimed protagonist is left alone and isolated.
Moody further displays his penchant for breaking short story conventions when he uses a newly discovered cassette collection to tell of the downward spiral of an upper-class ne'er-do-well. In "Wilkie Fahnstock: The Boxed Set," notes on the cassette tapes record the rock hits through the 1970s and '80s, as well as the young scion's inability to hold down jobs, stay out of drug rehab, stay in graduate programs, or to develop a meaningful life.
In "Surplus Value Books, Catalogue #13," Moody re-creates the book list of a mentally ill man selling his library. Each title he is selling refers in some way to his obsession with a female graduate student he will never kiss. As the list goes on, the increasing book values and outrageous liner notes become a vehicle for expression of the madman's hysteria.
In the title story, which ends the collection, Moody weaves a compelling ode to a sister who dies suddenly. With the orange flames of Halloween licking the edges of the story, Moody chronicles the sister's difficult but not entirely meaningless life while she takes her kids trick-or-treating. The grief of the narrator is unflinching.
Moody is on firmest ground in
when he takes apart life in suburban America and examines the pieces with his biting humor. His mockeries of social conventions illuminate the raw human feelings of hurt and loneliness in his characters.
proves once again that Moody is a master storyteller who weaves elaborate tales, bringing readers right where the writer wants us: looking into a mirror that reflects our naked emotions.

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On All Saints’ Day she had lunch with Bob the angelic designer of steel wool (maybe he had a crush on her) or with the younger guys from the lab (because she was a middle-aged free spirit), and then she printed more photos of Columbus Day parades across Jersey, or photos of other peoples kids dressed as Pocahontas or as the Lion King, and then at 5:30 she started home, a commute of forty-five minutes, Morristown to Hackettstown, on two-laners. She knew every turn. Here’s the local news photo that never was: my sister slumped over the wheel of her Plymouth Saturn after having run smack into a local deer. All along those roads the deer were upended, disemboweled, set upon by crows and hawks, and my sister on the way back from work, or on the way home from a bar, must have grazed an entire herd of them at one time or another, missed them narrowly, frozen in the headlights of her car, on the shoulders of the meandering back roads, pulverized.

Her boy lives on air. Disdains food. My niece, meanwhile, will eat only candy. By dinnertime, they had probably made a dent in the orange plastic bucket with the Three Musketeers, the Cadbury’s, Hot Tamales, Kit Kats, Jujyfruits, Baby Ruths, Bubble Yum — at least my niece had. They had insisted on bringing a sampling of this booty to school and from there to their afterschool play group. Neither of them wanted to eat anything; they complained about the whole idea of supper, and thus my sister offered, instead, to take them to the McDonaldLand play area on the main drag in Hackettstown, where she would buy them a Happy Meal, or equivalent, a hamburger topped with American processed cheese food, and, as an afterthought, she would insist on their each trying a little bit of a salad from the brand-new McDonald’s salad bar. She had to make a deal to get the kids to accept the salad. She suggested six mouthfuls of lettuce each and drew a hard line there, but then she allowed herself to be talked down to two mouthfuls each. They ate indoors at first, the three of them, and then went out to the playground, where there were slides and jungle gyms in the reds and yellows of Ray Kroc’s empire. My sister made the usual conversation, How did the other kids make out on Halloween? What happened at school? and she thought of her boyfriend, fresh from spinal surgery, who had limped downstairs in the morning to give her a kiss, and then she thought about bills, bills, bills, as she caught my niece at the foot of a slide. It was time to go sing. Home by nine.

My sister as she played the guitar in the late sixties with her hair in braids; she played it before anyone else in my family, wandering around the chords, “House of the Rising Sun”or “Blackbird,”on classical guitar, sticking to the open chords of guitar tablature. It never occurred to me to wonder about which instruments were used on those AM songs of the period (the Beatles with their sitars and cornets, Brian Wilson with his theremin), not until my sister started to play the guitar. (All of us sang — we used to sing and dance in the living room when my parents were married, especially to Abbey Road and Bridge Over Troubled Water.) And when she got divorced she started hanging around this bar where they had live music, this Jersey bar, and then she started hanging around at a local record label, an indy operation, and then she started managing a band (on top of everything else), and then she started to sing again. She joined the choir at St. James Church of Hackettstown and she started to sing, and after singing she started to pray — prayer and song being, I guess, styles of the same beseech-ment.

I don’t know what songs they rehearsed at choir rehearsal, but Bob was there, as were others, Donna, Frank, Eileen, and Tim (I’m making the names up), and I know that the choir was warm and friendly, though perhaps a little bit out of tune. It was one of those Charles Ives small-town choruses that slip in and out of pitch, that misses exits and entrances. But they had a good time rehearsing, with the kids monkeying around in the pews, the kids climbing sacrilegiously over that furniture, dashing up the aisle to the altar and back, as somebody kept half an eye on them (five of the whelps in all) and after the last notes ricocheted around the choir loft, my sister offered her summation of the proceedings, Totally cool! Totally cool! and now the intolerable part of this story begins — with joy and excitement and a church interior. My sister and her kids drove from St. James to her house, her condo, this picturesque drive home, Hackettstown as if lifted from picture postcards of autumn, the park with its streams and ponds and lighted walkways, leaves in the streetlamps, in the headlights, leaves three or four days past their peak, the sound of leaves in the breeze, the construction crane by her place (they were digging up the road), the crane swaying above a fork in the road, a left turn after the fast-food depots, and then into her parking spot in front of the condo. The porch by the front door with the Halloween pumpkins: a cats face complete with whiskers, a clown, a jack-o’-lantern. My sister closed the front door of her house behind her. Bolted it. Her daughter reminded her to light the pumpkins. Just inside the front door, Pointdexter, on the top step, waiting.

Her keys on the kitchen table. Her coat in the closet. She sent the kids upstairs to get into their pajamas. She called up to her boyfriend, who was in bed reading a textbook, What are you doing in bed, you total slug! and then, after checking the messages on the answering machine, looking at the mail, she trudged up to my niece’s room to kiss her good night. Endearments passed between them. My sister loved her kids, above all, and in spite of all the work and the hardships, in spite of my nieces reputation as a firecracker, in spite of my nephews sometimes diabolical smarts. She loved them. There were endearments, therefore, lengthy and repetitive, as there would have been with my nephew, too. And my sister kissed her daughter multiply, because my niece is a little impish redhead, and its hard not to kiss her. Look, it’s late, so I cant read to you tonight, okay? My niece protested temporarily, and then my sister arranged the stuffed animals around her daughter (for the sake of arranging), and plumped a feather pillow, and switched off the bedside lamp on the bedside table, and she made sure the night-light underneath the table (a plug-in shaped like a ghost) was illumined, and then on the way out the door she stopped for a second. And looked back. The tableau of domesticity was what she last contemplated. Or maybe she was composing endearments for my nephew. Or maybe she wasn’t looking back at my niece at all. Maybe she was lost in this next tempest.

Out of nowhere. All of a sudden. All at once. In an instant. Without warning. In no time. Helter-skelter. In the twinkling of an eye. Figurative language isn’t up to the task. My sister’s legs gave out, and she fell over toward my niece’s desk, by the door, dislodging a pile of toys and dolls (a Barbie in evening wear, a posable Tinkerbell doll), colliding with the desk, sweeping its contents off with her, toppling onto the floor, falling heavily, her head by the door. My niece, startled, rose up from under covers.

More photos: my sister, my brother and I, back in our single digits, dressed in matching, or nearly matching outfits (there was a naval flavor to our look), playing with my aunt’s basset hound — my sister grinning mischievously; or: my sister, my father, my brother and I, in my dads Karmann-Ghia, just before she totaled it on the straightaway on Fishers Island (she skidded, she said, on antifreeze or something slippery ); or: my sister, with her newborn daughter in her lap, sitting on the floor of her living room — mother and daughter with the same bemused impatience.

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