Rick Moody - Right Livelihoods

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RIGHT LIVELIHOODS begins with a cataclysmic vision of New York City after the leveling of 50 square blocks of Manhattan. Four million have died. Albertine, the "street name for the buzz of a lifetime," is a mind-altering drug that sets The Albertine Notes in motion. The collection's second novella, K & K, concerns a lonely young office manager at an insurance agency, where the office suggestion box is yielding unpleasant messages that escalate to a scary pitch. Ellie Knight-Cameron's responses to these random diatribes illuminate the toll that a lack of self-awareness can take. At the center of The Omega Force is a buffoonish former government official in rocky recovery. Dr. "Jamie" Van Deusen is determined to protect his habitat-its golf courses (and Bloody Marys), pizza places (and beers) from "dark-complected" foreign nationals. His patriotism and wild imagination are mainly fueled by a fall off the wagon. Only Rick Moody could lead us to feel affection for this man and the other misguided, earnestly striving characters in these alternately unsettling, warm, trio of stories.

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I didn’t remember Serena, though. All I could remember was a bunch of really horrible songs from my childhood. In particular, “Shake Your Bon-Bon,” a song that definitely had not aged very well. Sounds tinny, like the sampling rate is bad somehow — you know, those early sampling rates on digital music, really tinny. And here’s that little synthesizer loop that’s supposed to sound like the Beatles during their sitar phase, girl backup singers, the attempt to make the glamorous leading man sound as though he didn’t prefer boys — fine, really, but why pretend, suck and fuck, man, knock yourself out. Seven hours, at least, passed in which I went over the minutiae of “Shake Your Bon-Bon.” The utterly computerized sound of it, the vestiges of humanness in its barren musical palette, as if the singer dude couldn’t be bothered to repeat the opening hook himself, no way, it’d sound better if they just looped it on Pro Tools, and then the old-fashioned organ, which was a simulated organ, et cetera, and the relationship between the congas and the guitars, okay, and what about that Latin middle section! Demographically perfect! So twentieth century! I didn’t want to think about the trombone solo at the end of “Shake Your Bon-Bon,” buried in the back, that sultry trombone solo, but I did think about it, about the singer’s Caribbean origins oozing out at the edges of the composition, and his homosexuality. Went on this way for a while, including a complete recollection of a remix that I think I heard only one time in my entire life, which was in some ways the superior version, because the more artificial the better, like when they take out all the rests between the vocal lines, so that the song has effectively become impossible to sing. Nowhere to take a breath. Was anyone on earth thinking about the singer in question, these days after the blast? I bet no one at all was thinking of him, except for certain stalkers from Yonkers or Port Chester. Where was he exactly? Had he managed to find refuge in a hotel in South Beach before the blast? And were his memories of showbiz dominance so great that the big new out-of-state market for Albertine was seducing him now like everyone else? Was South Beach falling into the vortex of memory like New York before it?

Just when it seemed that I would never cast my eyes on Serena again, just when it seemed that it was all Ricky Martin from now on, she was a vision before me, you know, a thing of ether, a residuum, like lavender, like coffee regular. The odd thing was I got so used to remembering that one portion of our time together that I forgot what came later. I forgot that just because she had this boyfriend, this college dude with short eyes, this college man who chased after teens, didn’t mean that I stopped talking to her altogether, because the attachments you have then, when you’re a kid, at least back before the trouble in the world began, these friendships are the one sustaining thing. I could see myself in some institutional corridor, high school passageway, and there she was, golden in the light of grimy shatterproof windows, as if women and light were as close as lungs and air. I was slumped by a locker. Serena came across the corridor, across speckled linoleum tiles, and it seemed I had never looked at those tiles before, because she was wearing a certain sweatshop-manufactured brand of sneakers, and so I saw the linoleum, because the linoleum was improved by her and her sneakers.

“You okay?”

No. I was hyperventilating. Like I did back then. Anything could set me off. College entrance examinations, these caused me to hyperventilate, any dip in my grades. And I didn’t tell anyone about it. Only my mother knew. I was an Asian kid and I was supposed to be incredibly smart. I was supposed to have calculus right at my fingertips, and I was supposed to know C++ and Visual Basic and Java and every other fucking computer language, and all this made me hyperventilate.

I said, “Tell me the name of the guy you’re seeing. I just want to know his name. It’s only fair.”

“You really want to talk about this again?”

“Tell me once.”

Battalions of teens slithered past, wearing their headphones and their MP3 players, all playing the same moronic dirge of niche-marketed neogrunge shit.

“Paley,” she said. “First name Irving, which I guess is a really weird name. He doesn’t seem like an Irving to me. Is that enough?”

God sure put the big curse on Chinese kids, because when the raven of fate flew across their hearts, they just couldn’t show it. We were supposed to be shut up in our hearts because to be otherwise was not part of the collective plan, or maybe that was just how I felt about it. I felt like my heart was an overfilled water balloon, and I was hyperventilating.

“Kevin,” she said, “you have to do something about the panic thing. They have drugs for it. You know?”

Do you know how much I think about you? I wanted to say. Do you want to know how you are preserved for all of human history? Because I have written you down, I have got down the way you pull your sweater sleeves over your hands, I have got down the way your eyeliner smudges. I have preserved the rollout on the heels of your expensive sneakers, which you don’t replace often enough. I know about you and nectarines, I know you like them better than anything else, and I know that you aren’t happy first thing in the morning, not without a lot of coffee, and that you think your shoulders are fat, but that’s ridiculous. All this is written down. And the times you yelled at your younger sister on the bus, I wrote down the entire exchange, and I don’t want anything for it at all. I don’t want you to feel that there’s any obligation attached, except that you made me want to use writing for preservation, which is so great, because then I started preserving other things, like all the conversations I heard out in front of the Museum of Fine Arts, and I started describing the Charles River, racing shells on the Charles, I have written all of this down too, I have written it all down because of you.

This was enough! This was enough to redeem my sorry ass, because suddenly all the moments were one, this moment and that, lined up like the ducks in some Coney Island shooting game, chiming together, and I said, “Serena, I’ve only got a second here, so listen up, I don’t know any other way to put it, so just listen carefully. Something really horrible is going to happen to your friend Paley, so you have to tell him to stay out of Tompkins Square Park, no matter what, tell him never to go to Tompkins Square Park, tell him it’s a reliable bet and that maybe he should do his graduate work at USC or something. I’m telling you this because I just know it, so do it for me. I know, I know, it’s crazy, but do like I say.”

At which point I was shaken rudely awake. Oh, come on. It was a time-travel moment. It was a memory-inside-a-memory moment, except that it might have been actually happening. I just wasn’t sure. One of the bike messengers from Cortez Enterprises smacked me in the face. In my supply closet. I’d have been happy to talk, you know, but I was too high, and as so many accounts in the Albertine literature have suggested, trying to talk when you are high is like having all the radio stations on your radio playing at the same time. I could just make out the nasty sound of his voice in the midst of a recollected lecture from my dad on the best way to bet on blackjack. Lee, you are not attending to your duties. Not true, I tried to say, I’m a devoted employee, just got back here an hour ago, and I’m doing some more researches, and I’m finding out some very interesting things, there is a lot of stuff going on, I’m learning more and more.

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