Rick Moody - The Four Fingers of Death

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Montese Crandall is a downtrodden writer whose rare collection of baseball cards won't sustain him, financially or emotionally, through the grave illness of his wife. Luckily, he swindles himself a job churning out a novelization of the 2025 remake of a 1963 horror classic, "The Crawling Hand." Crandall tells therein of the United States, in a bid to regain global eminence, launching at last its doomed manned mission to the desolation of Mars. Three space pods with nine Americans on board travel three months, expecting to spend three years as the planet's first colonists. When a secret mission to retrieve a flesh-eating bacterium for use in bio-warfare is uncovered, mayhem ensues.
Only a lonely human arm (missing its middle finger) returns to earth, crash-landing in the vast Sonoran Desert of Arizona. The arm may hold the secret to reanimation or it may simply be an infectious killing machine. In the ensuing days, it crawls through the heartbroken wasteland of a civilization at its breaking point, economically and culturally-a dystopia of lowlife, emigration from America, and laughable lifestyle alternatives.
The Four Fingers of Death
Slaughterhouse-Five, The Crying of Lot 49
Catch-22.

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Obviously, this was a very different kind of writing from the sort that I pursued. D. had written, by his estimate, seventeen of these online novels, in little more than five years. Under a great variety of pseudonyms. His favorite novelizations, he said, were romantic comedies, because these were the most imaginative. He could say the woman wore red, and then a page later he could say she wore white, as long as their wedding arrived on schedule on or about page 200.

Now there was a new assignment, D. said. A sort of a science-fiction film. Even though D. believed that science fiction was anal-sadistic, even though it was possible to find belief in extraterrestrial intelligence in the DSM-VIII , where it was considered floridly psychotic, D. was actually looking forward to writing this science-fiction novelization, into which he was going to attempt to bury little hunks of his own philosophical interests, he said, secret messages, critiques of power and nationalism, homophobia, sexism, and racism.

“How much are you getting for the assignment? If you don’t mind my asking?”

He didn’t mind. He was getting $750. For three weeks’ work.

As I say, this kind of mercenary writing was radically different from what I imagined I could do myself, and yet I suddenly coveted D.’s job. That is, I didn’t want to take his job away from him, since this would not have been neighborly, but I wanted to do something more than just write seven-word short stories. I wanted to write the novelization in order to inspire pride in my wife. I wanted to tilt at the windmill of an audience. I wanted to capture the age . I wanted to think my way out of desperation and cockroach infestation. Now that Tara was back in the house and encouraging me again, it seemed a natural and organic example of artistic progression. I just needed to get my foot in the door.

“Let’s play a game for the novelization.”

“What do you mean?” said the Tyrannosaurus.

“A game of chess!”

We were out in front of that restaurant where they cooked the meat on the roof. They housed the meat in some kind of cast-iron container — hoisted it up, sealed it off so raptors couldn’t get to it — and it roasted in the midday sun. The restaurant with the meat on the roof had prickly pear enchiladas, a personal favorite. Tasted like mango and bar soap.

D. said, “Would have to be untimed.”

I said, “How long would you need? For your moves?”

“One move a week.”

“Oh, come on. Are you going to consult a team of experts? I’ll give you a pawn. I’ll give you the queen’s pawn. You’ll still get white.”

“What do I get? If I win?” D.’s whispery voice was barely audible in the stiff wind, which brought with it a brace of tumbleweeds, cartwheeling across an empty parking lot before us.

“You get to do the novelization yourself.”

He said, “I already get to write the book.”

At this point, D. Tyrannosaurus demonstrated an intimate knowledge of a subject that surprised me. Indeed, his intimate knowledge had been so obscured in the prior weeks of our friendship that the light that shone at this moment seemed enough to make me review the friendship in its entirety. He said, “If I win I’d sure be happy to have a Dave McClintock rookie card, class B issue.”

Have I spoken to the classes of McClintock cards? I have already noted that McClintock’s bionic arm was not visible in the baseball card that first commemorated his elevation to the big leagues. You will recall the details. In general I prefer that people think there is no card but this one. However, in fact, this was not the story in its entirety. The photograph that had been taken of his left profile was in fact the most prominent of the Dave “Three-in-One” McClintock rookie cards. But there was also a second issue of the cards in which McClintock was shot from the right side of the plate (he was a switch-hitter), and the titanium arm, with its ferocious mechanization, its industrial sinews and assembly-line microchip controls, was clearly visible protruding from a short-sleeved jersey.

There were counterfeit cards in those days, sure, back when home color printing was first taking off. There were entire cartels devoted to the issuance of counterfeit cards. And, eventually, because this is how people are, some portion of the collecting world became equally taken with the fakes. With the result that the Topps Company began issuing cards with watermarks and testimonial stamps. A McClintock rookie card, class B, would thus have the titanium arm and the Topps watermark, which was in the shape of a standard-issue baseball bat.

“How do you know about that?” I asked, as we were seated. And I said it with a fair amount of shock.

“How do I know about what?” said D.

“McClintock, class B cards.”

“You told me about it.”

“I don’t think I did.”

“You did.”

“I did not.”

“You did.”

You know, there are any number of powerful additives in the water supply these days, additives that are meant to redress the follies of human character, diseases of the age, such as repeated reorganizing of household objects, hearty laughter at neutral remarks , the ever-popular fear of photosynthesis and photosynthesizers . And chief among these, I well know, is the almost total inability to remember anything that has happened, also known as elective pseudo-dementia . The almost total inability to remember events that seemed earth-shattering less than a year ago, the complete obliteration of trends inside of weeks, the reversal of strongly held opinions, and so forth — I wasn’t the only person who had disabilities like these. Therefore, I wasn’t likely to remember if I had or had not discussed Dave “Three-in-One” McClintock with D. Tyrannosaurus. And yet I believed I had not. I believed that Dave “Three-in-One” McClintock, class B series, and all facts pursuant to this matter were secured in a register of discretion that I did not trot out for just anyone, especially not a frequenter of ladies of the night. And perhaps the incompleteness of my trust was evident on my face, because the man known as Tyrannosaurus immediately began to attempt a flanking maneuver.

“Forget about it, man.” The waiter brought around a plate of unidentifiable smoked meats.

“I can’t,” I said.

“Everybody knows about McClintock and the class B cards.”

“No, everybody does not ,” I said.

Again, I began combing through my half-remembered and somewhat fuzzy recollections of events at which D. Tyrannosaurus had been present, over the weeks. I began trying to decide if his sudden appearance was nothing but an attempt to locate one of the nation’s preeminent dealers in baseball cards, in order to blandish him out of valuable assets and transfer them to who knows where , Macao, or Mauritania, or Madagascar.

“Montese,” D. offered, “this seems sudden, so I’m just going to tell you the truth. You know it in your heart anyway. What my particular interest is, these days, well, my particular interest is in collecting things that are in danger of being lost . That’s why, for example”—gesturing around the chronically empty interior of the restaurant of smoked meats—“I wanted to come to this… grill. There are more people standing around waiting to serve the food than there are people in here to eat. The only people left who can really afford restaurants bring security.

“Let’s say I knew you had some baseball cards, okay? Let’s say I even came down to this furnace of a place because you have some baseball cards. Does that mean that I think any less of you? Does that mean that I hung around for however many weeks just to get some damn baseball cards? I know how this sounds, and I’m sure it’s hard to hear, but I stuck around because I’m happy to spend some time with other people who see how things are now. You’re an interesting guy, Montese. You’re a guy with vision. Maybe even you’re a genuine part of history. You’re the man who was able to anticipate history, to anticipate what the body is in the process of becoming, and in this card you see the composite that is the human body, the composite it’s becoming , and so you’re the man I, and the people I represent, needed to see.”

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