Jennifer Clement - Prayers for the Stolen

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Prayers for the Stolen: краткое содержание, описание и аннотация

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A haunting story of love and survival that introduces an unforgettable literary heroine. Ladydi Garcia Martínez is fierce, funny and smart. She was born into a world where being a girl is a dangerous thing. In the mountains of Guerrero, Mexico, women must fend for themselves, as their men have left to seek opportunities elsewhere. Here in the shadow of the drug war, bodies turn up on the outskirts of the village to be taken back to the earth by scorpions and snakes. School is held sporadically, when a volunteer can be coerced away from the big city for a semester. In Guerrero the drug lords are kings, and mothers disguise their daughters as sons, or when that fails they “make them ugly” — cropping their hair, blackening their teeth- anything to protect them from the rapacious grasp of the cartels. And when the black SUVs roll through town, Ladydi and her friends burrow into holes in their backyards like animals, tucked safely out of sight.
While her mother waits in vain for her husband’s return, Ladydi and her friends dream of a future that holds more promise than mere survival, finding humor, solidarity and fun in the face of so much tragedy. When Ladydi is offered work as a nanny for a wealthy family in Acapulco, she seizes the chance, and finds her first taste of love with a young caretaker there. But when a local murder tied to the cartel implicates a friend, Ladydi’s future takes a dark turn. Despite the odds against her, this spirited heroine’s resilience and resolve bring hope to otherwise heartbreaking conditions.
An illuminating and affecting portrait of women in rural Mexico, and a stunning exploration of the hidden consequences of an unjust war, PRAYERS FOR THE STOLEN is an unforgettable story of friendship, family, and determination.

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I sat down in the middle of the massacre.

I am so angry, my mother said.

What happened?

On the television they were talking about a magazine that is publishing an issue about what it is to be a woman!

So?

I’d tell them the truth.

What’s the truth, Mama?

A woman’s world is in her panties.

Yes?

Do you think those Mexico City women writers are going to write about the sadness? Yes, the sadness when you find there is blood there and this means one thing. You’re beginning to lose your baby!

What are you saying, Mama? I asked.

Between the fly massacre and the rant about panties, I was worried about her. The look in her eyes reminded me of the look she’d had on her face when our mountain was hit by a bad earthquake. Later, after the earthquake, after it was all over, she said we should have known.

Two weeks before the earthquake our little two-room house had been invaded by every creature around. Black widows, red tarantulas, and white transparent and brown scorpions began to show up everywhere. Red ants were crawling all over the ceiling. We found a nest of snakes, like a knot of black ribbons, behind the television.

My mother’s reaction to this was to watch the television all day and all night. She didn’t cook and I had to rummage around for a dry tortilla and cheese and even open up a can of tuna fish, which we would normally never eat because she decided one day that it tasted like cat food. My mother watched television because it was the only way out of our mountain.

As I killed as many insects as I could and ate dried mango strips, she traveled to Petra and visited a family of Bedouins who had been expelled from their cave and were now living in Bedouin Village, which was cement government housing. Their camel lived in their cement garage. My mother traveled to India where she watched medical tourists have cheap operations. She watched the Miss Universe contest. On the History Channel she sat through six episodes on Henry VIII’s wives.

During one of those pre-earthquake days a stray sheep appeared at our doorway. I had gone outside to get away from the television and my mother and there it was, sitting on the ground in the shade of a papaya tree.

When I went inside to tell my mother about it, she just looked through me and said, Next thing you’ll tell me is that Mary and Joseph are outside and need a place to sleep.

These were the first words she’d said in days. But then she turned away from me and looked back at the program on the objects that have been found in the bellies of dead sharks. A man was cutting open the shark’s belly on the deck of a ship and pulling out a wedding ring.

I went outside and gave the sheep some water. The animal lapped it up with its small tongue. It was the first time I’d seen blue eyes in real life and not on television.

When I went back inside the house, the sheep followed me in.

My mother turned and looked at it and said, That is not a sheep, Lady, that’s a lamb, just in time for the slaughter.

I was not exactly sure what she meant by that. It could mean that we were going to kill the lamb and eat it for supper or maybe she was into biblical sayings now that we had become the Noah’s Ark for insects.

Since I had looked into the animal’s blue eyes, I knew I could not eat it. I ended up shooing it out of our house and down the mountain. I hoped a large silver passenger bus on the way to Acapulco did not run over it.

The reason for all that craziness on the mountain was the earthquake. On the news, we heard that the epicenter had been just outside the port of Acapulco.

That’s us, my mother said with excitement. We live outside the port of Acapulco! Of course it was right here, under us!

That earthquake hit at seven thirty that morning. We were having breakfast when our two-room house began to shake. Outside we watched the ground move in waves as if it were made of water.

On the day my mother killed the flies, ranted about praying to panties, and was drinking too much, I felt scared. She was breaking. I could see the shards.

What are you trying to tell me, Mama? I said. Be clear.

My mother threw her head back and rolled her eyes.

Yes, yes, yes. Some days I pulled, tore with my teeth, the skin around the sides of my fingernails and gave them to you to eat.

Are you saying this?

You were not even a year old. I mixed it in the rice. What did you want me to do? There are women who have cut off slabs of skin from their bodies to feed their children. I heard about that on TV.

Shit, Mama, I said.

What’s the difference between that and mother’s milk? You tell me?

No, Mother, I said. Those fancy Mexico City writers are not going to write about that!

God only knew if any of this was true. My mother placed lying in the category of stealing. Why should one tell the truth about something, if you can lie instead? This was her philosophy. If my mother took the bus, she said she took a taxi.

It was going to be a long afternoon until she passed out. The tequila bottle from Paula’s house was empty. My mother stood and took another beer from the fridge.

I killed them, she said, so you can clean them up.

I grabbed an old rag by the sink and started to wipe the dead flies off the chairs, tabletops, and walls.

A few hours later when I left to meet Maria at the schoolroom, my mother was on her fifth beer. She was lying on her bed fanning herself with a piece of cardboard she’d ripped off the side of a cornflakes cereal box. The television was on full blast. In her stupor, she was watching a program about wild animals in the Amazon.

Why doesn’t NatGeo come here and film our mountain? Mother asked.

As I walked away from my house, I stopped and looked back. Our small two-room structure had long rusty girders sticking out toward a second floor that was never built. All the houses on the mountain were like this. We built with the dream of a second floor. But, instead of second floors, we all had parabolic antennas. If our mountain were seen from space, it would look like a white land made of thousands of opened umbrellas.

Maria was at the schoolroom. She was sitting at her old desk and looked like a portrait of our childhood. Her hair was fixed up in a round bun at the top of her head. We called this her onion hairdo. It was pulled so tight she could not blink properly.

Every time I looked at her, and saw my father in her face, I had to stop myself from telling her the truth. Sometimes I even thought that the only reason I could remember what my father looked like was because Maria was there to remind me. When my mother found out that my father had another family over there she burned all his photographs on the stove, just like tortillas. One after the other they curled and toasted on the stovetop until they turned into black, gray ash. I watched his Sinatra smile and my birthday cakes and birthday balloons float out the door in smoke.

The scar from Maria’s harelip had faded. But when I looked at her I always saw the old face, the vulnerable old face that was mythical and painful. The scar had gone, but that harelip still made her who she was.

I sat down at my old school desk right next to hers. We had sat like this for years. Our dry, scratchy, little-girl elbows used to touch as we practiced our penmanship and numbers. In this room we had been able to leave our homes and the jungle and dream about a different kind of life.

Maria told me that Augusta, Estefani’s mother, was running a high fever and that they were leaving tomorrow morning for Mexico City where there was an AIDS charity that gave her the pills she needed. Augusta had been sick with AIDS now for over six years and these trips back and forth to the city had become routine.

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