Mat Johnson - Drop

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Drop: краткое содержание, описание и аннотация

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A passionate and original new voice of the African-American literary tradition.
Chris Jones has a gift for creating desire-a result of his own passionate desire to be anywhere but where he is, to be anyone but himself. Sick of the constraints of his black working-class town, he uses his knack for creating effective ad campaigns to land a dream job in London. But life soon takes a turn for the worse, and unexpectedly Chris finds himself back where he started, forced to return to Philadelphia where his only job prospect is answering phones at the electrical company and helping the poor pay their heating and lighting bills. Surrounded by his brethren, the down and out, the indigent, the hopeless, Chris hits bottom. Only a stroke of inspiration and faith can get him back on his feet.
The funny and moving tale of a young black man who, in the process of trying to break free from the city he despises, is forced to come to terms with himself.

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‘No, I’m sorry, I’m a photographer, I’m trying to get—’ Camera lifting up, she didn’t like that. Pepsi bottle came flying, hitting me over the eye, making me certain it was a brick despite the fact I saw the blue logo before impact. Realizing the camera wasn’t in my hand, I dove forward. Sliding into the ground, somehow Alex’s baby was safe in my palms. Just the skin under my arms was gone. Crackhead ran in front of me, back towards the shadows of Frankford Avenue. Not too fast either. Pausing repeatedly to turn around and see if I was dead.

Retreating, I hit a pizza joint back by Kensington station. The guy wouldn’t give me the key to the bathroom without buying something, so I got a slice. Going on two A.M., there was nobody in there but coffee drinking SEPTA workers and the two crack hos sitting by the window. Sharing a medium soda a sip at a time, their ashy hands pushed it back and forth between turns.

‘That’s what I’m saying. That’s what I’m saying. I go up there and I’m like, “Yo”, banging on the door and shit and the bitch don’t answer, right? Yelling her name and shit and nothing.’

‘How you know she there?’

‘I know this shit. Bitch don’t go nowhere, she don’t, that’s why I gave her my kids in the first place: bitch don’t go out. So I’m like, “Yo”!’ Hand drumming against air. Her arm was scraped like mine was. ‘ “I’m here to get my babies, open the fucking door,” right? Nothing. And I can hear the TV on, so I know she’s in there. Trying to keep my babies, tackhead bitch can’t get a man to make her own, okay? Bitch too fat to even get down the stairs, and you know that elevator don’t be working, right?’

Laugh. ‘Yeah.’ She couldn’t have been more than sixteen’, she even wore an adolescent’s gumball band to hold the bit of hair that stood atop her head, giving her dome the shape of garlic.

‘So I’m like, fuck this shit. I’m beating the door, I’m kicking it, I’m like Bruce Lisa, ha ha. You know what I’m saying? You don’t know me, I’m crazy. I don’t care how long stank bitch got my kids, they mine, I’m the one that birthed them. Ain’t no amount of babysitting going to change that. Can I get some respect up this mawfucka? That’s what I’m saying.’ Mama had no front teeth. With nothing to stop her S’s, they flew past her wrinkled top lip and sizzled before her.

‘You say you got toys?’ the girl asked.

‘I yell it. I’m out there with that whole bag a stuff I bought with Saturday’s money. Jelly Babies, Thundermen, a bootleg of The Wonder World . I’m saying that, right, into the door. I’m pulling shit out of the bag and holding it up to the peephole in case somebody’s looking. But nobody there, right? She probably got my babies in her room, locked up, hands on their ears. Telling them all type a lies on me. It’s my daughter’s fifth birthday. How you not going to let me up in there for my daughter’s fifth birthday? Then some nosy bitch from down the hall tells me she called the cops, they coming. What’s that about? So I just leaves. Forget her.’

‘You still got them toys?’ the young one asked, hopeful.

Only air coming up the straw, Mama went back to work. Out the door and across the street, staring up Frankford Avenue for headlights. The girl she left behind turned to an old exhaust-coated SEPTA worker sipping his coffee and said, ‘You buy me some food?’ I got up and headed for the street, taking off my lens cap.

The shot: wild woman hanging out by the curb, leather dress on, red T-shirt stretched so much that her left shoulder hung out the top. Little blue supermarket sneakers at the end of charcoal legs. You couldn’t even tell that her shoes didn’t have laces, that she had no stockings on, or how bad her ashy skin thirsted for lotion. It was across the street, it was dark, but most important it was real. The face that stared back at you, that hunger, desperation, the sex and danger, that was real, too. And that was all you cared about. At the bottom of the page, the copy provided the mortal blow. This is Karen. Karen services six men an hour, thirty-two men an evening, 192 men a week, 9408 men a year. If Karen trusts Lionskins Condoms to protect her life, don’t you think you should, too ?

It took nearly two weeks to get the picture developed, scanned, and sent back to me in a digital format I could negotiate. Sitting up in Kinko’s on 40th and Walnut, trying to rush their slow-ass, money-grubbing computers to get the layout done. Then there it was, emerging from my long-dormant womb, another Chris Jones original in my classic style: knockout image with deadly copy that jabbed you bye bye as you fell to the mat. Follow that with the roaring Lionskins logo in the bottom left corner along with a miniature photo of the product’s box, and we definitely have a winner.

‘Yo Al, check it out.’ She’d just come in to give me the contact info for the Philly tourist board.

‘I’m double parked. Take this and call Saul. He’s good people. I talked to him yesterday so he knows who you are.’

‘Look at this, love of ages, and glance upon the face of genius.’

‘Shut up. What? Where is it?’ I pulled it up, the hard drive struggling to assemble the file. God, it was even better than I remembered. What a sublime choice of fonts.

‘What the fuck is this?’ Alex asked.

‘This is the condom thing, the Lionskins contest. This is only one shot, I got a ton more. I told you about this.’

‘But what the fuck is this?’ Alex demanded, pointing at crack ho mama’s face, at those eyes staring from the screen at everyone in the room.

‘That’s what I shot the other night, when I went to Kensington. You get it? I’m using the projected sexual risk of prostitution to plug the product.’

‘No, you’re not, you’re using her,’ Alex said, still pointing.

‘Al, it’s just a contest, nobody is going to see it but me and the judges.’

‘And what if you win?’

‘When I win it will be over there, in Britain. Lionskins don’t even sell in the States. Nobody this woman knows will ever see this. Ever.’

‘So tell me then, make me understand this: how is that not fucked up? This is how you’re going to represent us to the world?’ God I wished she would put her finger down. ‘You couldn’t just use some clip art instead?’

‘The point is that this shit is authentic. I didn’t hire a model and have her pose for this shit: this is reality. That’s what gives it its power. I mean look at you, you’re mad. That’s why you’re mad.’

‘You know why? You’re a fucking sellout.’

‘What!’ Copy center boys looked nervous behind their counter. Security man was talking on the payphone, annoyed that he might have to get off. Now Alex was yelling too.

‘There’s not enough sick, destructive images of us out in the world that you got to go put out another? She has to be black? She has to be from Philly? Why didn’t you just come take a picture of me getting out of the shower?’

‘So if it was a picture of a white hooker from Boston, you wouldn’t be bugging?’

‘You’re bullshit,’ Alex said, getting up and walking out. I popped out the precious Lionskins disk and followed. Running next to her, talking to her face even though she wouldn’t look at me.

‘How am I bullshit? How am I bullshit, Alex? Explain that to me.’

‘You know what? You been talking down Philly for years, busting on the place, bugging on the people, and I’ve always tried not to take it personal, okay? Even though sometimes it’s been really hard, Chris, really hard, I’ve always tried to take it in stride, I’ve always tried to remind myself that you’re just as much a part of this place as I am, and that deep down you love it as much as I do. Right? But you know what? The truth is you would sell it all out in a second to get away from here.’

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