Mat Johnson - Drop

Здесь есть возможность читать онлайн «Mat Johnson - Drop» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2002, Издательство: Bloomsbury USA, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Drop: краткое содержание, описание и аннотация

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A passionate and original new voice of the African-American literary tradition.
Chris Jones has a gift for creating desire-a result of his own passionate desire to be anywhere but where he is, to be anyone but himself. Sick of the constraints of his black working-class town, he uses his knack for creating effective ad campaigns to land a dream job in London. But life soon takes a turn for the worse, and unexpectedly Chris finds himself back where he started, forced to return to Philadelphia where his only job prospect is answering phones at the electrical company and helping the poor pay their heating and lighting bills. Surrounded by his brethren, the down and out, the indigent, the hopeless, Chris hits bottom. Only a stroke of inspiration and faith can get him back on his feet.
The funny and moving tale of a young black man who, in the process of trying to break free from the city he despises, is forced to come to terms with himself.

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‘Yes.’

‘I’m being serious. Please, I mean this. I worry that he’s getting worse. Promise me that when I’m not around you’ll watch out for him.’

‘I promise,’ I told her.

‘At least keep him away from the whores.’

When I hung up David heard the click, turned from his entertainment, and asked me if she sounded mad.

‘A bit. Not too bad, but a bit. She heard you laughing; she knew you were here.’

‘She’ll be all right. You know, it could have been the two of us here, working, but she couldn’t trust it, could she? She had to go back to her law work. Said our marriage would be better if we worked apart.’

‘She just sounded a little worried, that’s all.’

‘Right then, to work with you. I got the management to bring up a typewriter, we’ll put it on the desk in the back, so before it gets here why don’t you go to the bog and put a pair of the Cottonals on your bum. Get a feel for them this time, a real feel, so you can come up with some ideas accordingly.’

‘Sounds good,’ I said, reaching for the bag.

‘Give me your clothes. I’ll send them down to the cleaners so you’ll have some fresh kit to wear out of here.’

‘Cool. But what will I wear till then?’

‘The Cottonals,’ David said. I didn’t ask another question because he was staring into my face, ready to answer it.

It wasn’t that bad, really. I wore two pairs at a time and when I got cold he let me wrap them around my feet like slippers, around both shoulders like slings, even on my head as a skullcap. The Cottonals were so soft, their downy glowing whiteness straight from their plastic womb, silently holding me there, hugging me with gentle, unconditional support as I slammed my fingers into the old manual typewriter I’d been given. David sat behind me, smoking something pungent he occasionally offered and I steadily refused. The method insane but the only way I would have come up with the idea, If Comfort Came First : a campaign bearing that slogan depicting men in a variety of life’s duties wearing only Cottonals as the rest of the room, fully clothed, ignored them. A ballroom dancer performing on the floor with evening-dressed partner in hand. A bus driver who opened the door for the camera/passenger while seated in only his Cottonals and his black cap. One Cottonal-clad man on a subway platform amidst a sea of pinstripe, herringbone, and pleats, the method insane but not so crazy when David walked up the office steps a week later, fresh from his Soho meeting, and said, ‘We got the bastards,’ screaming it again as he spiked his suitcase to the carpeted floor.

Home

My London begins as the view from my window, the park behind me and the street through the trees in front. Then, as I learn the way, it is the distance between the lock on my front door to the buzzer at David’s, and everything on that trail. Then, with time, it grows to the distance from those two places to Brixton High Street and the tube there, linking me to all the other places the city becomes.

Soho was tiny streets of cobblestones and heavy buildings that seemed to lean in against one another to create a cave above you. Record shops with only a few records but good ones and they let you vibrate the store with their sounds. Sex shops selling everything but sex (but you could smell it maybe), signs selling amyl nitrate (poppers!) for flaccid love. East London voices trying to bark punters into red neon doors. Sparse hookers at night (are there any actual female hookers anymore?) and pubs that overflow onto the street with smoke, beer, guffaws and too-loud conversations as people carried their pint glasses from one door to the next.

Ladbroke Grove on Saturdays. Get off at Notting Hill Station and walk down till first you get the antiques (so many little white tags with prices so high) and then after a few blocks you get the food (all eatables should be wrapped in off-white paper), then the clothes, the racks of them, dancing to the silent music of the wind. It doesn’t matter if it’s cold, there will still be brothers hanging in front of Ground Floor Pub, funky dressed and afros tight, sculpted sideburns and silver hoops in ears, pints in hand talking junk. By Ladbroke Grove Station there will always be crowds regardless of rain, weaving between stalls as vendors sit on lawn chairs listening to radios held together by electric tape. And wasn’t it a heaven, where Camden was a place of wealth and joy and not just a place in New Jersey for negroes so poor they couldn’t even afford to live in Philly’s ghettos?

Oxford Street was narrow but endless, padded with cheap synthetic clothes, hung in store windows and off vendor’s stalls snug between behemoth chain stores. The screech of the auction shop man pimping whatever cheap shit someone had shoved into his hand, outdated crap with the fragility total incompetence creates, things without packaging, logo or even proper company name. American fast food joints, both the authentic and replicated ones that look like movie props (the main character would work there). Buses fire engine red and soaked in time. End of the world: cockroaches and London buses, them all driving around, having fun till Armageddon remembers itself and comes back for them. Fun fun buses open in the back so I could jump on or off as they paraded down off into Knights-bridge, or back up Tottenham Court Road, ride one all the way back into Brixton or Clapham if I had the time. Or go to places that didn’t even exist yet for me. Looking out the window wondering if I’m in the same city at all, if some neighborhoods have their own decade they choose to live in, some time they’re so sweet on they never move forth. Riding, knowing that someday, when I had time, I would do that: just get on, just go, just ride, every dirty red bus it had to offer, letting the network of roads provide more grooves for my mind to take hold. I read a book that said that in this old city of Albion, the roads were here before man, cut by animals long extinct, the ground made solid and permanent by hooves and paws guided only by their feel for the energy of this land. Man just came and paved over the trails that were already there, making these roads as sacred as concrete could muster. I was from a people that saw deities at crossroads; I could understand that.

Home was Brixton, this burgeoning outpost of urban negritude. Africans in London since the Romans arrived but never like this: so many native born, a mass to whom their ancestral land was just a second-hand memory. A myriad of melanin born of multiple hemispheres, small islands to big continents, a populace as worldly as their American counterparts were provincial. A negropolis forming, looking at itself, trying to figure out what it was. And here I am, David’s newborn pride: an ambassador from the most successful (hah!) black folks in modernity, the culture to which this new community looked for definition, (mis)guidance. A people, who despite defining the popular culture of the new world, barely knew of this other’s existence, who rarely made it across the Atlantic for a visit and almost never came to stay. And me, the traveler from this mythic land. This was a city that smiled when it saw me coming. And I smiled back. I had a purpose here. There were mistakes they hadn’t made yet, things I could help them with.

When Lennox Lewis (British-born, North American-raised, London-adopted) returned Stateside to fight Alabama holly-roller Evander Holyfield, it was as if Lewis were personally doing me the favor of going back to kick black America’s ignorant ass. I said, This is the sign of the torch passing. I said, Look, my former tormentors, there is a bigger, stronger, more articulate Afro-urban nation on the rise. I said, Behold the warrior of the new tribe. David said, You’re mad, that big wanker’s going down, and proceeded to drop five hundred quid on ‘the American one, whatsit’ at the off-off-track betting club he’d dragged me to. And after Lewis had made his appearance, had patted the American around the ring for twelve rounds like a cat playing with his food, and the judges had tried to deny fate by deeming it a draw, I didn’t even care that I’d lost the two hundred pounds I had riding on the knockout. The message had been sent: that even their champions were in danger. At this club, 100 per cent loss ratio meant chairs flying, male cursing, and female crying. I remained seated, in the tuxedo David had taken me to buy hours before, laughing. Mouth wide, chest bouncing, hands easily behind my head, legs crossed, staring at the frustrated gamblers rioting before me. David, his soft roundness hiding underneath the square table, started pulling on my leg with his blanket hands.

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