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Lily King: Father of the Rain

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Lily King Father of the Rain

Father of the Rain: краткое содержание, описание и аннотация

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Prize-winning author Lily King’s masterful new novel spans three decades of a volatile relationship between a charismatic, alcoholic father and the daughter who loves him. Gardiner Amory is a New England WASP who's beginning to feel the cracks in his empire. Nixon is being impeached, his wife is leaving him, and his worldview is rapidly becoming outdated. His daughter, Daley, has spent the first eleven years of her life negotiating her parents’ conflicting worlds: the liberal, socially committed realm of her mother and the conservative, decadent, liquor-soaked life of her father. But when they divorce, and Gardiner’s basest impulses are unleashed, the chasm quickly widens and Daley is stretched thinly across it. As she reaches adulthood, Daley rejects the narrow world that nourished her father’s fears and prejudices, and embarks on her own separate life — until he hits rock bottom. Lured home by the dream of getting her father sober, Daley risks everything she's found beyond him, including her new love, Jonathan, in an attempt to repair a trust broken years ago. A provocative story of one woman's lifelong loyalty to her father, is a spellbinding journey into the emotional complexities and magnetic pull of family.

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My parents didn’t name my brother Garvey. They named him Gardiner, after my father, and he was Gardiner all my life until he went to boarding school and came back Garvey. My mother tried to stop it, but he is Garvey now. At his graduation a few weeks ago even the headmaster called him Garvey.

We sit in a jagged circle in the grass. My mother’s dress is too short for her to sit Indian-style so she folds her legs off to one side, which tilts her toward Bob Wuzzy. I’m aware of how it will look to my father in the kitchen window, sipping his drink.

Bob makes us all go around and say our names, but after that we’re silent. Even the two grown-ups seem unable to keep up a conversation. We eat our burgers, then Bob says, “Who wants to play sardines?” and all of them cry out, “Me!” I know my father would rather I come in and sit with him, but my mother’s eyes are locked on mine.

Bob tells us we can only hide in the yard as defined by the back and front driveways, and not inside any of the buildings on the property. He makes it sound like a small college campus. Then he chooses a girl named Devon to hide first. The rest of us count aloud as fast as we can to fifty, omitting vowels and syllables, like racing down stairs three at a time. Then we scatter, to find Devon without anyone else seeing. I’m sure I’ll get to her first, since I know the terrain and all the good hiding places. I go first to the rhododendrons in front, then to the small empty fountain in the rose garden. After that I check behind the granite outcropping near the street. Soon everyone else is missing, too, except the little boy named Joe, my friend from the pool.

“Let’s check over there,” I call to him, pointing toward the small pines beyond the pool, but Joe runs off in the opposite direction.

As I pass the back porch, I hear a crinkling sound. They’re all in a tight cluster beneath the back steps, in a small, dark, spidery space that has always scared me. As I draw closer, the buzz of their chatter is so loud I wonder how I could have passed by twice without having heard them. I bend over and squeeze in. To fit all the way, I have to press up against several bodies. We’re all hot and our skin sticks. All their buzzing stops. No one says a thing. It seems to me that they’ve all stopped breathing. I try to think of something to say, something goofy the way Patrick can, that will make us all giggle. Out in the twilight of the yard little Joe begins to cry, and Bob Wuzzy tells us to come out.

The boy who found Devon first goes off to hide, and the rest run off to count. I slip back up the porch steps.

My father is eating a minute steak with A-1 sauce slathered all over it. His forehead and his nose are covered in sweat, the way they always are when he eats dinner. He’s staring straight ahead and I can’t tell if he knows I’m there.

“You’s a good kid, you know that, elf?” His words are skating slightly sideways.

When he’s done with dinner, he makes another drink. He gives me two tiny, vinegary onions from the bottle. In four days I won’t live here with him. When we come back to Ashing in the fall, my mother says, she and I will live in an apartment and I’ll only come up here on weekends.

The game outside has ended and no sounds come through the screen door. Then the pool lights go on, the little mushroom-shaped lamps in the grass and the big underwater bulb beneath the diving board. Bodies stream out of the poolhouse and crash into the water. My father’s body goes rigid at the sound.

He finishes his martini, jiggles the ice as he drinks to drain it of every drop. Then he sets the glass down on the counter. “I’ve got an idea,” he says.

I don’t say no to my father’s ideas, just as I don’t say no to my mother’s. If my father had asked me to go away with him, I would have. My brother says no all the time when he’s home, and that just gets everyone all riled up.

We take off our clothes on the back porch. The puppy is with us, jumping around our ankles, sensing something different.

Un, deux, trois ,” my father says. He knows French from fishing in Quebec. “Go!”

He heads straight for the pool, his long tennis legs springing across the grass he keeps shorn and stiff, a bulb of muscle at the back of each calf, his thighs thin and taut, his bum high and flat and stark white in the dark, and his long arms flashing fast as he moves, the right stronger than the left, with an Ace bandage at the wrist. He moves in a way no one else in my family does, graceful as water. When he reaches the pool, he begins to grunt. He veers right, away from the corner where my mother and Bob Wuzzy sit with their sodas, and runs along the patch of grass between the length of the pool and the garden’s stone wall.

A boy floating on my red raft sees us first.

“Streakers!” he yells.

My father leaps over the short toadstool lights, one at a time, his grunts getting louder, his arms beginning to buckle toward his body, his spine bending forward. He takes the turn around the deep end, his body all sinew and strength, flecked with silver veins and tendons, glowing in the pale green pool reflection.

All the kids are yelling now, hooting and slapping the water, laughing so hard they have to swim over to the edge and hang on.

He saves my mother’s spot in the corner for last. He comes at her now head-on, past the poolhouse, right toward her seat in the chaise longue, his balls whipping from side to side, the penis boylike, small as a mouse. He curls his arms up all the way now, scratches at his armpits, and says, “ Ooooo-ooooo-ooooo ” right in her face, and then is gone.

My mother, for a moment, looks like she’s been tossed out of a plane. Then she reassembles a smile for Bob, who, for the children’s sake, is pretending it’s an odd but innocent prank. But when she sees me, something snaps. She lunges out of her chair to grab me, but I’m fast and slippery without clothes. I feel the thick, tough grass between my toes and the wet summer night air moving through the hair on my arms and through my hairless crotch. I’m boylike, too, with tight buds on my chest, and this night I’m nearly as lithe and quick and nimble as my father. Both my lungs are pumping hard. I don’t want to stop running, stop the burning of my stomach muscles and the ache in my throat, stop the stars from seeing my bare, newly eleven-year-old body in the grass, fast and graceful as a deer through the woods.

On the porch we stand laughing and panting together with our clothes at our feet and our puppy spinning in joyful circles and my father grinning his biggest grin and looking at me like he loves me, truly loves me, more than anyone else he’s ever loved in his life.

2

The day before my mother and I leave Ashing, I ride my bike down to Baker’s Cove. There isn’t much of a beach, and it’s smelly at low tide, so we usually have the place to ourselves. If you climb way out around on the rocks, no one can see you from the road.

Mallory’s got her mother’s Larks and I’ve got my father’s L&Ms and Gina’s got her father’s Marlboros. Patrick says his mother ran out, and Neal says neither of his parents smoke. No one believes him. This is the first time Neal Caffrey’s come to the cove with us. I’m not sure who called him.

“You’re just scared to steal,” Teddy says, pulling out a silver box full of menthols.

“My father has asthma,” Neal says. He takes one of the Salems and shuts the box. “Who’s G.E.R.?”

We all look at the swirled initials cut into the silver. Teddy’s last name is Shipley.

He shrugs. “Who cares?” He takes off his shoe. “Are we going to play or what?”

“I want to finish my cig,” Mallory says. She looks exactly like her mother when she smokes, her free hand tucked under the other arm which is bent up in a V, the cigarette never more than a few inches from her mouth.

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