Marlon James - The Book of Night Women

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The Book of Night Women The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy's weak link.
Lilith's story overflows with high drama and heartbreak, and life on the plantation is rife with dangerous secrets, unspoken jealousies, inhuman violence, and very human emotion between slave and master, between slave and overseer, and among the slaves themselves. Lilith finds herself at the heart of it all. And all of it told in one of the boldest literary voices to grace the page recently-and the secret of that voice is one of the book's most intriguing mysteries.

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Three year shy of a score, the night come when Massa Wilson put on him military fatigue and mount him white horse and charge down the cane piece. But the horse see the big cotton tree ahead even though the massa was charging same way and whipping for speed. Before he ram into the tree, the horse halt and fling the massa off. The old massa land headfirst in a branch and him neck snap like a twig. The branch hold him there while he swing like a nigger. The young son Massa Humphrey who was getting learning in England receive order to come back to the plantation directly to take up him station in life. When Humphrey Wilson reach Jamaica, the year was 1800 and he be twenty-one years of age.

The Montpelier Estate be the biggest in east Jamaica so niggers was expecting a big gathering of white people to pay them respects, but plenty didn’t come. So things go on a Tuesday afternoon that a swarm of slave and the backra gather at the family plot on a hill with no tree about a mile from the great house and watch as the fat preacherman talk. He say some word and the mistress, who standing regal in black dress and black veil, start to cry and shout until she keening. The overseer Jack Wilkins nod to a white slave-driver and the man take the mistress hand and hold her up. Homer in a black dress and veil that look near exact like the mistress except her dress wash out till it grey. Homer take Lilith with her even though she didn’t have no dress except the white one she always wear and her feet bare. Lilith stay close and look around for Johnny-jumpers. She didn’t see any, but she see Circe, scowling in a newer dress than Homer.

Some negroes wonder how come a man of the old massa’s standing and breeding and moneying have a funeral so empty of backra. They come to understand that this was nobody fault but the mistress, who didn’t want nobody see her making a spectacle of herself. Others mumble more than once that they can’t remember what the massa look like. When nigger think of the law on the estate they think of Jack Wilkins.

Jack Wilkins use the old massa death to push himself into the great house. The lanky man act like he be the massa from before the old massa come back from war, but now he and him wife start to invite themself to the table for supper like they be massa and mistress, even though the real mistress didn’t eat in the dining room no more. Soon the two have breakfast and supper sent to they quarters and they didn’t once ask if the mistress get fed.

Now, the time from when the old massa Wilson die till the young massa Humphrey come back to Jamaica was no quick thing. It be 1800 and they say the fastest ships, as soon as they done fight the Spanish and the French in West Indies, had to set sail to the Gold Coast to get more negro. So be that as it was, near four month pass between the old massa death and the new massa arrival.

The mistress prepare for her son arrival so often and get disappoint that she soon stop. She didn’t take to the old massa death well at all. Many time she be found talking to him like he still there, about him giving her problems and forcing her to ask questions that nobody can answer. Sometimes she walk up and down the house and talk ’bout snow which cold, cold, cold and colder than that. Or she would talk ’bout Bond Street and Regent Street and spring and summer and the season that is neither spring nor summer but the time when gentlemens and ladies go courting. The mistress bawl out, Why oh why did she forsake Mayfair for this penal colony, and what sort of gentleman takes his wife and moves her to a place with no foxes! She and the other wives was never friend. She cuss that they talk like negro folk and have poor breeding and smell bad. House niggers in the kitchen laugh ’cause they used to think only negro woman could smell bad.

Friday, February 7, 1800, at around the one o’clock hour a big black carriage with two door on each side, four big wheel and four black horse come to a halt at the great house step. Two house negro was outside and the four black horse frighten them something dreadful. Nobody ever see carriage like this before and even a few slave-driver and slave come up to look. A negro with a white wig and red blouson and white breeches sit up front with a long whip in hand. The road from Montpelier gate to the great house was over eight mile long and the house was on a hill, so Jack Wilkins had time to see the carriage coming. But he didn’t see no call to act all proper-like, so he sit there on the terrace getting drunk from lime and sugar-water and rum. By now more slave gather, including house slave who hear the commotion. Homer, coming from the great house, pass the kitchen and see Lilith watching from the window. Homer don’t say nothing but stare at Lilith long and hard. Lilith stay by the window and watch.

A slave-driver go up to the terrace and ask Jack Wilkins ’bout the carriage but he just nod and take another draw of the pipe. Another nigger with a white wig on jump down from the back of the carriage and open the door. The first to step out was a man. Him skin dark like a quadroon but him hair black and straight and so long that it flow right down him shoulder. He look ’bout five foot nine or ten and build strong, even though him belly was sticking out a little. Nobody know who this man be. He wearing white breeches and brown boots and him blue jacket have tails and tassels on the shoulder like an infantryman. A thick cravat wrap round him neck and he don’t waste no time to pull it off. He sigh like a thirsty man who get a drink of water, which he then ask for. Homer send one of the women back for a pitcher. As he step down and look around, Homer start to approach but then right behind him another man step out.

At first the man seem like him head on fire. But that be him hair, light and red and with curls flying all over in the breeze. The fire hair burn all over the top of him head that have a little bald spot and run down him sideburn and stop, leaving him chin and face clean-shaven.

This man tall like a tree. He have to bow him head low just to get out of the carriage. People so used to lazy colonial dress that the moment this man step out everybody know that he be foreigner traveling from far. The man in a long grey coat that look like wool, a white shirt and cravat, black breeches that hem below the knee and shiny black boots. The man was sweating so bad that he near melt. He wipe him face and neck with a kerchief. Then he look all over the estate and scowl. He turn to the other man who was wrapping up the cravat in him hand and the man smile. The tall man frown even more. Homer push past both slave-driver and negro until she right before him. Then she bow two time and curtsy.

— Nobody send word that you be coming today, nobody at all, Massa Humphrey, she say.

— I had grown rather fond of surprises, but it seems that the surprise is on me. And how are you. . Homer? You haven’t aged a day.

— As good as the lord allow, massa.

— Then God help you then, he say.

When Jack Wilkins see the man who dress most uncommon coming up the steps he jump up and nearly topple the pitcher and glass beside him. The slave-driver beside him jump up too.

— Good heavens! Master Humphrey! Good lord. This is a surprise. But a wonderful. . yes. . surprise. . Lookit you, young master.

— I’m hardly young, sir, whoever you are.

— Of course. ’Tis Jack Wilkins, my boy. I daresay you used to call me Uncle Jack when you were a wee lad. But you’re quite the gentleman now, anybody can see that.

— Can they, sir, can they indeed?

— Milord?

— Nobody seems to have seen a gentleman among you but Homer. I had sent word on Monday that we had docked in Kingston. Four days ago! Good heavens, man, I’ve had to charter that carriage myself.

— My apologies, good, good sir. Things have been a wee bit busy, lordship, what with crop time.

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