Rafael Yglesias - Hot Properties

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Hot Properties: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook An irreverent satire of New York’s media world — and its influence and allure Writers Tony, Patty, Fred, and David all know what they want: renown, glamour, wealth, recognition. They know where to get it: New York, a beacon for ambitious novelists, playwrights, and journalists. But what they don’t know is that the game is changing. This is the 1980s, an era of massive corporatization and commercialization in the business of arts and letters. Fame and fortune may come quickly for many, but dignity and lasting influence are in short supply.
Rafael Yglesias’s most sharp-tongued satire,
exposes the greed, envy, and backbiting in a media world bloated with money and power.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
Touted by the gossip columns as a roman a clef about the publishing world, Yglesias's fourth novel has definite commercial potential, since there are always people who like to read sordid tales about the media. Focusing on a group of ambitious, opportunistic New York yuppies, each desperate for success, power, fame, money and glamorous sexual partners, Yglesias follows his characters as their aspirations flourish or fade. And even for the one person who comes up with a smashing bestseller, happiness is an elusive emotion, banished by inner fear and self-loathing. The leading players in this fermenting brew are introduced in the book's opening scene, a dinner party so exquisitely awkward that even the reader is embarrassed. Thereafter we watch an aspiring playwright sell out to Hollywood; a sexy blonde discover she can really write, but must use her body to assure publication; a blocked novelist lose his scruples, professional and personal; a journalist at a leading newsmagazine realize that his way to the top has been sabotaged by office intrigue. Yglesias views his characters with cynicism, but he knows how to create the dramatic momentum that will have readers turning the pages. And if his book does become a bestseller, he will have the ironic last laugh.
Copyright 1986 Reed Business Information, Inc.

[is] the novel you want in the Hamptons. It lambastes the pretensions of the people you’ve been glaring at on the beach all day, and excoriates the city you’ve left behind.”
— “Sharp, funny, and fresh insight into the American literary world…”

From Publishers Weekly
Review

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“Oh, cut it out, Raul,” Tony said. “You’re with us. You can be yourself. Button your shirt, have a beer, and talk baseball.”

Raul roared and put out his long arm, touching Tony on the shoulder with the tip of his index finger, as though knighting him.

Betty groaned. “I have to pee again.”

“My God,” Tony said.

“Shut up,” Patty said. “It’s your fault.”

Betty moved toward the crowd, saying, “If I don’t come back soon. I’ll be asleep in a bedroom.”

Patty turned her back to the crowd, edged near to Tony, and said in a low voice: “Stop being so crabby with her.”

Tony stared down Patty’s shirt at her breasts, making no attempt to disguise his look. “Conventional ethics from you? I’m supposed to sit home with a ballooning wife making soufflés while you go to literary soirees and fuck everything in sight?”

“Excuse me,” Raul Sabas said, only he wasn’t speaking with mock flamboyance, but genuine irritation. “For your information, she isn’t sleeping with anyone.”

Patty smiled at Raul. “Thanks for clearing that up, Raul.”

“I was only kidding, Raul,” Tony answered. “I know all about her vow of celibacy. I’m married to her best friend, remember?”

“It’s not a vow, Tony,” Patty answered, frowning.

“You should be writing for the theater,” Raul said to Tony, still angry. “Hollywood’s turning you into a humorless vulgarian.”

“Tony is writ—” Patty began to Raul.

“Quiet!” Tony said sharply, and then spoke in a rush. “Don’t knock being a humorless vulgarian. Look what it’s done for Fred.” He looked down Patty’s shirt again.

Patty began to button it. “Be nice to her, Tony, or I’ll cut your balls off.”

Like you did with David, Tony thought to himself. He turned away, searching for the bar. He was going to get drunk. “I’m going to get a drink,” he said, and moved away bumping into an elegantly dressed man.

“Excuse me,” the man said. He was Brian Stoppard. Paula Kramer’s husband.

Paula moved around them both to greet Patty with breathless enthusiasm: “You’re not going to believe what Fred said to me at the door! He forgave me for my piece. He said he knows what it’s like for free-lance magazine writers — to be noticed, they have to do hatchet jobs.”

“Freddy the dope,” Patty mumbled with a sly smile. He’s right, she thought to herself. “It’s good to see you. Paula.”

“I’m Brian Stoppard,” Paula’s lawyer husband said, putting his hand out to Raul Sabas.

“Hello!” Raul said in a vaguely mocking way. “Raul Sabas.”

“Oh, I know,” Brian said in a neutral tone. “I’m a great fan of yours.”

“Well, I don’t have to worry,” Paula continued. “Brian’s going to get my revenge for me. Freddy made the mistake of asking Brian if he wanted to play in his high-stakes poker game.”

“Are you a good poker player?” Patty asked Brian.

“Good!” Paula answered for him. She scanned the room. “Soon this will all be ours!”

At the rear of the room, Tony got himself a Scotch at the bar and sipped it, watching Fred greet admirers. Jim Foxx waved to him and walked over. “Where’s Betty?” he asked.

“Peeing.”

“Ah, I remember what it’s like. When’s she due?”

“February.”

Foxx nodded. “Did you talk to Fred about doing the adaptation?”

“He brought it up.” Tony crunched an ice cube, the cold radiating through a tooth and sending a frozen bolt of pain to his brain.

“Pity we have to wait for him to write the damn thing.” Foxx smiled nastily.

“Poor Fred,” Tony said sardonically. “No one here has any respect for his talent.”

“Talent?” Foxx said as though he had never heard the word. He laughed. “Don’t pity him. He’s done great for himself.”

“Don’t worry,” Tony answered.

“Say!” Foxx said, and grabbed his arm. “I just heard from some guy — theater producer …” He pointed toward a small man huddled in a corner with an overweight woman.

“Ted Bishop,” Tony supplied the name.

“He said he’s doing a new play of yours in the fall.”

“Yep,” Tony answered, and crushed another cube, enjoying the hurtful cold.

“How come you didn’t tell me about it? He says it’d make a great movie.”

Tony grunted.

“When did you write it?”

“While I was rewriting the script for the eighteenth time.” Tony put his empty glass down. “I’d better find my wife.” He started to move away.

“Can I read it?” Foxx called after him.

“I don’t know,” Tony called back. “How are the remedial courses coming?”

Foxx’s obscene answer was drowned out by a hubbub coming from the windowed end of the room. There, shouting for quiet, stood Tom Lear. He was on a chair, holding a glass aloft to make a toast, while next to him Sam Wasserman. Bob Holder, and Karl Stein were shushing the crowd.

“We come to praise Fred,” Tom called out. “Not to break his eardrums.” After some laughter, he had their attention. “We all know why we’re here,” Tom Lear said in a solemn, hushed tone. The room became piously silent. “To tell Fred to please get his damn book off the bestseller list and make room for one of us!”

Hoots of laughter. Scattered applause. And then, shocking the crowd into a wild outburst of hilarity, Fred let out a wet, loud Bronx cheer. “Never!” he shouted.

“No, seriously,” Tom Lear said. “No one deserves this success more than Fred.” Tom lowered his head — to keep from snickering, Patty Lane thought to herself — and the crowd returned to the enforced reverence of a school auditorium. “Success, especially when it happens to someone who’s young, usually spoils them. They start to believe their reviews—”

“Not me!” Fred called out, and everybody laughed, relieved that the author had been the one to point indirectly that his reviews had been either very mixed or outright pans.

Lear pressed on, holding a hand up for quiet. “They forget their friends, lose interest in the struggle to write well, and only care about the interest on their money. It’s ruined more than one brilliant young American writer. Fred has too much good sense and good feeling for that. More than anything, that’s what I love about him.” Tom lifted his glass: “To another year on the list. Fred.”

“To another year,” most of the crowd mumbled, and there was scattered, desultory applause. Fred felt the urge to cry. Bart and Marion flanked him while he listened. Indeed, the town house contained the sum of all his relationships: all of his New York friends, even the old gang from Long Island; his parents were standing shyly in a corner with their best friends; his brother and sister were over by the hors d’oeuvres stuffing their faces. He loved them all. Even Tom and Sam and the other writing boys who had treated him like a piece of shit — the struggle to win their admiration had only made it a more valued prize.

At his worst moments he suspected none of them would care about him if he hadn’t made it so big, but tonight he felt, in the warmth and noise of this room, that it wasn’t so. They had all helped, after all. Even if sometimes they had been reluctant, or envious once things began to go well, despite all the insults, they had taken him to their hearts. Marion kicked him out, but she took him back. Holder asked for a lot of rewrites, but he never lost faith in Fred’s ability to do them. Bart was cold and bossy, but he sure came through on his promises.

At times Fred had felt as though his heart would break, like a child wandering in the cold, unable to find his way home. But the villains had all turned out to be benevolent under their dark mustaches, and the brightly wrapped packages beneath the glowing Christmas tree in that distant window were for him after all. He leaned drunkenly on his wife and felt his eyes moisten. I love these people, he said to himself.

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