Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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“I’m going to take a nap. Do you want to take a nap with me?”

“No,” he said, his face darkening.

“Would you rather just keep playing with Pearl?”

“I’d like that,” Pearl said.

“Okay,” Luke said, reluctantly.

Nina walked out. She held her breath as she went into her bedroom — my God, to be alone in her own bedroom in the middle of the afternoon — and lay down.

There was a silence, ominous she feared, from Luke’s room. He might follow her any second.

Please, Luke, enjoy yourself.

“I have the power!” She heard his little voice soar. “I am He-Man!”

BIG BOY Byron grabs hold of the steel bar, cold to his touch, and swings at Mommy. He lets go and flies. The branches of the trees catch him.

Below Mommy calls, “Byron!” She is angry.

Byron drops at her, Big Cat Byron, claws out, ready to tear her; she collapses like an empty dress. And he can’t see, he can’t see!

Byron woke up into the dark. “Mommy,” he said.

Voices rumbled in the hallway. His penis was pressed on. He let go. The warmth spread everywhere; a hot bath like a hug kept him company. Daddy was home; that was his voice talking to Mommy.

You have to be changed, Byron.

Byron pushed at the blankets. They didn’t move.

Big boy Byron push. He used his special powers and kicked the bricks off him. He could break walls; he could smash buildings.

The warmth was going away. The floor was cold.

Mommy doesn’t like diapers. Dirty diapers. Byron pulled at his soft blue fur. It was wet at the rubber band. Get off me, slime.

His hands could be strong, made of metal—

He heard a baby cry. What baby? Mommy and Daddy have a baby?

He pulled them off, the pj’s, and his claws ripped the diaper Band-Aids out. The fluffy white was now damp. His penis and bottom felt cool and happy.

The baby cried. What baby?

“Mommy,” he said. No answer. Byron walked to his door and looked at the hallway. The floor was black in spots; the open door to the kitchen disappeared into nothingness. It was a long way to Mommy.

“I can’t,” his daddy said.

There was light around their door, glowing yellow, yellow pee door. Mommy was the baby. She was crying.

“I can’t,” his daddy said.

Byron felt fear. His body chilled; there were things behind him, reaching with their claws for his cold little body, for his little penis and bare behind.

“Mommy! Mommy! Mommy! They’re going to eat me! Mommy! Help!”

The door exploded into light. Daddy came at him, making crashing sounds. “Byron, what is it?”

“I’m scared! I peed! I’m scared! Help me!”

Daddy picked him up; his clothes felt rough, but warm. Mommy was behind. Her face was right at his, meeting him at Daddy’s shoulder. Byron couldn’t see her eyes.

“What’s the matter, baby?” Mommy asked. “You had a bad dream?”

“What’s dream?” Byron asked.

“While you were sleeping,” Daddy said.

“Did you think something bad was happening?” Mommy said.

“Monsters. Tigers want to eat me.” There were big cats, everything. Look in the kitchen! Yellow monster cat! “I’m scared.” He screamed to chase it away.

“There’s nothing there,” Mommy said, and kissed his hand, the hand he had pointed at the kitchen darkness.

“In the kitchen?” Daddy said, and turned, Byron turning with him. “I’ll show you.”

“No! No!” Byron squeezed Daddy to make him stop.

“That’s all right,” Daddy said. “I won’t let go of you. Turn on the light, Diane.”

The hall blew up white and orange. It shrank. Nothing but the dumb hall. Mommy lit the kitchen. The same. Nothing but the things, the cooking things.

“You took your diaper off?” Mommy said.

Mommy’s eyes had cried; her mouth was down. “You cry?” Byron said.

Mommy closed her face on his, shutting out light. Her cheeks were slippery like ice, but warm like pillows. “Do you want me to lie down with you?”

“Yes,” Byron said, and leaped from Daddy to Mommy. She put him in a new diaper and new fur, red now, like the picture of Daddy’s burning tiger. Mommy carried him to bed.

“I’m the baby,” Byron said.

“Yes.” Mommy laughed.

“Only babies cry,” Byron said.

Mommy got under the sheets with him. He put his feet on her stomach and dove his head into the hot cave of her arms. “I’m in the mommy cave,” he told her.

“Go to sleep now,” Mommy said.

Don’t want to. But the hot lowered his eyes, only the top of his head was cool and not sleeping. Deep in the mommy cave, everything clean and dry, he was a baby and safe. Safe. And a baby.

“I THINK we should”—mommy said more things to Pearl Luke couldn’t hear—“the park.” Luke took his pacifier from the table and pushed it in. That made his mouth feel happy and full, but his body was too big. He climbed on the couch and snuggled into the corner. He pulled his blankey up to his chin and rubbed against the smooth. Mommy would go away, really away, today.

His eyes hurt.

“Luke.” Mommy’s voice was too fast and too high. “Luke, we’re going to get dressed—”

“No!” he said, and then hid behind the blanket, frightened by his own angry voice.

“To go to the park,” Mommy said. She wouldn’t let him say no. “I have to go to school today. I thought you’d walk me to the bus and then you and Pearl can go on to the park.”

“No,” he said softly this time, and hid, thinking: If I stay home, then Mommy can’t go.

“Really?” Mommy was dressed like a going-out night, a grown-up night. “I have to go soon. I thought you’d like to walk me to the bus.”

Luke stared at Mr. Rogers. He was painting his swing yellow. Daddy had made the tape. Luke could remember Daddy pointing to the recorder button: this is how you turn it on in case Pearl doesn’t know. Why wouldn’t she know? What’s wrong with her?

“Luke?” Mommy was over him now. Her knees were dark from the nets stretched over them. “It’s beautiful out. I don’t want you to stay here all day watching television.”

He held on to the TV with his eyes. Don’t look. Her smell covered him. Soft lips kissed his head. Don’t look.

“Luke?” she whispered. “Let’s get dressed.”

Mr. Rogers was showing a film. A film of how they make yellow paint. “Look,” Luke said,

“What’s that?” came Mommy’s voice, like the rain, everywhere and above.

“Making yellow.”

“What? I can’t hear you with your pacifier.”

No. Keep it.

“Oh, I see. Yellow. So that’s how they do it. I’ll bring your clothes and get you dressed while you watch.”

He kept his eyes on the TV. He got the Feeling and moved his bottom to rub it in and away. You press the power and it pops up. The tape goes in — which way? Which way? Pearl won’t know. Remember which way the tape goes, Luke. Pearl won’t know. Why not?

He saw something at the living-room doorway. Pearl stood there with her jacket on.

No no no no no no no no no no.

The color was dust; the paint was milk. Together they make yellow.

Mommy carried his clothes in. She flipped him back on the couch. Luke held on to the TV with his eyes and didn’t look, not at her, not at Pearl.

No no no no no no no no.

Mr. Rogers talked about yellow. Yellow flashing lights, yellow crayons, yellow curtains. Yellow blankey. Smooth on his cheek.

It hurt when Mommy turned off the TV. The world got quiet and small and sad. His eyes closed against the pain, the weakness. Mommy picked him up. Pearl had the stroller waiting.

No no no no no no.

He pressed his face into her, but felt only the rough clothes, not Mommy. “I want to go with you,” he said to her.

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