Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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Sleep.

Dark.

Warm.

The dance of dreams. The storytelling of memory and desire.

Luke’s hard gums slid down onto the nipple and pressed together, pressed together with slow cunning.

“No!” She was awake again, her poor boneless body in retreat from her baby’s evil intent. She pushed a finger into the corner of Luke’s mouth. The hard, mean little gums were closing. “No!” She forced him off with her finger. He wailed immediately. “Don’t bite!” she said to the senseless creature, its face nothing but a gaping mouth. “Goddammit!” She got to her feet. Luke’s head flopped back, screaming. The thing had no understanding: it yelled with the conviction that it was entitled to all her energy, to all her milk, to all her love. It had no inkling that her servitude was voluntary.

She paced, letting Luke screech in her arms. She paced, cursing the walls. “Shut up, shut up, shut up!” She passed her reflection in a little mirror, seeing a flash of her own face. Her eyes stared with rage and hopelessness; her jaw was slack, her mouth open, her hair dull and disarranged. She looked wild.

“Okay, okay, okay,” she said to the screams of her son. Calm down, she told herself. She walked rapidly to the couch, sat, and offered her breast again, holding his head fast against her so he wouldn’t clamp on her red and tender nipple.

Sighing, hiccuping, farting, jawing, Luke settled in. His rage ebbed, his eyes closed, he relaxed. She did not. Her head pounded from the suppression of the pulsing blood of her anger. She tried to fix herself in time, to remember where she was by a logical procession of events. But the disjointed sleeping schedule made her stupid.

Luke never slept. Her mind fought to understand how that could be. How could an infant sleep only four hours out of every twenty-four? How could this baby stand to be awake, fussing, crying the second his body wasn’t being rocked or moved? She had read explanations: he had colic, he was in pain, an almost continual pain that kept him awake; the motion soothed him, reminded him of the womb, calmed him. He did need sleep, but his digestion wasn’t permitting him the rest. The book said he couldn’t wake himself up any more than he could prevent himself from falling asleep; those perverse abilities came around eight months. This was out of his control. It was not Luke’s fault; he was an innocent in pain and all her patience was required.

“Let him cry if you can’t take it,” her pediatrician had advised over the phone. She had called the doctor a few hours ago, in a desperate state, exhausted by five hours of walking Luke in the Snugli. The Snugli was a womb made of fabric, a carrying pouch which put Luke’s face into her chest, and curled him up against her stomach. Inside it, Luke was quiet and even got snatches of sleep. But the Snugli gave her no rest; on the contrary, its cross straps bit across her back and strained muscles which had escaped the ravages of pregnancy. “I feel like I’m losing my mind,” she had said to the doctor. This was the first week Eric had gone to work and left her alone with the baby. Today she had broken down and called Eric to ask if he could come home early. Eric said no, the market was very active, and suggested she phone his parents, but she declined. This was the first goddamned week. She couldn’t ask for their help so soon. “I feel like I’m going crazy,” she repeated to the pediatrician. “Isn’t there some medicine you can give him?”

“Colic lasts three months. And then it goes away. It doesn’t do him any harm. His digestive tract needs time to mature. Comfort him as much as you can, but let him cry if you can’t handle it.”

Let him cry! Who raised these people, these doctors? she wondered. Did they all go to military school?

So she went back to pushing the carriage, harnessing herself into the Snugli, rocking Luke in her arms. The moment, the instant, the split second, sometimes even a fraction before she stopped the various movements, he cried, he raged, his legs pulled up, his face distorted in pain, his rear end expelled gas, his stomach compressed into a tight ball. Why does it only hurt him when I stop moving? She began to suspect Luke. He knows. He knows. If he pretends to hurt, I’ll pamper him. He knows.

Can’t he tell he’s killing me? He’s breaking me; he’s making me a failure.

Tears came from her as she sagged into despair. I can’t even be a mother. The simplest goddamned thing in the world. A peasant, an idiot can do it. While Luke sucked, tears collected at Nina’s jaw and formed a large drop, which then fell on his stretchy. Luke chewed away, unconcerned.

Nina studied him. He was content now. His curly black hair was damp from the humidity; the oppressive weather, the hot gray stifling days, drained her energy.

Luke peered blankly at her while he sucked her dry. There was no apology in his eyes. No sheepishness in his chewing. No fear of reprisal. Only suspicion, a wary surveillance of her. Don’t you make a move, his expressionless blue eyes seemed to say. You stay right here for me.

She hated him; from her soul a loathing for Luke’s selfish little body arose. Her disgust shot through her like a current. She could feel the rage in the metal taste of her mouth; she could spit her fury at him. She wanted to bash sense into him. “You have to go to sleep,” she said, leaning into his face.

Luke blinked and pushed into her breast for protection from her looming head.

Luke’s neck, creased by rings of baby fat, attracted her attention. Maybe he was damaged. Maybe the traumatic birth had done something. The doctors might even know that was the explanation of Luke’s behavior but not want to tell her yet.

Maybe there’s something wrong with him.

Luke pulled off her breast, yelping. His legs retracted to his stomach, his face went red, and he shrieked.

“Okay, baby,” she said, and put him to her shoulder, patting his back (so small, and his bony spine was spineless), patting hard to force out a burp. Luke squawked, squealed, complained. No burp. He never burped. Almost never. Sometimes she thought that was his problem: three weeks of gas trapped inside. He’s got a Jewish stomach (Eric burped as often as he breathed) with a Wasp throat (Nina’s mother had made her feel burping was as bad as murder).

Luke’s stomach convulsed and she felt gooey liquid on her shoulder. “Oh, God!” she moaned, and glanced to see what she already knew was there — white and sticky spitup.

Vomited on, she thought — this is my life. Her mind spun through the days and nights. Up at 4:00 A.M., unable to send Eric in with a bottle since formula might make the colic worse, her head nodding into sleep while Luke chewed, then punching Eric (sometimes quite hard) to rouse him so he could walk Luke around, lying in the dark desperate for sleep but constantly wakened by the noise of the carriage in the hall or Luke’s squeals whenever Eric would try to stop or had to change Luke’s diaper. And finally out of bed at 8:00, again to be gnawed on, then showering unhappily with an ear listening to the moans and squeals that soon would be her problem, showering with hot water even in this heat, to soothe the sore breasts, burning eyes, dented back, and puffy, swollen feet. To have the luxury of a quiet bath, not a bath with distant sounds of screeching and complaint, but a restful stay in a warm pool and a silent apartment, seemed like a distant memory of youth. So she showered hopelessly, with eight hours ahead, eight hours of fighting the urge to kill herself or Luke or both, eight hours of facing her inadequacy, her son’s misery, the apartment’s mess, and a world filled with smiling faces that assumed she was an ecstatic mother blessed with a glorious child, and not being able to tell, to say: this is hell, this is prison, and I may die from it. Or kill to escape.

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