Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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“Fine. She’s bounced back from the C section.”

“Strong girl,” Gail said, with a nod to herself, confirming previous knowledge. “I admire her for planning to go back to work so soon. I should have.”

Peter closed his eyes and sighed. Since women’s liberation had made such talk fashionable, Gail spoke this way, in little phrases of sacrifice, about her now-defunct ambition to be a painter. Even the recent trend toward praising women for staying home, for the benefits of a nonworking mother, hadn’t discouraged the subtle complaints. Peter’s irritation made him provocative: “You’re chief fund raiser for the most important museum in New York. If you’d gone back to work earlier, you couldn’t have accomplished anything more. You merely would have done it sooner.”

Gail smiled to herself. “I meant my painting. You can’t not garden for ten years and expect to have fertile soil when you return.”

“What about Grandma Moses?”

“What are you saying, Peter?” Gail picked up her ice water and took a healthy gulp. There was nothing dainty about her physically; she might push her emotional food about with a reluctant appetite, but she swallowed the real meal with gusto.

“Since Diane fired Mrs. Murphy, I haven’t gotten a solid eight hours. I must be cranky.”

“You’re saying I’m a dilettante,” Gail commented.

“If you’re a dilettante, what does that make me? No, I’m saying, if you had wanted to paint, you would have. You didn’t sacrifice it for your children.”

“Well, thank you. I’m glad to find that out. Why did Diane fire Mrs. Murphy?” Gail moved on, but without rush, her tone not making a point of changing the subject — simply altering it.

Peter laughed. “I’m sorry if I hurt your feelings.”

“That’s nice of you. Did they have a fight? Was she a nuisance?”

“Diane likes things done her way.”

“Good for her. But she’s going to get some help?”

“She has to. To go back to work.”

“Trying to make partner means late hours,” Gail said. She squinted at the bright light coming from the restaurant’s windows. “I remember that much from being married to your father. Are you going to take the load?”

“No. Now that I’ve convinced the foundation to commit more money to theater, I’II have to go more often. We’re funding six theaters in the city and maybe one particular production. That means a lot of cocktail parties and openings.”

“When is my grandson going to see his parents then?” Gail asked without emotion, despite the accusation of neglect.

“On the weekends. You’re not making sense, Mother. You regret giving up your career, but attack—”

“There’s a difference between going to work from nine to five and never being there.”

“I’ve never done anything right in my whole life. You know that. Why should this be any different?” Peter smiled pleasantly, held his head still, his eyes returning her irritated glance evenly. The bluff seemed to work. She opened her mouth to speak, but then shut it, looked off, and frowned. Peter’s heart beat loudly while waiting to see if she would fold, but taking in the chips seemed a lonely victory after all.

“When you screw up with children,” Gail said, her head still turned away, the small diamond in her earlobe washed out by the strong light, “you mess up a person, not a project.” She looked at him. “And you’re faced with your failure for the rest of your life.”

“Are you—”

“No, I’m not,” again faster than he could be. “But I came close. I think it’s my duty to warn you. I’ve told you many times, there are no hidden meanings in what I say. If there’s something I don’t want to admit to, I say nothing. I don’t believe in lying. People always know, or can guess, or, worse, find out.”

She doesn’t have to lie, he thought. She can contradict herself with absolute conviction, sometimes within a sentence. “How old was I when you and Dad split up?”

“You don’t remember?”

“I don’t know how old I was.”

“You were five. Your fifth birthday was the last party we hosted together.”

“I presume that was when you came close.”

Gail blinked her eyes. “Came close to what? Are you done? Do you want more coffee?”

“Yes. I mean, no, I’m finished.”

She signaled to the waiter, again the hand up, assertive, but casual, and made a writing motion. She looked back at him, with cocktail cheerfulness. “Going back to the office?”

“Yes. Was it the divorce?” Peter asked.

“What are you talking about?”

“Was it the divorce that came close to screwing me up forever, is that what you meant?”

“What gave you that idea?” The waiter handed her a leather case with the check inside. She opened it and frowned. “Outrageous.”

“Let me put it on the foundation,” he offered.

She laid a platinum American Express card down. “Let your stepfather pay.”

“He has a platinum card!” Peter couldn’t suppress his horror at this foolish ostentation.

“He likes to remind himself he’s rich. I think he worries it’s all a dream and needs to pinch himself.”

“Never thought discounting electronics would bring Gimbel’s and Macy’s to their knees?”

“Exactly. He chuckles every time he sees one of their sales in the Times .”

“He does ?” Peter was again unable to keep disdain out of his tone.

“Kyle had to struggle for everything he has — you wouldn’t understand.”

“I know, I know. I’m spoiled, privileged.”

“Well, you are privileged, Peter. You can’t deny it.”

“I was admitting it.” He felt the exhaustion of being with Gail; he had spent the lunch shoring himself up against the surf of her critical and whimsical tide, but erosion was inevitable. Time to move away from her ocean.

He put Gail in a cab and walked back to his office in the humid, smelly midtown streets. Only when standing above the central air conditioning vent under his office window, feeling the cool billow his shirt, did he remember that he never got an answer.

Was it the divorce, Mom? Did that almost crush me?

Why wouldn’t she answer? Habit?

She didn’t want to answer. She admitted that herself.

The cold air snaked up his arms and chilled their hollows. He shivered. I am crushed, crumpled in her pocketbook like a forgotten phone message. Your son called.

Like a recalcitrant city agency, she just never got back to him. So what? He inspected himself for damage. He didn’t feel a thing. His mother was a vain woman who took out his father’s desertion on him. She neglected Peter to cater to her new husband, making sure she didn’t lose another. So what?

Diane would never do that. She loved Byron. Couldn’t stand anyone, not even Mrs. Murphy, handling him. Diane was ferocious, a lioness. There was no danger. At least he’d done that one thing right: found a real mother to his son.

“I’M GONNA drive you home from the hospital,” Eric’s father had insisted on the phone that morning. “I don’t want some schmuck cabdriver killing my grandson.” Eric had tried to dissuade him, knowing that Nina would want their first experience at home with Luke to be private, but lost the battle.

Later he and Nina sat together, ashamed to look each other in the eyes, while they knew Dr. Ephron was doing the circumcision in the nursery next door. Nina’s mother, Joan, interrupted with a phone call. She wanted to fly in for the weekend, along with Nina’s youngest sister, and “help with the transition home,” as Joan put it.

“I can’t talk right now. But I think you should wait until the following weekend. Give us a chance to settle in.” Nina listened for a second and insisted, “I can’t talk right now,” and hung up. Faintly they heard a baby wailing. Eric looked at her. Nina dismissed his silent question. “Could be anyone. We should walk around. Do something.”

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