Rafael Yglesias - The Work Is Innocent

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The Work Is Innocent: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction—now available as an ebook A funny, candid look at the beginning of a promising literary career launched remarkably early Being a teenage literary prodigy is hard. Richard Goodman may have a book contract at seventeen, but his parents don’t respect his opinions, he can’t lose his virginity, and his ego inflates and deflates with every breath. Even when Richard receives the attention he craves, he finds that fame and fortune can’t deliver him from his own flaws.
The Work Is Innocent This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
“It is a spectacular achievement, while you are still growing up, to write a good novel about growing up—which is what this author did at age fifteen. Now, at the ripe age of twenty-two, Rafael Yglesias looks over his shoulder and tells what it was like. Another bull’s-eye.”
— Rafael Yglesias (b. 1954) is a master American storyteller whose career began with the publication of his first novel,
, at seventeen. Through four decades Yglesias has produced numerous highly acclaimed novels, including
, which was adapted into the film starring Jeff Bridges and Rosie Perez. He lives on New York City’s Upper East Side. Review
About the Author

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It was January when they left for New York, and Richard had not heard if he had been accepted by the university or by the publisher Louise had sent his novel to. He decided the note he had written for his novel was a mistake, and when he reread it he was suffused with embarrassment. They’re laughing at me, he thought. The drive to New York was paranoid: he felt encased and ancient, as if he was being carried to his death.

They arrived late and Richard spent the night with his parents at the apartment of family friends. He slept uneasily on the couch in the living room and was awakened out of a tormented dream. His father’s face merged with the high school teacher berating him. “It’s Louise!” Aaron yelled. “They’ve taken it! Get on the phone.” Aaron hustled him out of bed and handed him the receiver.

He listened to Louise excitedly telling him the details and tried hard to make it an enthralling and romantic moment. He was happier but only in the gentle way that a cool breeze gives relief. What really pleased him was the four thousand dollars they were to give him. It made him independent, it freed him from school.

His parents’ friends, who had felt sorry the night before for this sweet young man obviously in trouble, were stunned. He was transformed in a moment.

Louise told him to come to her apartment. He rode on the train and began to realize the implications: he was going to be in the bookstores. He could pace down those aisles amid the idiots and geniuses and see his novel. All of the predictions that were made about his dropping out were shattered by that phone call. He didn’t know how to celebrate so private, so impolite a triumph.

His happiness gathered strength with each step he took toward Leo and Louise’s apartment, and he was ready to shout with joy when he rang their doorbell.

“Congratulations!” Joan said, and gave him an embarrassed kiss on the cheek. He stared at her and was doubly stunned to see Ann waving to him from the living room. Louise rushed forward and hugged him. “You must be so surprised to see Joan and Ann,” she said. “Congratulations, Richard. Come in, come in.”

He walked in and took off his coat, the sense of himself as a young author mixing with his shame of his sexual failure. “Hello, Ann,” he said, unable to decide whether to kiss her. He pretended almost to bump into the coffee table and that avoided the problem.

“I’m going to Cuba,” Ann said.

“And I’m quitting therapy,” Joan said. They both looked delighted.

“What the hell is going on?” Richard couldn’t contain his pleasure at running into Joan. “How do you know—”

“Isn’t it a funny thing but Ann and Joan are in a women’s group with me and when I had them over a little while ago Joan saw one of your letters and surprise, surprise.” Louise settled on the couch next to him and signaled with her eyes that she was worried by the following details: “Joan has a lovely little apartment”—Joan laughed—“oh, it’s tiny but very nice,” Louise went on. “Anyway she’s very kindly offered to put you up. I didn’t mention in my letter who it was because I didn’t want to scandalize your parents.”

Louise communicated anxiety so well that it was obvious to Richard that Joan must have told her about that evening. He tried to laugh but ended up only baring his teeth—reminding him that they hadn’t been brushed. “I don’t think Mom and Dad would care—”

“Well, it’s not that they would be such dinosaurs,” Louise said quickly. “But you are their baby boy.”

“Aw,” Ann said. “How cute.”

“I won’t get in the way of your work,” Joan said. “I even have a little desk that you can use.” Joan handled herself well, Richard noticed.

“That doesn’t matter,” he said. “I don’t have any work. Anyway, thanks. That’ll be great.” She seemed really pleased. “What was all that about Cuba and—”

“I’m going on the Venceremos Brigade.”

“And I’m quitting therapy.” The two women went off into hysterical laughter. “We just thought,” Joan said, “we’d be funny insisting on you congratulating us. But it’s true. I’m quitting therapy after six years.”

Louise, still nervous, said, “Ann and Joan can’t stay but you’ll have dinner with us, won’t you? And later Leo will drive you over.”

“Yeah, I have to go,” Joan said, getting up.

“Where to?” Richard asked.

“To my shrink.” She laughed at his expression. “To tell him.”

Leo shut off the car and said to Richard, “Joan’s really a nice girl.” His tone made it a question.

Richard agreed, but tensely, so that Leo didn’t follow it up. While they took the elevator to the fourth floor, Richard’s stomach yelled at him for his agreement to spend his nights at Joan’s. She lived in a building much like her father’s: thin white walls, the corridors covered by thick undistinguished carpets, and heavy metal doors for the apartment entrances. Richard wanted to ask Leo to stay for a while rather than leave immediately as he planned. But instead he said, “Boy, it must be a heavy rent.”

“Yeah, it’s a small place but she must be paying two-fifty a month.” Leo rang the bell of number six. “But her father’s paying for it,” he whispered with too little respect to please Richard.

Joan swung the door open, music escaping from within. “All right!” she said, and made a big movement out of giving Leo a hand slap.

“How ya doin’, sister,” Leo said. He hugged her after the hand slapping. It was a thorough hug that provoked not jealousy but envy from Richard. “Hey, that’s Dylan, isn’t it?” Leo asked.

“Yeah.” She snapped her fingers. “Check it out. It’s New Morning.”

Leo looked doubtful. “Yeah. I’m not sure I like it.”

Joan disagreed cheerfully. “Oh, that’s fucked up. It’s beautiful.”

“I’ll have to listen to it more carefully.” Leo hurried on to explain that he had to leave. He hugged Richard before going and said, his voice loaded with meaning, “Have a good time, huh?”

The apartment had a kitchenette, one big room, and a bathroom. The implication was immediate, even silly, considering that the largest and most beautiful piece of furniture was a mattress on the floor, covered by a white-knit spread.

Joan was in a full-length green robe that had no visible opening and was less revealing than her street clothes, but much more intimate.

He put his suitcase down—a ridiculous object, he felt—and sat in a director’s chair next to a coffee table. He pretended to be tired.

“You’ve had some day,” Joan said.

She became shy with him, he noticed. She lost the amazing assurance she displayed with others. He knew what that meant but convinced himself she was just trying not to make fun of him. He was unable to answer her. He nodded and smiled. She went over to the record player, built into a bookcase, and shut off the music.

I should just pull my pants down and get it over with. The idea was so funny that he relaxed and finally took off his overcoat. She had settled on the bed unselfconsciously and he didn’t allow himself any thought. She looked a little alarmed at his approach but he continued and flopped awkwardly next to her. He put an arm around her waist and was erect immediately on feeling her soft belly.

He worked hard at the kiss. It had to be thorough and passionate, he kept telling himself, and moved his head rather than permit a stagnant contact that would disgust her.

That delicious weakness hit his stomach and he was happy just to lie there kissing, but he had to move on and when he found the bump of the zipper, he pulled it down and remembered a James Bond movie in which the hero ostentatiously unzips a girl by remote control.

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