— Tomorrow, this is going to end.
— What’s going to end?
— Tomorrow’s the deadline for that floozy to get out of here. Tomorrow’s her last day.

The biggest flash came in the darkness of night: Ntunzi announced that he was going to run away with the foreign woman. He said everything had been arranged. Planned right down to the tiniest detail.
— Marta’s taking me to Europe. There are countries there you can enter and leave as well.
That’s what makes a place: entering and leaving. That’s why we didn’t live anywhere at all. I was frozen to the spot at the very thought of my being left alone in the immensity of Jezoosalem.
— I’ll go with you —I declared with a whine.
— No, you can’t.
— Why can’t I?
— They don’t allow children your age into Europe.
Then he told me what Uncle said. In those countries, one didn’t have to work: wealth was there for everyone, and all you had to do was to fill in the appropriate form.
— I’m going to travel round Europe, arm in arm with the white woman.
— I don’t believe you, brother. That girl has gone to your head. Do you remember telling me about your first love? Well, you’ve gone blind again.

It wasn’t the possibility that Ntunzi might end up leaving. It was the fact that he was leaving with Marta: that’s what hurt me most. I couldn’t sleep because of it. I peered out at the big house and saw that there was still a lamp shining. I went over to Marta and came straight to the point:
— I’m very angry with you!
— With me?
— Why did you choose Ntunzi?
— What are you talking about?
— I know everything, you’re going to run away with my brother. You’re going to leave me here.
Marta put her head back and smiled. She asked me to come over to her. I refused.
— I’m leaving tomorrow. Don’t you want to go for a walk with me?
— I want to go away with you once and for all. . together with Ntunzi.
— Ntunzi won’t be coming with me. You can be sure of that. Tomorrow, Aproximado arrives with fuel and we’ll leave together, just the two of us. Me and your Uncle, no one else.
— Do you promise?
— I promise.
The Portuguese woman took my hand and led me to the window. She stood there, looking out at the night as if, for her, all that sky was just one star.
— Do you see those stars? Do you know what they’re called?
— The stars don’t have names.
— They have names, it’s just that we don’t know them.
— My father says that in the city, people gave the stars names. And they did so because they were afraid. .
— Afraid?
— Afraid because they felt the sky might not belong to them. But I don’t believe that. Besides, I know who made the stars.
— It was God, wasn’t it?
— No, it was Zachary. With his rifle.
The Portuguese woman smiled. She passed her fingers through my hair and I held her hand up to my face. I had a strong urge to brush my lips over Marta’s skin. But then I realized something: I didn’t know how to kiss. And this ineptitude hurt me like a prelude to some fatal illness. Marta noticed the shadows falling over my body and said:
— It’s late already, go and sleep.
I went back to my room, ready to turn in, when I noticed Silvestre and Ntunzi arguing in the middle of the hall. When I arrived, my old man was decreeing:
— That’s the end of the matter!
— Father, I beg of you. .
— I’ve made up my mind!
— Please, Father. .
— I’m your father, whatever I do is for your own good.
— You’re not my father.
— What are you saying?
— You’re just a monster!
I looked aghast at Silvestre’s face: he had more wrinkles than he had face and veins bulged sinisterly along his neck. He opened and closed his mouth more times than his words required. As if speech was too unimportant for such anger. What he wanted to say was beyond any language. I awaited the explosion that always ensued when his blood was up. But no. After a moment, Silvestre calmed down. He even appeared to be conceding to Ntunzi and accepting his arguments. If he surrendered, it would be truly exceptional: my father was as obstinate as a compass needle. And in the end, it was his obstinacy that prevailed. He raised his chin in the pose of a king in a pack of cards, and concluded haughtily:
— I don’t hear anything you say.
— Well, this time, you’re going to go on not hearing. I’m going to say everything, everything that I’ve had to keep buttoned up inside me. .
— I can’t hear anything —my father complained, looking at me.
— You were the opposite of a father. Parents give their children life. You sacrificed our lives for your madness.
— Did you want to live in that loathsome world?
— I wanted to live, Father. Just live. But it’s too late for questions now. .
— I know very well who’s put these ideas in your head. But tomorrow, this is going to end. . once and for all.
— Do you know something? For a long time I thought you had killed our mother. But now I know it was the other way round: it was she who killed you.
— Shut up or I’ll smash your face.
— You’re dead, Silvestre Vitalício. You stink of rottenness. Even that simpleton Zachary can’t stand the smell any more.
Silvestre Vitalício raised his arm and in a split second brought it down with a smack onto Ntunzi’s face. Blood spattered and I threw myself against my father. The struggle was complicated by the Portuguese woman, who appeared from nowhere to intervene. A clumsy dance of bodies and legs circled the room until the three of them fell to the floor in a tangle. They each got to their feet, shook themselves and smoothed their clothes. Marta was the first to speak:
— Careful now, no one here wants to hit a woman, isn’t that so, Mister Mateus Ventura?
For some time, Silvestre stood there, his movements suspended, arm raised above his head, as if some sudden paralysis had left him comatose. The Portuguese woman went over to him with motherly concern:
— Mateus. .
— I’ve told you before not to call me by that name.
— One can’t spend so much time forgetting. No journey is that long. .
We separated, unaware of the mishap that would occur during the night. The tires of Aproximado’s truck would be cut to shreds, reduced to the elastic of a catapult. The following morning, the vehicle would wake up paralysed, shoeless on the savannah’s scalding earth.
On a night of pale moon and geraniums
he’ll come, his prodigious mouth and hands,
to play his flute in my garden.
At the onset of my despair
I see but two ways to go:
To become insane or a saint.
I who eschew censure
what isn’t natural such as blood and veins
find I’m weeping each day,
my desolate hair,
my skin assailed by indecision.
When he comes, for it’s certain he will,
how will I enter the balcony shorn of youth?
The moon, the geraniums and he will be the same
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