Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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And then I was disgusted with myself. Paritosh Shah had lived. He had lived fully, he had fed his women, his children, his hundreds of employees. He had fed the world, and even as he had died, he had fought to dial his phone, to say something. He had tried to call me. I knew this. Not his wife, not his children, it was me. What would he have said, through that miraculous leap of electricity, over the distance? Death was already on him, and I could not have saved him. He must have known that. What would he have said, at the end? To me, his friend? I looked into the broken curve of glass, speckled with my blood, and I knew. I crawled to the other end of the bed, found the pile of photographs. From the middle of the stack, without looking, by feel alone, I pulled one. And I called to the boys.

'That's the one I want,' I said to Chotta Badriya, who was sitting with half a dozen others, cleaning his pistol. They were all puzzled. They had been expecting a war meeting. Whenever we had lost someone in this fight, after the funeral we always gathered to pick our hits for the next day, the next week. Who to kill, and how, that's what we talked about. But now I wanted a woman.

Chotta Badriya picked up the photograph from the table, where I had dropped it. 'Now, bhai?'

'No, no, not like that.' I could see he thought I wanted a midnight ride, a quick relieving of my tensions, but this was a respectable-looking girl, and he was puzzled. I thumped him gently on the shoulder. 'Not that, dhakkan. Paritosh Bhai wanted this. And Dandi-swami. I want to marry her.'

* * *

Her name was Subhadra Devalekar, and I married her four days later. At first, her father thought it callous that I should marry so soon after my friend's death. I know most of my boys felt this also. But I explained, that this was my friend's last wish, and then they remembered all his lectures, his shortlist, his nagging. A rumour appeared out of nowhere, and hardened into a certainty, that he had actually called me from the Mercedes, as the hammer-blows had rung on his life, and managed to say to me, 'You must marry.' So by the time we walked around the fire, Subhadra and I, our marriage had become an act of adherence to a dead friend's last wish. The boys came out, in their dozens and dozens, from all over the city, and watched our austere ceremony at Gopalmath temple with moistening eyes, with ready pistols, with ferocious loyalty.

After the ceremony we sat in front of the house and the people of Gopalmath came to pay their respects. Subhadra's father collected envelopes. He was a bus conductor who had retired from the 523 route, and he had four daughters. He had been hesitant at first when Chotta Badriya had come calling, after all the afternoon tabloids were still publishing pictures of the 'Death Mercedes', but a stack of five-hundred-rupee bricks on his tea tray had persuaded him. Daughters are a care. Now the bus conductor stood to my right and took the gift envelopes from the line of well-wishers. Bada Badriya came forward with a fat red envelope. He had rushed back from his village as soon as we had contacted him, and was still ashamed at letting his boss out of his care, I could see that. But he hadn't been back to his village for five years, and what had happened was no fault of his. I told him that and hugged him.

And then I was sitting on a bed, a bed strewn with rose petals. A song played somewhere, a flute threaded through it. On a corner of the bed there was a huddled red tent of a sari, holding within it a trembling, skinny body. My wife. I was married. My head was floaty, as if I had just woken from a long dream. I asked: how did this happen? There was no answer.

Old Pain

Mary Mascarenas was ready to talk. Sartaj waited for her, alone, across the road from the Pali Hill parlour in which she worked. The road down the slope was alive with expensively dressed teenagers, boys careening through in sleek cars bought by their rich fathers, girls in swirling groups of three and four. Sartaj was waiting next to a cigarette stall, near a row of servants and drivers having their evening smoke and gossip. He had called Mary that morning, told her gently that he would like to speak to her. After work, she had said, and there had been no more anger in her voice, just resignation. So Sartaj was confident that he would get good information: she would need to explain now, to herself, what had happened, and why. He had come a little early, and now the drivers were talking about stock prices and the fortunes of companies. Drivers knew more than anybody else, they listened in on Saab and Memsaab's conversations in the car, they knew their movements, they carried documents and cash. Sartaj watched the flirtations between the boys and girls, and tried to keep an ear on the stock conversation, for Katekar's sake. Katekar didn't gamble, but he insisted that the market was logical, you only had to know the rules. If you could feel the rhythms, you could be king. All you needed was information and education. So Sartaj listened, but the drivers knew more than him, and he could make no sense of their lively arguments. Their very glossy memsaabs came out from the salon, and the little flock of drivers contracted and expanded, but their banter never flagged. They smoked cigarettes and ate from little packets of channa. They were well-paid, these drivers, and smartly turned-out, in keeping with the status of their employers.

It was past seven when Mary came through the blue glass door of the salon. She was wearing a black T-shirt, a slim black skirt to the knee and black flats. Her hair was pulled back into a ponytail, and Sartaj was suddenly struck by her elegance. She was all quietness, and if you stood her in a row next to these teenage queens strutting past her, you wouldn't notice her. Not unless you were looking for that straight back, that symmetry of the shoulders with both hands on a black purse. She saw him, and he raised a hand.

He walked over to her side of the road, to the gleam of expensive shops, Gurlz, Expressions, Emotions. 'I'm late, sorry,' Mary said. 'There is some big party at the Taj tonight. I had three extra appointments.'

'Taj party definitely needs extra-fancy hair.'

'I have never been, so I don't know. But I can do the hair.'

Her Hindi was accented, functional and fluid, but improvised, it stumbled confidently past feminine possessives and tenses. Sartaj was sure her English was better, but his own English had rusted into awkwardness. They would get by in some knocked-together mixture, some Bombay blend. We're all right in these khichdi tongues, he thought. 'My car is over there,' he said. On the phone she hadn't wanted him coming to her place of work, and he had reassured her that he wouldn't be in uniform, he wouldn't be driving a police jeep, that he would be alone. He reversed out into the road as the drivers watched, and then waited for Mary to get in. 'We'll go down to Carter Road,' he said, and she nodded. She wouldn't want her neighbours wondering either, about visits from policemen, or strange Sikhs.

He found a curve far down on the sea-wall, a gravelly shoulder a little less occupied by hawkers and strolling lovers and beggars. 'That ship's gone completely,' he said. 'Not even a little bit left. What was it called?'

There had been a foreign freighter that had been forced aground with a dead engine by a monsoon storm. It had become something of a tourist attraction for a while, its hull far up out of the water. Very late one night, Sartaj had sat on a bench facing the ship and kissed Megha. They had separated not long after.

'It was the Zhen Don ,' Mary said. 'They cut it up for scrap. It's been gone for years.'

'I thought they were going to turn it into an offshore hotel.'

'It was worth more as scrap.' The sky was the same indeterminate grey it had been for two days, and under it were the vague shapes of foreign ships, skimming the horizon. Mary turned her head towards Sartaj. 'I read in the papers you were supposed to have a policewoman present when you interrogated a woman.'

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