Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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Chotta Badriya ducked his head down low, rubbed at his ankles. He was trying to decide where my temper was, if he could risk another question. He picked at the roof, took up a flake with his fingernail.

'Leave my house alone,' I said. 'Here's what we're going to do. We're going to sink a boat.'

* * *

Kishorilal Ganpat was a great Shiva-bhakta. He thanked Bholenath every morning for all the crores he had swindled, for the bribes he had given, for sand-mixed cement, for shoddy wiring that spilt out of rough-finished walls, for illegal and unlicensed buildings, for encroachments, for extra floors towering far beyond FSI limits, for middle-class money desperate for homes, for starving labour, for slums, for tough, sword-swinging boys, for Suleiman Isa. Kishorilal Ganpat was properly careful in these bad times, so he had two sinewy bodyguards who were so tight-muscled that they walked wide-legged, like somebody had tweaked a rubber band around each of their golis. Kishorilal Ganpat also liked appearances to be just so, so he dressed the driver of his Mercedes in a white suit and a cap, and the two bodyguards in grey safari suits. Kishorilal Ganpat was also a hoarder of time. He collected short-cuts that saved two minutes or three in this jangling maderchod jam of a city, he gave speeches to his employees about Japanese punctuality, he came to the Shiva temple on Satyagrahi Jamunanath Lane every Tuesday morning at eight-thirty precisely, on the 'dot of the dot of eight-thirty', as he liked to point out to anyone listening. All of which made the game childishly easy for us. We set up our fielding. Six boys, six Star pistols. We knew where Shiva sat, on his pedestal, we knew the steps that led down to the lane lined with houses and hawkers, we knew where the Mercedes would wait for its master, we knew where the bodyguards would be. It went smooth, like an oiled lauda into a wet chut. Kishorilal Ganpat came down the steps, holding his prasad aloft on a special silver thali. He had positioned his shoes pointing outwards at the bottom of the steps, and he stepped into them efficiently, saving a good three seconds. The bodyguards were bent over still, their backs to their boss as they pulled on their sandals, and Kishorilal Ganpat was stepping high, skipping over a puddle of water, when my boy Bunty moved sideways and into his path, and Kishorilal Ganpat turned his head to look, and Bunty raised his right arm and blew out Kishorilal Ganpat's left eye. One of the bodyguards reached under his shirt and was cut down. The other sat down on the temple steps and never raised his hands from the stone, which he grasped with whitened fingernails. Meanwhile Kishorilal Ganpat staggered and stumbled at the corners of the lane, from door to door, looking for a way out, any way out. Bunty walked after him, squeezing rounds tenderly into his back and buttocks. Finally Kishorilal Ganpat knelt in front of a vermilion door, under an elegantly painted Om in white, his head down and gaand high in the air, his clothes soaked through with blood, quite dead.

Bunty and the boys walked away, not too fast, not too slow. The exit was as uncomplicated as the job, they got into two cars and left. They then left the two cars on a corner in Malad and got into a van. In three hours they were all out of the city. And those of us who stayed behind grew careful. We knew we had escalated, and so we were prepared. I lived now in three different houses, and went between them at unequal intervals. Paritosh Shah dreamed of flight in a lumbering Mercedes fitted out with armour plate and hardened windows. Chotta Badriya had boys taking strolls through far lanes, watching over our interests. The death of Kishorilal Ganpat moved from the front pages to smaller squares at the back of the newspapers, and then finally disappeared altogether. Apart from two encounters executed by Parulkar's people, which lost us three boys, life went on as ever before. Don't get complacent, I told my boys every day. Don't go to sleep. They aren't sleeping for sure, they're preparing something. It'll come: the axe, the bullet, the fall. It must. We are making war with Suleiman Isa. Suleiman Isa.

Ganesh Gaitonde: the name had a heft, a certain sturdiness. It stood up straight, it didn't back down, it was a strong name. In print it had a certain symmetrical solidity, and it rang on the ear like the double clash of a nagada. People trusted it, and people were afraid of it. And yet: Suleiman Isa. All those hissing 's' sounds, they spoke of cunning. Mean, twisty, rat-skinned cunning. Which caught up with us one morning in late November. I was phoned minutes after it happened. Paritosh Shah left the offices of Rajhans Airlines in his impregnable Mercedes. Security guards swung shut the double gates behind the car as it accelerated tank-like down the lane. In the front seat there was a driver, an old trusted employee, and a bodyguard, not Bada Badriya, who was on a week-long holiday in his village in UP, but a stand-in named Patkar. Paritosh Shah sat in the back, entering names into an electronic diary he had received that morning on special order from Singapore. He wanted to do business from the car, make even more money. The lane from Rajhans swung left on to Ambedkar Road. Just as the Mercedes approached the intersection, a van pulled out behind it, and pressed close. And a truck slammed across the lane, blocking the turn, trapping the Mercedes between its side and the van: no way forward, no way back. The van crashed against the back bumper, shoved the Mercedes forward into the truck. Bullets exploded the rear tires. Then there were two men swinging sledgehammers against the Mercedes' left rear window, which, for all its bullet-proof hardening, starred and curved concave under the blows. The bodyguard had his pistol out, but there was a man pointing an AK-47 at him through the window. To protect Paritosh Shah, Patkar had to lower the window, which would let in the AK-47. The bodyguard pointed his pistol, but the front window stayed up. Meanwhile the sledgehammers crunched on the back window. Paritosh Shah flopped about on the back seat and stabbed his mobile phone with scrabbling fingers. Then, at the top of a large inward bulge in the rear window, a small hole crumbled open under the sledgehammers, a hole about the size of a rupee coin. Enough for a muzzle to press in, a second AK-47. An entire magazine was fired into the car. The bodyguard tried to fire, to shoot at the braying blaze that sprayed into the inside of the Mercedes, but his bullets stopped nothing, and may themselves have bounced around on the inside of the car.

My boys tried to stop me from going there, from going to my friend. I shoved them aside and drove myself. I was there minutes after the police arrived, and they at least didn't try to stop me. The rear and side windows of the Mercedes were webbed crystalline, smeared on the inside with a dark jelly. The front left door was open. The driver had survived, and had crawled over the dead bodyguard to get out after the booming fire had stopped. I leaned into the car, rested a hand on the satiny leather of the front headrest, and looked into the leg-space at the back. There was no Paritosh Shah there. There was a mass of deflated flesh, punctured and holed and ripped. There was no face there. Under a broad forehead, a splintered bowl of uncooked meat, shards of sharp white bone. No Paritosh Shah. He could never have fitted into that small flume behind the seat, not Paritosh Shah, not my fat man. But there was a hand with rings, with shiny protective stones. Here was a foot, still in its new tasselled burgundy loafer. He had said that word to me, with much indulgent patience: 'Not red, bhai, that's called burgundy . Burr-gandy.' Here was a styled thatch of dark hair. But where was Paritosh Shah? Not here.

* * *

I went to his house, where the women said nothing to me. Yet I felt their hate. He had died because of me. He had died for me. I had killed him. Nobody dared say it, but it needed no saying. When his body lay in the courtyard, wrapped in white sheets, covered everywhere, while his daughters wailed, nobody said it. Near the heat of the pyre nobody said it. I went back to Gopalmath without hearing it said, and yet it echoed along each whistle of my breath, each squeeze of my pulse. I drank whisky. I told the boys to bring me something, anything, as long as it was here, right now. Now. My throat burnt from the whisky and I saw myself dying. I was knifed, sabred, shot, hanged. My body fell. And then fell again. Bullets separated my elbows, cut my torso in half. I welcomed each fall. Where was death? This life squeezed my head in its iron hoop. Paritosh Shah's plump flesh emptied of blood, of air. How life lets out. How it goes. Does the spillage make a sound? Or was there only the breaking crack of the bullets? I raised my hand, brought it close to my eyes, pressed my face into the springy growth of hair on the forearm, felt the life in it. Each follicle was alive. A turn of my other wrist broke the whisky glass on a bedpost. With a splinter shaped like a half-moon I cut at the ridge of muscle under my clenched fist. Through the serried stalks of the hair I went, and the blood seeped noiselessly. I turned the arm, and there was the bumping of the pulse on the wrist. Easy to cut, to cease. How easy.

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