Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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Yes, men were like that. Before her, there had been other women. A call-girl, Kamble's gift on Sartaj's first post-divorce birthday: 'Fine high-class item, boss, total actress material.' Sartaj had been unable to perform, and the actress-item had patted his shoulder comfortingly. And there was a married friend of Megha's, who had waited to call until his divorce decree was final, so that it was all above board and incontestably moral. After sex, she loved to hear stories about murder, about gunshots on dark streets, about desperate and violent men, she lay next to Sartaj, plump and golden, a shine like metal hooks in her eyes, eddying little gusts of Obsession. And there had been a firangi even, an Austrian woman who had been pickpocketed on a local train and had come into the station to file a complaint. He had liked her blunt accent, all clangs and sudden stops, and the unreadable blue of her eyes, but she was so beyond his ken that he had no idea what to do, even when she stopped in two days later. He confessed to her that they had made no progress, that progress was unlikely, and then felt ashamed of Indian inefficiency. In Austria the thief would already have been convicted and sentenced. In that pause she asked if he would like to have some coffee. After three days of coffee he asked if she would like to see his house. At the apartment, she made him take off his turban. 'I want to see your hair open,' she said. 'You Amitabh Bachchan,' PSI Kamble had chortled when he had heard about this, squeezing Sartaj's hand, 'you bloody Rajesh Khanna, you're the King of all Sardar Studs.' Sartaj had recognized much of his own heady triumph in Kamble's exuberant thrill, that glad rush he had himself felt from the pornographic paleness of the Austrian's breasts, from the discovery of the light blonde hair under the white of her panties. As he had moved inside her, he was inside a thousand blue movies, and inside him were the impossibly unblemished glossy-paper phantoms of his adolescence, beckoning and very far. After they had finished she was quiet, and he had no idea what her silence meant. And the King of all Studs lay with his mouth open, terrified by the white vacuum of disappointment he was discovering inside his bones.

Sartaj shook his head and got up. Kaushalya's husband liked to be photographed. He sat squarely in the middle of every photograph, surrounded by women and children. Sartaj stood near the wall, his back to Katekar, and investigated the pictures. Here was the father of the two harassers. Did he have mistresses in addition to the wife? Looking at the belligerent thrust of his belly against his shiny white kurta, in the largest of the photographs, Sartaj was sure he did. He was a man, and so he had women. Sartaj had a long reputation as a policeman for the ladies, and he had told nobody that he had given up on sex. Kamble and Katekar and the others at the station crowed about ghochi, there were long stories that rose and fell and rollicked on about chut and khadda and tope and daana and hathiyar and mausambis, yes, she had mausambis so round and sweet you wept to look at them. Mausambis, grenades, dudh-ki-tanki, coconuts. And yes, maal, chabbis, chaavvi. Maybe I'm the only one, Sartaj thought, with stories about silent sex, far sex, aching sex, dull sex, doomy sex, stopped sex, needless sex, painful gloom-ridden bitter lonely sex. Sex. What a word. What a thing.

The chai and the father arrived together. Kaushalya's husband came in hard on the heels of the barefoot little boy who swung in with the cups of chai, which he carried in a special wire basket. The boy cocked an eyebrow at Sartaj, and getting the nod, he handed over the chai, very wristy and professional. 'Biskoot?' he said, and held up a pack of Parle Glucose. Sartaj paid, and fumbled in giving him a five-rupee coin. The boy picked it up from the floor with his toes, with his right foot, and then moved the coin to his left hand with a smooth dance move that lifted his shin parallel to the floor. For that Sartaj gave him a five-rupee tip, and the boy grinned and was gone.

Kaushalya had emerged, followed by the old man. Sartaj moved between her and her husband, took a sip of chai and said, 'What's your name?'

'Birendra Prasad.'

'You make mithai?'

'Yes, saab. Cham-cham, burfi and pedas. We supply to restaurants and shops.'

'You own the factory?'

'Yes, saab.'

'And your sons work with you?'

'Sometimes, saab. They are studying still.'

'That is good.'

'Yes, saab. I want them to move ahead. In today's world, you can't get anywhere without education.'

Birendra Prasad had seen the world, no doubt of it. Today he wasn't wearing a silvery kurta, he had on a green shirt and black pants, and his stockiness made him a good match for his wife. He was sturdy and determined and didn't like having policemen in his home, but he was making an effort to be calm and polite. His daughter was holding on to the back of his shirt and glowering at Sartaj. There were a lot of people now in a small room, and Sartaj could see the sweat pooling down Birendra Prasad's neck. Sartaj grinned, showing his teeth, and took a sip of chai.

'Saab,' Birendra Prasad said.

Katekar was moving around Prasad, to his left and behind him. Sartaj saw that it made the mithai-man very uneasy, his eyes twitched left and back and left again. 'Have you been in jail, Birendra Prasad?' he said.

'Yes, a long time ago.'

'What was the charge?'

'Nothing, saab. It was a misunderstanding…'

'You went to jail for nothing?'

Katekar moved in close. 'Saab asked you something,' he said, very softly.

The girl was crying now.

'It was for one year,' her father said. 'For theft.'

Sartaj put his glass down on the chair, and stepped close to Birendra Prasad. 'Your sons are going to jail also.'

'No, saab. For what?'

'You know what they are doing around here? You know how they behave with women?'

'Saab, that is not true.'

Katekar shoved the man gently, just a hand on a shoulder and a short push. 'Are you saying Saab is not telling the truth?'

'People spread all these rumours, and they are just boys. But…'

'You send your boys to see me tomorrow at the station,' Sartaj said. 'At four o'clock. Or I'll come and visit your family here again, and you at your factory. And I'll put your sons in jail.'

'Saab, I know who is doing this.'

Sartaj leaned in close and whispered in his ear, 'Don't argue with me, gaandu. You want me to take your izzat in front of your family? In front of your daughter?'

To this Birendra Prasad had no reply.

Katekar nudged at his shoulder, and he moved aside. Sartaj stepped around Sushma and over the sill. He and Katekar walked through the sunny lane, scattering a group of boys coming in the opposite direction.

'That Wasim Zafar is a deep one, saab,' Katekar said. 'The move is against the father as much as against the boys.'

'Yes,' Sartaj said. 'This Birendra Prasad must be a problem for him. He should have told us, the bastard.' Because it was quite possible that Birendra Prasad had his own connections. But Sartaj wasn't overly worried. Every man or woman you arrested or even touched was part of some web, and you couldn't spend your professional life worrying about who knew whom. You were a little careful, and if some problem came up, you dealt with it. Still, Wasim Zafar Ali Ahmad should have told them. 'Here,' he said, and gave Katekar the biscuits. He dialled on his mobile phone, and Wasim Zafar picked up on the second ring.

'Hello, who is it?' he said, very fast.

'Your baap,' Sartaj said.

'Saab? What is wrong?'

'Where are you?'

'I am near the station, saab. I came here for some work. What can I do for you?'

'You can tell us the truth. Why didn't you tell us you were moving against this Birendra Prasad?'

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