Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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Alok-veerji came towards Mata-ji, and Prabhjot Kaur saw that in his right hand he had a pistol, and in his left something long and curving. The front of his shirt hung down on the left side like a flap, revealing the inverted arc of his chest. There was blood on his neck, black and flowing, she could see it. And dangling not very far from her face, from Iqbal-veerji's hand, was a kirpan, no, a sword.

'Kill them,' Mata-ji said again. Mani's face was hidden from Prabhjot Kaur, darkened. Prabhjot Kaur could see only her unmistakable thin shoulders, her forearms as she held Mata-ji. Prabhjot Kaur stepped away from Iqbal-veerji, and raised her head, and saw that his pagdi had come off, his hair hung in a loose coil over his forehead. His mouth was shaking. He was looking at her and she saw him fight for control, bite down on his lower lip to stop it from trembling. Her fear now felt different, like a long, continuous fall from a great height, but in spite of this hurtling drop she felt embarrassment for her brother. She lowered her head and waited. She was waiting for death, a khoon ordered by her mother.

'I'll drive,' she heard Papa-ji say. 'I can drive.'

Of course, Prabhjot Kaur thought. He used to be a salesman. The car started on the first try, but then they had to push it back and up from the gutter it had dropped its front left wheel into. Prabhjot Kaur turned round and round on the dark street, unable to stay still, trying to face everywhere and afraid of what was behind her back. Then they were all in, and Prabhjot Kaur this time crouched down as far as she could get in the front seat. She pushed at the bundle in front of her with her legs, and when it gave way a little she forced her legs and hips into the little space she had made. She wished she could get under the bundle. She wished there was a little secret space under the seat that she could tuck herself into. She wished for a dark little metal hole which nothing would ever be able to get into, where she could get away from Mata-ji's horrible croaking sobs, her 'Vaheguru, Vaheguru' and her Japji Sahib which pierced all the clatter of the car and Prabhjot Kaur's own clamorous breathing, and Prabhjot Kaur clapped her hands hard and desperate over the ears.

She saw nothing. She kept her eyes closed. But there was a change in the sound of the road, a difference in the texture of the black under her eyelids, and she knew that they had left the city behind. Near dawn they came upon two trucks of soldiers, stopped by a well. Alok-veerji was afraid, but Papa-ji said there was no choice. They approached them slowly, and just before the car stopped Prabhjot Kaur opened her eyes. The sky was a neutral grey, the colour half-way between black and white. She had never stayed up all night before.

'These are Muslims,' she heard Mata-ji say. They were, and their leader was a major by the name of Sajid Farooq. Prabhjot Kaur read it on his breast pocket as she sat on a villager's charpai, shivering. Sajid Farooq put their car between the soldiers' trucks that morning, and by the afternoon they had a caravan thirty-one vehicles long. The next morning Prabhjot Kaur saw a line, a stream, a river of walking people that stretched to the horizon. The men and women and children walked behind each other in silence, trudging in the same direction as Sajid Farooq's trucks, and all the cars. They were moving very slowly, and the trucks and cars moved past each one of them with ease, but it took three hours to leave behind that whole lot. That evening they were met by other soldiers, in the same uniforms and the same trucks, but these were Hindus escorting a convoy of Muslims. Alok-veerji said the soldiers were Madrasis. This was the first thing Prabhjot Kaur had heard him say in two days. His eyes were red and sometimes tears ran down his face and he seemed not to notice them. Sajid Farooq took the convoy of cars and trucks that had come with the Madrasis, put his soldiers in front of them and behind them and drove away. Prabhjot Kaur watched the Muslims drive past, going to Pakistan. Then the Madrasis took the Sikhs and Hindus to India. The trip was uneventful. In two days they were in Amritsar.

Here they lived in a city of three thousand tents. People came from the city with clothes and food, to give to the refugees, and a politician came to walk through the filthy lanes that had been ploughed out by hundreds of feet between the walls of canvas. Prabhjot Kaur hid in their tent when she saw the photographers that came with the Congressman. She felt shame, a powdery burning that sizzled across her arms and shoulders. She saw it in Papa-ji's face when he took a half-sack of wheat from a bania who had brought a cartload of foodstuff from the city. She saw it in Mata-ji's crouch, how she sat with her dupatta pulled over half her face, and she saw it in Mani's long bouts of sleep, in the determined way that she lay herself down and turned away to one side, even when the sun burned on the canvas and the ground felt as if it were heated from underneath. They were all ashamed. Prabhjot Kaur felt it most when she looked at Mata-ji's face, her nose, her mouth, her lined forehead, and so she never looked at her. She cast her eyes up, or to the side, or examined her own hands, or sometimes, while walking by, just shut one eye or the other so that there was no chance of seeing. In Mata-ji it was unbearable, this shame, but it was in all of them, it hung around them like a bad, unwashed smell. It was shame that constricted Alok-veerji's throat, so that each word cost an effort of the muscles and emerged compacted and slow.

'It was an ambush,' Alok-veerji was saying. 'It was that Khudabaksh Shafi. He had it all planned.'

Prabhjot Kaur was standing outside the tent, holding a pile of damp clothes higher than her head.

'You mean for the house? He wanted the house so he scared us out?' This was Iqbal-veerji.

'Yes,' Alok-veerji said. 'The house. And everything else.'

Prabhjot Kaur's head hummed with an onrush of blood. This 'everything else' was something they never spoke about. Nothing was ever said, not one word. One name had disappeared from the world, taking with it a whole life.

'I can't believe that,' Iqbal-veerji said. 'I can't.'

'Believe it,' Alok-veerji said. 'They took the house, they took our land, but they weren't satisfied with that much. It was all planned. The driver drove us straight into an ambush, they were waiting. There were enough of them to – to take what they wanted. But they didn't expect us to be well-armed. So they got what they wanted, but they couldn't kill us all. So they ran. That is the truth about those people. I only wish I had done more. Instead of burning three houses I wish we had burnt a thousand. And killed a lakh of them.'

'Alok. Be quiet.'

'Why? Why be quiet? I'll shout it out loud. These Muslims are bhenchods and maderchods. If all their women were standing in front of me, I would hang them up and cut them open like goats. I would pull out their intestines with my own hands. With pleasure I would do it. Bhenchods. Maderchods.'

Prabhjot Kaur ran. She dropped the clothes and ran away. Her mother's words followed her: 'Kill them.' She tripped over tent-ropes and skinned her palms on the black gravel, and she ran past children kicking a piece of wood from one side of the pathway to the other, past women squatting in the doorways of tents repairing torn shirts, past bubbling pots on makeshift choolas of six bricks, past everything until she was finally at the edge, beyond all habitation. Ahead there was a brown path, and on the other side of that a bare maidan strewn with rocks, and then endless fields, green and thick. She stopped and held her sides, bent over until the sweat fell straight from her forehead to the ground, making dark circles on the earth. She straightened up. She wanted to go away. She wanted a place to go to, somewhere very far away, hundreds of miles from her family, thousands of miles from everyone. Haven't you heard? A girl is born into a house, but her home is somewhere else. This house doesn't belong to you. Your home is elsewhere. If I could keep walking, she thought. But she knew her geography too well, those lessons she had learned with the Trio, the ones she had written down in fair handwriting in books covered with brown paper. And now, now she knew more. There were seas to one side, mountains to another, nowhere to go, and fear everywhere. You would have to cross fear to get nowhere. The maidan was still, and the fields waited, silent. Prabhjot Kaur stood alone, at the edge of the city of refugees. Then she turned and went back to her father and mother and brothers and sister.

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