Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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'We're all here,' Chotta Badriya said.

I turned to them. 'Stretch him out,' I said. And they did. The four who had carried him sat above and below him and pulled him into a wide cross. Mohan Surve lay still, illuminated by the round beams from electric torches. 'You know what he did,' I said to the company. 'Many of us died.' I held out a hand to Chotta Badriya, who snuggled into it the cold handle of a sword. I walked around Mohan Surve until I stood directly over his head, facing the floating fire of the city, and hefted the blade in my hand. It was curiously heavy for such a slim, long thing. Good dense steel. There was a scar high on my shoulder, which I felt as a slight stiff tug sometimes, near my heart, but the strength was back in my arms. I widened my stance, raised the sword above my head, took a breath and dashed it down, into Mohan Surve's right arm, just below the shoulder. At this he raised his head and looked around, turning his eyes from side to side. I had the sword up again, and with the second stroke I separated his arm away from his body. The boy holding his right wrist fell backwards, and there was an immediate thick jet of black blood into the jiggling light. And a sound like a groan came from the company, and Mohan Surve began to talk. A confused jumble of syllables that sounded no sense, that's what it was. Mohan Surve babytalked even as Chotta Badriya took off his left arm with a single sweep of the sword, and I heard the clang of metal on the rock and saw a jumping shower of white sparks, and Mohan Surve's voice rose higher and his head was still up when somebody stepped up from the ranks and took the sword and attacked his left thigh. Then he screamed. But when it came to his right leg he was quiet, and his head was turned to the side. I think he was already dead.

'Take the pieces,' I said, 'and throw them somewhere. And I never want to hear his name again.'

Then I walked down my hill, to my basti, to my home. In the mirror in the alcove immediately to the right of the door, I saw that my shirt was ruined, splashed all over with blood. I took it off, and also my trousers, soggy to the front, and my damp shoes. I took a bath, with hot water. I ate a little sabudane ki khichdi, and drank a glass of milk with almonds in it. Then I slept.

Investigating Women

The next day, Sartaj joined Parulkar on his morning constitutional. They walked in circles around Bradford Park, which was a small circle at the intersection of seven roads near Parulkar's house. It was five-thirty, and the grass underfoot was a little damp. Parulkar was wearing red keds under his flappy white pyjamas and speeding around the circumference, overtaking the other walkers and then lapping them. Sartaj was putting in serious effort to keep up.

'I don't understand the teaching at these new schools,' Parulkar said. 'How can Ajay be five and a half and not be able to read? They call themselves the best school in Mumbai. We had to use a dozen contacts to get the boy in, you know.'

Ajay was Parulkar's grandson, who was in upper KG at the very new and very modern Dalmia school. 'It's a new system of teaching, sir. They don't want to put pressure on the children.'

'Yes, yes, but at least teach them to read "cat" and "bat" by now. And you and I had pressure, and we didn't come out so badly.'

They went past Parulkar's bodyguards now, and then into another lap. 'I didn't do so well under all that pressure, sir. I was terrified by those exams.'

'Arre, you were not so bad. Only you had other things on your mind always, cricket and movies and then later, my God, girls.' Parulkar grinned. 'You remember that time I had to stand guard while you were studying?'

That was when Sartaj was fifteen. He had taken to jumping out of the window during mugging hours at home, and finally Parulkar had volunteered to keep a watch over him the night before his maths exam. They had a fine time actually, with regular dosages of whipped-up Nescafé, and oranges and small bananas, and Parulkar had shown a talent for reducing complex problems to simple questions. Sartaj had passed the exam with a fifty-eight per cent score, which was the highest he ever achieved in maths. 'Yes, sir. And we saw the chowkidar sleeping.'

They had thrown orange peels at the slumbering chowkidar, and now they laughed as they had then.

'Business now, Sartaj.'

'Yes, sir.' This meant they were coming to the end of the walk, which was meant to be mostly free of work distractions.

'I have a contact for you from the S-Company. Her name is Iffat-bibi. She is Suleiman Isa's maternal aunt. For a long time, she has been one of his main controllers here in Mumbai. She's old, but don't be fooled by that. She's very intelligent, very ruthless, she has been one of his main assets.'

'Yes, sir.'

'This is the number you can reach her at.' Parulkar slipped a folded note to Sartaj. 'She's always there in the afternoons. She will expect your call.'

'Thank you, sir. This is a big connection, sir.'

Parulkar shrugged, flapped a dismissive hand. 'And be careful. Whatever information she gives you, it's not for free. Sooner or later she'll ask something of you. So don't promise her anything you can't deliver.'

'Right, sir.'

'Interesting woman. There was a time, I was told, that men were killed over her. But when I first met her she was already old. And you know, I thought then that she may have been beautiful once, but she was never any man's trophy. If a man was killed over her, she made it happen. No doubt about that. No doubt at all.'

'I'll be careful, sir.'

Parulkar's walk was over, but he went to his car at the same speed. Sartaj watched him go, and thought that he had never truly repaid Parulkar for everything he had been given. 'Nothing in life is free' had been one of Parulkar's first lessons, but Sartaj had never felt that he had returned equal value. Maybe some day it would all become due.

* * *

That morning, Sartaj and Katekar followed Manika's lead to the glossy-pictured Kavita, who had once danced at a bar called Pritam but had made that very rare leap into the lower rungs of show business. Her name was actually Naina Aggarwal, and she was from Rae Bareli. The manager at Pritam Dance Bar looked at the photograph and told them the name of the serial she was acting in: 47 Breach Candy . He watched it every Thursday, he was very proud of her, even though she had never contacted him once she had started appearing on television. The owner of Jazz Films, which produced 47 Breach Candy , gave Sartaj her phone number and address and told him to watch the show, which was doing very well, very high TRPs, very good reviews, it was very entertaining, based on an American show but completely Indianized, completely of our culture. Naina Aggarwal lived not in Andheri East any more, but in an apartment in Lokhandwalla with three other girls, who all worked in television. She was small, prettier than her picture, and she started weeping even as Sartaj asked her where she was from, what her father did, if she had any brothers or sisters. Her mascara had blackened her face all the way to her chin by the time he said, 'We know you've been involved in some very bad activity. But we are not about to harass you. If you help us.'

She nodded fast, holding her hands clasped in front of her mouth. She sat on her bed, curled small, and she was very afraid of them, in that room she had managed to earn for herself. There was a shelf above the bed, bolted to the wall, and it was crowded with photographs of Rae Bareilly people in bright shirts, and Sartaj recognized her school-principal father. She came from a very respectable family, and she had danced at the bar only for two months, when she had first come to the city, when her money had rushed from her hands faster than she had imagined possible. She nodded eagerly. She was desperate to get the police away from her room before her flatmates and neighbours knew that she was involved in such nasty police business, that she had once danced in a sleazy bar.

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