Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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'Let me out,' I said. I leaned over and opened the door, and got out of the car. Chotta Badriya slid out from behind the wheel. 'No, no, get back in.'

'But, bhai…'

'Listen to me, just get back in. I want to walk for a bit.'

He was afraid of a coincidence, of somebody from the other side out for a stroll among the evening walkers and bhelpuri-eaters. It was possible, but I wanted suddenly to be alone. I raised a hand at him, and I think I must have frightened him with the look on my face, because he got right back in.

I walked down the curving road to the beach, past the chat-stalls and on to the sand. There were families walking with me, children excited into laughter by the horses trotting at the edge of the water, by the toywallahs and their hovering, silvery clouds of balloons, by the tantalizing kulfi-wallahs and their cool boxes all filmed over with tiny pearls of moisture. Here there was no war. Here was peace. I walked lightly amongst the old couples out for their evening walks, and the ranks of restless young men. The sea rushed steadily up the land, and finally I sat on a half-built brick platform, facing the waves. I was tired, empty-minded, and it was good to have my hair stirred gently by the water's slow breathing. There was a movement to my left. I looked, and under a pile of refuse, palm fronds and soggy paper packets and coconut husks, there was a jerky squirming, quick little dashings and then alert stillness. In the shadows there were more shadows, moving fast, and I saw a white cardboard box shift in a zigzag line, trembling with the urgency of hunger. I got up and walked over, and stood over the box, and I could now smell the strong rot, all the last leftover food, everything that had been thrown away. But there was no movement now. I laughed. 'Rats, I know you're here,' I said. 'I know you are.' But they were too clever for me. They lay still, and if I wanted I could probably kill some of them, but finally they would survive my attack and me.

'Bhai!' The shout came from down the beach. I raised my arm.

'Here,' I called. They came running up, Chotta Badriya and two others.

'Are you all right?' he said.

'I'm fine,' I said. I was, really. There was something moving inside me, a faint scurrying I could hardly see. I knew I had to wait for it to emerge. 'Let's go home,' I said.

* * *

I set up a meeting with Inspector Samant the next day. We met at a hotel in Sakinaka. 'This Vilas Ranade,' I said. 'I want his wicket. I have ten petis.'

He laughed in my face. He had a thick moustache, not very much hair on his head and big white teeth. He was sweating through his shirt, big wet dark patches. 'Ten lakhs!' he said. 'For Vilas Ranade. You're too hopeful.'

'Fifteen then.'

'Do you know who you're talking about? He was here when you were still drinking milk.'

I said, 'True. But can you do it?'

'It can be done.'

'You know something. What do you know?'

His eyes were steady, opaque. He was right, it had been a very stupid question. He had no reason to tell me what he knew. I was nervous, over-eager. Then he said, 'Why should I do it?'

'I will be here long after he's gone, Samant Saab. You know that. You've seen my progress. If we can work together, think of what lies in the future. Those Cobra Gang chutiyas have no future, no vision. What they do, they do, but they won't do anything new. The future is worth more than cash.'

He was listening. He wiped his shining takli with a handkerchief. 'Thirty,' he said.

'I can do twenty, saab. And once this is all over, there will be much much more.'

'Twenty-five. And I want it all in advance.'

Which was unprecedented, and insane. But – 'Yes, saab,' I said, 'I'll bring it to you in three days.'

He nodded, and took some saunf from the dish in the middle of the table. The bill he was leaving to me.

'Also, then, in three days,' I said, 'you had better arrest me.'

* * *

I didn't have any twenty-five lakhs in cash. I had five lakhs, maybe six and a half if I called in little loans I had made to citizens in Gopalmath, for medicine, for wedding saris. I couldn't do that, and I knew better than to ask Paritosh Shah for so bulky a loan. He was a businessman, and I was not currently a good risk, but he would find it very hard to say no to me, and it might have broken us apart. So I didn't ask that of him, but I did ask him for a big score. 'A target?' he said. 'Worth twenty-five lakhs? In three days?' I knew I was asking much, but he understood the urgency.

'Never mind the risk,' I told him. 'Just think about the prize.' He didn't have to think about it very long. Mahajan Jewellers, on Advani Road. It pleased me that it was right in the middle of Cobra Gang territory, a mile and a half from Rajesh Parab's house. We watched Mahajan Jewellers for one day and one night, and then I decided that we would do it during the day. Night might have been safer, but it would have meant getting in through the heavy sliding grille at the front, through the three locks, then through the shutter door they dropped down and locked also, and then through the glass doors. No, we went in at four in the afternoon, straight through the open door. There was one watchman out front, with the usual single-shot shotgun, and when he saw us coming with our seven pistols and choppers he dropped it without hesitation. On our way out, he held the door open for us. We had two stolen cars waiting outside, and getting away was smooth. No problems.

So now we had the money. The property itself wasn't enough, Paritosh Shah gave us fifteen lakhs for everything we had taken, and he loaned us the rest. I let him give me the money. I had confidence again, I could see my path, and I knew he felt it. It wasn't a favour he was doling out now, but an investment in future earnings. I was now full, and he was adding to my fullness. I was good for his cash, and for more. So I had the money, and straightaway, a day early, I called in Samant and gave it to him. And he arrested me.

Into the lock-up we went, myself and three of my boys. We were arrested for suspected complicity in the Mahajan Jewellers robbery and remanded to custody, that's what it said in the newspapers. On the outside, my boys disappeared from the streets, from Gopalmath, and the Cobra Gang celebrated. G-Company was finished, over and done with, all very quickly and no trouble at all, that was what they said. I sat in my cell and watched the wall. I had my back to one wall and I watched the other. My boys sat on all sides of me. I could stand the narrow space easily, the heat, I forced down the brittle rotis and the watery dal, but the repose of it, not moving and working, the rest and stillness of it crawled just under my skin and made me want to tear myself open. There were busy, buzzing insects in my veins. But I taught myself patience. I watched the wall. I felt it watching me, strong in its blankness. It wanted to outlast me. It knew it could. I stared it down. And I waited.

It took nine days. When the constables came to get us, my boys stood guard and I pissed on the wall. I wrote circles into its indifference while they watched, and then I let them lead me out. There was an advocate who had done the paperwork waiting in the senior inspector's room, and he led us out of the station. Our bail had been posted. It was dark outside, a moonless night and cloudy. Chotta Badriya was waiting outside with a car. He looked very tired, and he had his hair tied back, held back with one of those bands that girls wear.

'What's that in your hair, chutiya?' I said.

'Just like that, bhai,' he said, blushing like a girl and twisting his head down and to the side. And he smiled. When he smiled I knew it was all right.

He drove us fast into the thick of the city, up the spine and on to the highway, past Goregaon, and I felt revived by the crowds, by the weaving rows of trucks and cars, and the children running after a ball on the side of the road, and the ceaseless noise of it. I was quiet but completely awake, alert like a snake. Chotta Badriya wasn't talking, and I didn't want to ask him any questions, not yet. The promise sweltered in the air and it was delicious to hold in my mouth, the anticipation, the not knowing. We turned off the highway on to the slip road, and then off it, past a jhopadpatti, into darkness. Our beams conjured up a dusty road, trees sliding into existence and out again, it was like falling into a tunnel. I went eagerly into it. Then we took a sharp left, and the road changed, we crunched over dirt. There was a car parked at the end of the lane, and the hard black of a building through the overhanging branches, and we got out and walked towards it, around a corner, and now there was a single bulb above a door. And sitting on a crate next to the door, Samant, with his cigarette signalling red.

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