Sherman Alexie - The Lone Ranger and Tonto Fistfight in Heaven

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When it was first published in 1993,
established Sherman Alexie as a stunning new talent of American letters. The basis for the award-winning movie
it remains one of his most beloved and widely praised books. In this darkly comic collection, Alexie brilliantly weaves memory, fantasy, and stark realism to paint a complex, grimly ironic portrait of life in and around the Spokane Indian Reservation. These twenty-two interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and, most poetically, modern Indians and the traditions of the past.

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It was dark by the time we got home. Mom had fry bread and chili waiting for us. My sisters and brothers were all home, watching television, playing cards. Believe me. When we got home everybody was there, everybody. My father sat at the table and nearly cried into his food. Then, of course, he did cry into his food and we all watched him. All of us.

FLIGHT

JOHN-JOHN HAD BEEN SAVING dollar bills toward a dream and when he had a shoebox full of bills he sat down to count out his future. “One, two, three,” he counted, all the way up to ten to make a neat stack on the floor, and soon he had two hundred neat stacks in exact rows and columns.

How much is enough?

John-John packed a suitcase with his dollar bills, a change of underwear, a toothbrush, and a photograph of his older brother, Joseph. The photograph was folded, spindled, mutilated. Joseph, the jet pilot, sat in full military dress in front of an American flag.

Dear Mr. and Mrs._______, we regret to inform you that your son,________, was shot down and taken prisoner by the enemy during a routine military operation. At this time, we are doing everything within our power to assure the immediate and safe release of your son.

Sincerely, they said.

John-John remembered the world before, remembered the four walls and one window of the HUD house on the reservation. So most Indians had no job and they counted change to buy the next bottle of wine. Maybe the wells went dry every summer and maybe any water still left was too radioactive to drink.

“Uranium has a half-life of one hundred thirty-five million years,” somebody told Joseph, and he said, “Shit, I can tell you stories that will last longer than that.”

Then there was music.

Joseph sang in a voice so pure even the drunkest Indians threw their bottles down. He sang in a voice so sharp even the oldest Indians could hear him clearly. He sang in a voice so deep even the whitest Indians remembered the words.

Sometimes, he danced.

Joseph had big feet and he stumbled, often lost the rhythm of drums. But he smiled and picked himself up from the ground after he fell. He whistled. He slapped his thighs. He crow-hopped and sprained his ankle. He danced.

Joseph paid the rent.

After Joseph was taken as a prisoner of war, John-John waited at the window for years. He ate and drank at that window; he slept with his eyes open. John-John’s friends grew up, graduated or dropped out of school, married, had children, got drunk too much, but he stood there at the window and waited.

John-John remembered: the sky and ground disappeared into the horizon, that imaginary line forever rolling away. Snow. Ice. Cold wind. Joseph in blue parka and military-surplus boots. After Christmas but before New Year’s Eve. Everyone was sober. Standing in some anonymous field while his Chevy sat a few feet away on the other side of a fence, Joseph raised his arms and said, Someday, the world will be mine . Maybe he just said, Goddamn, I need a drink . Joseph had already dug through the ashtray, in the glove compartment, under seats. There was no money left in the world. Not even loose coins. We ain’t got gas and I’m out of miracles , Joseph said and walked fifteen miles for help.

Now John-John stood on the front porch with his suitcase, a key hanging on a string around his neck. No lock, no door. The key was just a small mystery. It didn’t fit any lock on the reservation. Maybe it opened a garage door in Seattle; maybe it started a car in Spokane.

John-John watched the sky for signs, read the sun for the correct time, and checked his watch to be sure. It’s time to go , he thought just as the jet ripped through the sound barrier and shook the air. John-John tumbled down the stairs, landed on his tailbone. He stood up, rubbed his ass, and searched the sky for evidence. He could see vapor trails stretched across the sky.

John-John ran for the football field, down the reservation highway, three miles of smooth, smooth pavement It happens that way: the tribe had a government grant to fix the roads, but half the Indians on the reservation still lived on commodities. John-John ran until his chest hurt and legs trembled. He ran to the end of the highway and stared back toward his house, at the jet approaching, then landing with a concussion of noise.

The jet taxied down the highway, turbines slowing, and came to a stop a few feet from John-John. Power. Heat. Noise. It all felt and sounded like possibilities; it was the machinery of dreams. John-John stared at the jet until it grew beyond his vision. His eyes watered, ached. He rubbed at them with fists until they grew out of proportion. Minutes went by until the jet was silent in the silence its arrival created.

Has Christopher Columbus come back?

John-John walked toward the jet, slowly, carefully. His steps were measured and precise. Step on a crack, break your mother’s back. A balance beam is only four inches wide; the reservation is only half that width. John-John reached out and touched the jet with a fingertip. Hot and cold. He jumped back as the cockpit opened and a voice called out.

“Sir, ace jet pilot Joseph Victor, code name Geronimo, reporting for duty, sir!”

A tall man climbed down from the cockpit and stood at attention. His unbraided hair fell out from under his flight helmet, reached down to the small of his back. The tall man saluted John-John, then wheeled and saluted the crowd of Indians quickly gathering. He turned back to John-John.

“Sir, may I have permission to remove my helmet, sir?”

John-John was stunned. He raised his arm in a half-salute, the heels of his tennis shoes clicked together.

“Joseph, is that you?”

“Sir, yes, sir. May I please remove my helmet, sir?”

“Yeah, go ahead.”

Joseph removed his helmet, leaned it against a hip, still at attention. His face was scarred, battered. The purple scar between his eyes was shaped like a cigar butt; the symmetrical scars up and down his cheeks looked like gills.

“Joseph, your face. What happened?”

John-John moved closer to his brother, reached out and touched the scars, the skin. Hot and cold. Both close to tears.

“Sir, it’s been a long and glorious war but I am happy to be home, sir.”

“But your face. What did they do to you?”

“Sir, I am proud to say I withstood their tortures with courage and strength. I only gave them my name, rank, and serial number, sir.”

John-John cried then, took his brother’s hand. Swollen and scratched, Joseph’s hand felt like fear and failure. He had lost his left ring finger, his nails were torn, some missing altogether. Crude initials were carved into his palms.

“Joseph, don’t you recognize me? It’s your brother John-John.”

Joseph stared at his brother intently, searched his memory. He saw those eyes curved like a bow, colored like the center of the earth; that hair short and still untamed, black; that mouth, too small for the face; those teeth yellowed and healthy; those hands, that hand now holding his, so long and forgiving, skin like a woman’s.

Who are you? Who are you?

“Sir, I don’t remember. I’m sorry. I just don’t remember, sir.”

Memory, like a coin trick, like the French drop with one hand passing over the other, quarter dropping out of sight, then out of existence. It was there! It was there! The little Indian boys screaming at the sudden recognition of their first metaphor. Memory like an abandoned car, rusting and forgotten though it sits in plain view for decades. Dogs have litters there; generations of spiders live a terrible history. All of it goes unnoticed and no one bothers to tell the story.

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