Sherman Alexie - War Dances

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War Dances: краткое содержание, описание и аннотация

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Fresh off his National Book Award win, Alexie delivers a heartbreaking, hilarious collection of stories that explores the precarious balance between self-preservation and external responsibility in art, family, and the world at large. With unparalleled insight into the minds of artists, laborers, fathers, husbands, and sons, Alexie populates his stories with ordinary men on the brink of exceptional change. In a bicoastal journey through the consequences of both simple and monumental life choices, Alexie introduces us to personal worlds as they transform beyond return. In the title story, a famous writer must decide how to care for his distant father who is slowly dying a “natural Indian death” from alcohol and diabetes, just as he learns that he himself may have a brain tumor. Alexie dissects a vintage-clothing store owner’s failing marriage and his courtship of a married photographer in various airports across the country; what happens when a politician’s son commits a hate crime; and how a young boy discovers his self-worth while writing obituaries for his local newspaper. Brazen and wise,
takes us to the heart of what it means to be human. This provocative new work is Alexie at the height of his powers.

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“Mona, are you alone here?” I asked. I didn’t want to know the answer.

“No, no — well, yes, I suppose. But my Henry, he’s buried in the backyard.”

“Henry?”

“My cat. Oh, my beloved cat.”

And then she told me about Henry and his death. The poor cat, just as widowed as Mona, had fallen into a depression after her husband’s death. Cat and wife mourned together.

“You know,” she said. “I read once that grief can cause cancer. I think it’s true. At least, it’s true for cats. Because that’s what my Henry had, cancer of the blood. Cats get it all the time. They see a lot of death, they do.”

And so she, dependent on the veterinarian’s kindness and charity, had arranged for her Henry to be put down.

“What’s that big word for killing cats?” she asked me.

“Euthanasia,” I said.

“Yes, that’s it. That’s the word. It’s kind of a pretty word, isn’t it? It sounds pretty, don’t you think?”

“Yes.”

“Such a pretty word for such a sad and lonely thing,” she said.

“Yes, it is,” I said.

“You can name your daughter Euthanasia and nobody would even notice if they didn’t know what the word meant.”

“I suppose,” I said.

“My cat was too sick to live,” Mona said.

And then she told me how she’d held Henry as the vet injected him with the death shot. And, oh, how she cried when Henry’s heart and breath slowed and stopped. He was gone, gone, gone. And so she brought him home, carried him into the backyard, and laid him beside the hole she’d paid a neighbor boy to dig. That neighbor boy was probably fifty years old.

“I prayed for a long time,” she said. “I wanted God to know that my cat deserved to be in Heaven. And I didn’t want Henry to be in cat heaven. Not at all. I wanted Henry to go find my husband. I want them both to be waiting for me.”

And so she prayed for hours. Who can tell the exact time at such moments? And then she kneeled beside her cat. And that was painful because her knees were so old, so used — like the ancient sedan in the garage — and she pushed her Henry into the grave and poured salt over him.

“I read once,” she said, “that the Egyptians used to cover dead bodies with salt. It helps people get to Heaven quicker. That’s what I read.”

When she poured the salt on her cat, a few grains dropped and burned in his eyes.

“And let me tell you,” she said. “I almost fell in that grave when my Henry meowed. Just a little one. I barely heard it. But it was there. I put my hand on his chest and his little heart was beating. Just barely. But it was beating. I couldn’t believe it. The salt brought him back to life.”

Shit, I thought, the damn vet hadn’t injected enough death juice into the cat. Shit, shit, shit.

“Oh, that’s awful,” I said.

“No, I was happy. My cat was alive. Because of the salt. So I called my doctor—”

“You mean you called the vet?”

“No, I called my doctor, Ed Marashi, and I told him that it was a miracle, that the salt brought Henry back to life.”

I wanted to scream at her senile hope. I wanted to run to Lois’s grave and cover her with salt so she’d rise, replace me, and be forced to hear this story. This was her job; this was her responsibility.

“And let me tell you,” the old woman said. “My doctor was amazed, too, so he said he’d call the vet and they’d both be over, and it wasn’t too long before they were both in my home. Imagine! Two doctors on a house call. That doesn’t happen anymore, does it?”

It happens when two graceful men want to help a fragile and finite woman.

And so she told me that the doctors went to work on the cat. And, oh, how they tried to bring him back all the way, but there just wasn’t enough salt in the world to make it happen. So the doctors helped her sing and pray and bury her Henry. And, oh, yes — Dr. Marashi had sworn to her that he’d tried to help her husband with salt.

“Dr. Marashi said he poured salt on my husband,” she said. “But it didn’t work. There are some people too sick to be salted.”

She looked around the room as if she expected her husband and cat to materialize. How well can you mourn if you continually forget that the dead are dead?

I needed to escape.

“I’m really sorry, ma’am,” I said. “I really am. But I have to get back to the newspaper with these.”

“Is that my husband’s photograph?” she asked.

“Yes.”

“And is that his obituary?”

“Yes,” I said. “It’s the one you wrote.”

“I remember, I remember.”

She studied the artifacts in my hands.

“Can I have them back?” she asked.

“Excuse me?”

“The photo, and my letter, that’s all I have to remember my husband. He died, you know?”

“Yes, I know,” I said.

“He was at D-Day.”

“If I give you these back,” I said. “I won’t be able to run them in the newspaper.”

“Oh, I don’t want them in the newspaper,” she said. “My husband was a very private man.”

Ah, Lois, I thought, you never told me about this kind of death.

“I have to go now,” I said. I wanted to crash through the door and run away from this house fire.

“Okay, okay. Thank you for visiting,” she said. “Will you come back? I love visitors.”

“Yes,” I said. I lied. I knew I should call somebody about her dementia. She surely couldn’t take care of herself anymore. I knew I should call the police or her doctor or find her children and tell them. I knew I had responsibilities to her — to this grieving and confused stranger — but I was young and terrified.

So I left her on her porch. She was still waving when I turned the corner. Ah, Lois, I thought, are you with me, are you with me? I drove the newspaper’s car out of the city and onto the freeway. I drove for three hours to the shore of Soap Lake, an inland sea heavy with iron, calcium, and salt. For thousands of years, my indigenous ancestors had traveled here to be healed. They’re all gone now, dead by disease and self-destruction. Why had they believed so strongly in this magic water when it never protected them for long? When it might not have protected them at all? But you, Lois, you were never afraid of death, were you? You laughed and played. And you honored the dead with your brief and serious prayers.

Standing on the shore, I prayed for my dead. I praised them. I stupidly hoped the lake would heal my small wounds. Then I stripped off my clothes and waded naked into the water.

Jesus, I don’t want to die today or tomorrow, but I don’t want to live forever.

Food Chain

This is my will:

Bury me

In an anthill.

After one week

Of this feast,

Set the ants on fire.

Make me a funeral pyre.

Let my smoke rise

Into the eyes

Of those crows

On the telephone wire.

Startle those birds

Into flight

With my last words:

I loved my life.

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