Zadie Smith - NW

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NW: краткое содержание, описание и аннотация

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"NW" is Zadie Smith's masterful novel about London life. Zadie Smith's brilliant tragi-comic "NW" follows four Londoners — Leah, Natalie, Felix and Nathan — after they've left their childhood council estate, grown up and moved on to different lives. From private houses to public parks, at work and at play, their city is brutal, beautiful and complicated. Yet after a chance encounter they each find that the choices they've made, the people they once were and are now, can suddenly, rapidly unravel. A portrait of modern urban life, "NW" is funny, sad and urgent — as brimming with vitality as the city itself.

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You need to put that out. This is a playground. Said Natalie.

NOW. Said the Rasta. You shouldn’t even be in here. I heard how you spoke to that lady. That lady is your elder. You should be ashamed of yourself.

Just put it out. Said Natalie. My child is here. Said Natalie, though she really did not have strong feelings about secondhand smoke, particularly when it was outside in the open air.

Listen if someone comes disrespecting me, said the boy, I’m gonna tell them to get off my fucking case. Did she address me respectfully though? Don’t lie, cos they all heard you and no you didn’t.

YOU CANNOT SMOKE IN A CHILDREN’S PLAYGROUND. Shouted the old lady. From the bench.

But why did she have to get in my face in that manner? Inquired the boy.

She has a right! Insisted the Rasta woman.

Just put it out. Said Natalie. This is a playground.

Listen, I don’t do like you lot do round here. This ain’t my manor. We don’t do like you do here. In Queen’s Park. You can’t really chat to me. I’m Hackney, so.

• • •

This was an unwise move, rhetorically speaking. Even the lounging girl groaned.

• • •

Oh, NO. Said the Rasta. No you didn’t. No no no. You having a laugh? I’m Hackney? So? SO? Listen, you can try and mess with these people but you can’t mess with me, sunshine. I know you. In a deep way. I’m not Queen’s Park, love, I’m HARLESDEN. Why would you talk about yourself in that way? Why would you talk about your area that way? Oh you just pissed me off, boy. I’m from Harlesden — certified youth worker. Twenty years. I am ashamed of you right now. You’re the reason why we’re where we are right now. Shame. Shame!

Yeah yeah yeah yeah yeah yeah yeah. Said the boy. The girl laughed.

You think this is funny? Said the Rasta. Keep laughing, my sista. Where do you think this leads? Said the Rasta, to the girl.

Me? But I ain’t even involved! How am I even involved?

Nowhere. Said Natalie. Nowhere. Nowhere. NOWHERE.

Mummy stop shouting! Said Naomi.

Natalie did not know why she was shouting. She began to fear she was making herself ridiculous.

I feel sorry for you, really. Said a previously uninvolved Indian man, who now joined the circle of judgment. You’re obviously very unhappy, dissatisfied young people.

Oh my days don’t you fucking start! Cried the girl. The white boy she was lounging with looked at the gathering crowd and opened his eyes very wide. He started to laugh.

You lot crease me up. He said.

How did this even get like this to this level? Asked the girl, laughing. I’m just sitting here, chillin! How am I even involved? Marcus, man, you’re bait. This is on you. Next thing I know I’m on fucking Jeremy Kyle.

Why are you laughing? Asked the old white woman, who now stood with the rest, by the roundabout. I don’t think this is very funny.

Oh man, this is long. Said the girl. This one’s back at it now. Old Mother Hubbard’s on the fucking case again. Shit is crazy!

All of this? Asked Marcus. For a fag. Is it really worth it though? Just sit down back where you was and calm yourselves. Go handle your business. Sit down, man.

Fools. Said the girl.

Just put it out, man. Said Natalie. She had not ended a sentence in “man” for quite some time.

Oi, Marcus. Said the girl. Just put that fag out please, shut this woman up. This is just getting to be ridiculous now.

You should be ashamed of yourself. Said the old white lady.

I was willing to chat with you, right? Said the Rasta. Adult to adult and try and comprehend your point of view. But you just lost me with that nonsense. Shame on you, brother. And the sad thing is I’ve seen where it leads.

Don’t worry ’bout me. Said Marcus. I get paid. I do all right. Said Marcus.

Marcus popped his collar. This gesture was not convincing.

I get paid, I do all right. Repeated Natalie. Her lip was curled up in a snarl. I get paid, I do all right. She repeated. Yeah, sure you do. I’m a lawyer, mate. That’s paid. That’s really paid.

These people are fucking mental. Said the girl.

If she come over and ask me respectfully, yeah? I would have just done it. Argued Marcus. I’m actually an intelligent young man? But when someone don’t respect me then they’re disrespecting to me and then I’m going to step to them.

If you had any real self-respect or self-esteem, argued Natalie, one person asking you to put a cigarette out in a fucking playground would not register as an attack on your precious little ego.

• • •

A small crowd had gathered, of other parents, concerned citizens. This last point of Natalie’s was a great popular success, and she sensed her victory as surely as if a jury had gasped at a cache of photographs in her hand. Easing into triumph, she accidentally locked eyes with Marcus — briefly causing her to stutter — but soon she found a void above his right shoulder and addressed all further remarks to this vanishing point. Around them the argument devolved into smaller disputes. The girl argued with the old lady. Her beau argued with the Rasta. Several people joined together with Natalie to keep yelling at poor Marcus, who by this point had finished his cigarette and looked utterly exhausted.

174. Peach, peonies

She couldn’t find the address and walked past it several times. It was a non-descript door with a double-glazed panel, squeezed between Habitat and Waitrose on the Finchley Road. Run-down, a 1930s block. She pressed the button and was immediately buzzed up. She stopped to examine some plastic flowers in the hall, extraordinary in their verisimilitude. Four flights, no lift. Natalie Blake stood at the inner door for a long time. In order to ring the bell she had to perform an act she later characterized to herself as “leaving her own body.” Through the glass she could see peach carpet and peach walls, and a corner of the living room where a puffy white leather sofa stood, with walnut legs and arms. Opposite the sofa she spotted a matching chair and giant pouffe, done in the same style. On a hallway table sat a newspaper. She strained to see which one and concluded it was a copy of The Daily Express , partially obscured by an old-fashioned finger dial telephone, also in cream with a brass handle. She thought of the listing, which had described this couple as “upscale.” Two bodies approached the door. She saw them clearly through the glass. Much older than they’d said. In their sixties. Awful, crepey white skin with blue veins. Everyone’s seeking a BF 18–35. Why? What do they think we can do? What is it we have that they want? She heard them calling: Come back!

175. Golders Green Crematorium

It was not difficult for Natalie Blake to get dressed for a funeral. Most of her clothes had a funereal aspect. It was harder to dress the children and she made this the focus of her anxiety, banging cupboard doors and throwing whatever got in her way to the floor.

In the car her husband Frank De Angelis asked: “Was he a good guy?”

“I don’t know what that means,” replied Natalie Blake.

As they pulled into the car park there was not a face in the rearview mirror that she didn’t recognize, even if she lacked their names. Caldwell people, Brayton people, Kilburn people, Willesden people. Each marking a particular period. Surely she was no more than a narcissistic form of timepiece for them, too. And yet. She stepped down from her car to the courtyard. A friend of her mother’s touched her arm. She moved toward the memorial garden. A man who ran the Caldwell Residents Association lay his big hand on her neck and squeezed. Was it possible not only to have contempt for the people who kept time for you? Was it also possible to love them? “You all right, Keisha?” “Natalie, good to see you.” “All right, love?” “Miss Blake, long time.” The weird nod of recognition people give each other at funerals. Not only was Colin Hanwell dead but a hundred people who had shared the same square mile of streets with the man now recognized that relation, which was both intimate and accidental, close and distant. Natalie had not really known Colin (it was not possible to have really known Colin) but she had known what it was to know of Colin. To have Colin be an object presented to her consciousness. So had all these others.

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