Barry Hannah - Airships

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Now considered a contemporary classic, Airships was honored by Esquire magazine with the Arnold Gingrich Short Fiction Award. The twenty stories in this collection are a fresh, exuberant celebration of the new American South — a land of high school band contests, where good old boys from Vicksurg are reunited in Vietnam and petty nostalgia and the constant pain of disappointed love prevail. Airships is a striking demonstration of Barry Hannah's mature and original talent.

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All his trips weren’t this easy. He’d have to blast out in daytime and get with the B-52S, and a SAM missile would come up among them. Two of his mates were taken down by these missiles. But Quadberry, as on saxophone, had endless learned technique. He’d put his jet perpendicular in the air and make the SAMs look silly. He even shot down two of them. Then, one day in daylight, a MIG came floating up level with him and his squadron. Quadberry couldn’t believe it. Others in the squadron were shy, but Quadberry knew where and how the MIG could shoot. He flew below the cannons and then came in behind it. He knew the MIG wanted one of the B-52S and not mainly him. The MIG was so concentrated on the fat B-52 that he forgot about Quadberry. It was really an amateur suicide pilot in the MIG. Quadberry got on top of him and let down a missile, rising out of the way of it. The missile blew off the tail of the MIG. But then Quadberry wanted to see if the man got safely out of the cockpit. He thought it would be pleasant if the fellow got out with his parachute working. Then Quadberry saw that the fellow wanted to collide his wreckage with the B-52, so Quadberry turned himself over and cannoned, evaporated the pilot and cockpit. It was the first man he’d killed.

The next trip out, Quadberry was hit by a ground missile. But his jet kept flying. He flew it a hundred miles and got to the sea. There was the Bonhomme Richard , so he ejected. His back was snapped but, by God, he landed right on the deck. His mates caught him in their arms and cut the parachute off him. His back hurt for weeks, but he was all right. He rested and recuperated in Hawaii for a month.

Then he went off the front of the ship. Just like that, his F-6 plopped in the ocean and sank like a rock. Quadberry saw the ship go over him. He knew he shouldn’t eject just yet. If he ejected now he’d knock his head on the bottom and get chewed up in the motor blades. So Quadberry waited. His plane was sinking in the green and he could see the hull of the aircraft carrier getting smaller, but he had oxygen through his mask and it didn’t seem that urgent a decision. Just let the big ship get over. Down what later proved to be sixty feet, he pushed the ejection button. It fired him away, bless it, and he woke up ten feet under the surface swimming against an almost overwhelming body of underwater parachute. But two of his mates were in a helicopter, one of them on the ladder to lift him out.

Now Quadberry’s back was really hurt. He was out of this war and all wars for good.

Lilian, the stewardess, was killed in a crash. Her jet exploded with a hijacker’s bomb, an inept bomb which wasn’t supposed to go off, fifteen miles out of Havana; the poor pilot, the poor passengers, the poor stewardesses were all splattered like flesh sparklers over the water just out of Cuba. A fisherman found one seat of the airplane. Castro expressed regrets.

Quadberry came back to Clinton two weeks after Lilian and the others bound for Tampa were dead. He hadn’t heard about her. So I told him Lilian was dead when I met him at the airport. Quadberry was thin and rather meek in his civvies — a gray suit and an out-of-style tie. The white ends of his hair were not there — the halo had disappeared — because his hair was cut short. The Arab nose seemed a pitiable defect in an ash-whiskered face that was beyond anemic now. He looked shorter, stooped. The truth was he was sick, his back was killing him. His breath was heavy-laden with airplane martinis and in his limp right hand he held a wet cigar. I told him about Lilian. He mumbled something sideways that I could not possibly make out.

“You’ve got to speak right at me, remember? Remember me, Quadberry?”

“Mom and Dad of course aren’t here.”

“No. Why aren’t they?”

“He wrote me a letter after we bombed Hué. Said he hadn’t sent me to Annapolis to bomb the architecture of Hué. He had been there once and had some important experience — French-kissed the queen of Hué or the like. Anyway, he said I’d have to do a hell of a lot of repentance for that. But he and Mom are separate people. Why isn’t she here?”

“I don’t know.”

“I’m not asking you the question. The question is to God.”

He shook his head. Then he sat down on the floor of the terminal. People had to walk around. I asked him to get up.

“No. How is old Clinton?”

“Horrible. Aluminum subdivisions, cigar boxes with four thin columns in front, thick as a hive. We got a turquoise water tank; got a shopping center, a monster Jitney Jungle, fifth-rate teenyboppers covering the place like ants.” Why was I being so frank just now, as Quadberry sat on the floor downcast, drooped over like a long weak candle? “It’s not our town anymore, Ard. It’s going to hurt to drive back into it. Hurts me every day. Please get up.”

“And Lilian’s not even over there now.”

“No. She’s a cloud over the Gulf of Mexico. You flew out of Pensacola once. You know what beauty those pink and blue clouds are. That’s how I think of her.”

“Was there a funeral?”

“Oh, yes. Her Methodist preacher and a big crowd over at Wright Ferguson funeral home. Your mother and father were there. Your father shouldn’t have come. He could barely walk. Please get up.”

“Why? What am I going to do, where am I going?”

“You’ve got your saxophone.”

“Was there a coffin? Did you all go by and see the pink or blue cloud in it?” He was sneering now as he had done when he was eleven and fourteen and seventeen.

“Yes, they had a very ornate coffin.”

“Lilian was the Unknown Stewardess. I’m not getting up.”

“I said you still have your saxophone.”

“No, I don’t. I tried to play it on the ship after the last time I hurt my back. No go. I can’t bend my neck or spine to play it. The pain kills me.”

“Well, don’t get up, then. Why am I asking you to get up? I’m just a deaf drummer, too vain to buy a hearing aid. Can’t stand to write the ad copy I do. Wasn’t I a good drummer?”

“Superb.”

“But we can’t be in this condition forever. The police are going to come and make you get up if we do it much longer.”

The police didn’t come. It was Quadberry’s mother who came. She looked me in the face and grabbed my shoulders before she saw Ard on the floor. When she saw him she yanked him off the floor, hugging him passionately. She was shaking with sobs. Quadberry was gathered to her as if he were a rope she was trying to wrap around herself. Her mouth was all over him. Quadberry’s mother was a good-looking woman of fifty. I simply held her purse. He cried out that his back was hurting. At last she let him go.

“So now we walk,” I said.

“Dad’s in the car trying to quit crying,” said his mother.

“This is nice,” Quadberry said. “I thought everything and everybody was dead around here.” He put his arms around his mother. “Let’s all go off and kill some time together.” His mother’s hair was on his lips. “You?” he asked me.

“Murder the devil out of it,” I said.

I pretended to follow their car back to their house in Clinton. But when we were going through Jackson, I took the North 55 exit and disappeared from them, exhibiting a great amount of taste, I thought. I would get in their way in this reunion. I had an unimprovable apartment on Old Canton Road in a huge plaster house, Spanish style, with a terrace and ferns and yucca plants, and a green door where I went in. When I woke up I didn’t have to make my coffee or fry my egg. The girl who slept in my bed did that. She was Lilian’s little sister, Esther Field. Esther was pretty in a minor way and I was proud how I had tamed her to clean and cook around the place. The Field family would appreciate how I lived with her. I showed her the broom and the skillet, and she loved them. She also learned to speak very slowly when she had to say something.

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