Mavis Gallant - Home Truths

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Home Truths: краткое содержание, описание и аннотация

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In
, Mavis Gallant draws us into the tricky labyrinth of human behaviour, while offering readers her unique, clear-eyed vision of Canadians both at home and abroad. Ranging in time and place from small-town Quebec during the Depression, to Geneva and Paris in the 1950s, to contemporary Vancouver Island, these stories explore the remorseless cruelty of children, the tensions that affect all families, the dangerous but endearing naïveté of young girls in love with Europe, and the terrible distances that divide people who love each other. And in the celebrated “Linnet Muir” stories, Gallant draws on her own experiences to portray a sensitive and alarmingly perceptive young girl growing up in Montreal in the 1930s and 1940s. Incisive, darkly humorous, and compassionate,
is a vibrant collection of stories from one of our finest writers.

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“If you don’t mind, my dear,” I said, “I’d rather be on my way.”

“What do you mean, on your way? For one thing, you’re in no condition to drive. Where d’you think you’re going?”

“I can’t very well go that way,” I said, indicating the ocean I could not see. “I can’t go back as I’ve come.”

“It was a nutty thing, to come by car,” she said. “It’s not even all that cheap.”

“As I can’t go any farther,” I said, “I shall stay. Not here, but perhaps not far.”

“Doing what? What can you do? We’ve never been sure.”

“I can get a white cane and walk the streets of towns. I can ask people to help me over busy intersections and then beg for money.”

“You’re kidding.”

“I’m not. I shall say — let me think — I shall say I’ve had a mishap, lost my wallet, pension check not due for another week, postal strike delaying it even more —”

“That won’t work. They’ll send you to the welfare. You should see how we hand out welfare around here.”

“I’m counting on seeing it,” I said.

“You can’t. It would look —” She narrowed her eyes and said, “If you’re trying to shame me, forget it. Someone comes and says, ‘That poor old blind bum says he’s your father,’ I’ll just answer, ‘Yes, what about it?’ ”

“My sight is failing, actually.”

“There’s welfare for that, too.”

“We’re at cross-purposes,” I said. “I’m not looking for money.”

“Then waja come here for?”

“Because Regan sent me on to Goneril, I suppose.”

“That’s a lie. Don’t try to make yourself big. Nothing’s ever happened to you.”

“Well, in my uneventful life,” I began, but my mind answered for me, “No, nothing.” There are substitutes for incest but none whatever for love. What I needed now was someone who knew nothing about me and would never measure me against a promise or a past. I blamed myself, not for anything I had said but for having remembered too late what Rhoda was like. She was positively savage as an infant, though her school tamed her later on. I remember sitting opposite her when she was nine — she in an unbecoming tartan coat — while she slowly and seriously ate a large plate of ice cream. She was in London on a holiday with her mother, and as I happened to be there with my new family I gave her a day.

“Every Monday we have Thinking Day,” she had said, of her school. “We think about the Brownies and the Baden-Powells and sometimes Jesus and all.”

“Do you, really?”

“I can’t really,” Rhoda had said. “I never met any of them.”

“Are you happy, at least?” I said, to justify my belief that no one was ever needed. But the savage little girl had become an extremely careful one.

That afternoon, at a matinée performance of Peter Pan , I went to sleep. The slaughter of the pirates woke me, and as I turned, confident, expecting her to be rapt, I encountered a face of refusal. She tucked her lips in, folded her hands, and shrugged away when I helped her into a taxi.

“I’m sorry, I should not have slept in your company,” I said. “It was impolite.”

“It wasn’t that,” she burst out. “It was Peter Pan . I hated it. It wasn’t what I expected. You could see the wires. Mrs. Darling didn’t look right. She didn’t have a lovely dress on — only an old pink thing like a nightgown. Nana wasn’t a real dog, it was a lady. I couldn’t understand anything they said. Peter Pan wasn’t a boy, he had bosoms.”

“I noticed that, too,” I said. “There must be a sound traditional reason for it. Perhaps Peter is really a mother figure.”

“No, he’s a boy.”

I intercepted, again, a glance of stony denial — of me? We had scarcely met.

“I couldn’t understand. They all had English accents,” she complained.

For some reason that irritated me. “What the hell did you expect them to have?” I said.

“When I was little,” said the nine-year-old, close to tears now, “I thought they were all Canadian.”

The old car Joanne had given me was down on the beach, on the hard sand, with ribbons of tire tracks behind it as a sign of life, and my luggage locked inside. It had been there a few hours and already it looked abandoned — an old heap someone had left to rust among the lava rock. The sky was lighter than it had seemed from the porch. I picked up a sand dollar, chalky and white, with the tree of life on its underside, and as I slid it in my pocket, for luck, I felt between my fingers a rush of sand. I had spoken the truth, in part; the landscape through which I had recently travelled still shuddered before my eyes and I would not go back. I heard, then saw, Rhoda running down to where I stood. Her hair, which she wore gathered up in a bun, was half down, and she breathed, running, with her lips apart. For the first time I remembered something of the way she had seemed as a child, something more than an anecdote. She clutched my arm and said, “Why did you say I should ditch him? Why?”

I disengaged my arm, because she was hurting me, and said, “He can only give you bad habits.”

“At my age?”

“Any age. Dissimulation. Voluntary barrenness — someone else has had his children. Playing house, a Peter-and-Wendy game, a life he would never dare try at home. There’s the real meaning of Peter, by the way.” But she had forgotten.

She clutched me again, to steady herself, and said, “I’m old enough to know everything. I’ll soon be in my thirties. That’s all I care to say.”

It seemed to me I had only recently begun making grave mistakes. I had until now accepted all my children, regardless of who their mothers were. The immortality I had imagined had not been in them but on the faces of women in love. I saw, on the dark beach, Rhoda’s mother, the soft hysterical girl whose fatal “I am pregnant” might have enmeshed me for life.

I said, “I wish they would find a substitute for immortality.”

“I’m working on it,” said Rhoda, grimly, seeming herself again. She let go my arm and watched me unlock the car door. “You’d have hated it here,” she said, then, pleading, “You wouldn’t want to live here like some charity case — have me support you?”

“I’d be enchanted,” I said.

“No, no, you’d hate it,” she said. “I couldn’t look after you. I haven’t got time. And you’d keep thinking I should do better than him , and the truth is I can’t. You wouldn’t want to end up like some old relation, fed in the kitchen and all.”

“I don’t know,” I said. “It would be new.”

“Oh,” she cried, with what seemed unnecessary despair, “what did you come for? All right,” she said. “I give up. You asked for it. You can stay. I mean, I’m inviting you. You can sit around and say, ‘Oxbow was a Cheswick charmer,’ all day and when someone says to me, ‘Where jer father get his accent?’ I’ll say, ‘It was a whole way of life.’ But remember, you’re not a prisoner or anything, around here. You can go whenever you don’t like the food. I mean, if you don’t like it, don’t come to me and say, ‘I don’t like the food.’ You’re not my prisoner,” she yelled, though her face was only a few inches from mine. “You’re only my father. That’s all you are.”

CANADIANS ABROAD

In the Tunnel

Home Truths - изображение 7

Sarah’s father was a born widower. As she had no memory of a mother, it was as though Mr. Holmes had none of a wife and had been created perpetually bereaved and knowing best. His conviction that he must act for two gave him a jocular heaviness that made the girl react for a dozen, but his jokes rode a limitless tide of concern. He thought Sarah was subjective and passionate, as small children are. She knew she was detached and could prove it. A certain kind of conversation between them was bound to run down, wind up, run down again: you are, I’m not, yes, no, you should, I won’t, you’ll be sorry. Between eighteen and twenty, Sarah kept meaning to become a psychosociologist. Life would then be a tribal village through which she would stalk soft-footed and disguised: that would show him who was subjective. But she was also a natural amoureuse , as some girls were natural actresses, and she soon discovered that love refused all forms of fancy dress. In love she had to show her own face, and speak in a true voice, and she was visible from all directions.

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