Mavis Gallant - Overhead in a Balloon

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Overhead in a Balloon: краткое содержание, описание и аннотация

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These twelve stories are set in Paris, Mavis Gallant’s adopted home, a city whose nuances she brings to life through a wide range of characters: squabbling writers, bewildered parents, scheming art dealers, beleaguered tenants, and feckless drifters. An artist’s widow proves more than a match for Sandor Speck, who hopes to make a name for himself with her late husband’s paintings. Literary rivals Prism and Grippes, the protégés of a rich, misguided American patron, battle across the years. And in the Magdalena stories, a man is caught in the pull of loyalties between his beautiful first wife from a marriage of political conscience, and the woman he truly loves. Elegant, concise, finely textured, these stories never relax the tension between detachment and compassion, understanding and mystery, memory and truth. With remarkable intelligence and an unfailing eye for the telling detail, Gallant weaves stories of intricate simplicity and spare complexity.

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Luc and His Father

Overhead in a Balloon - изображение 3

To the astonishment of no one except his father and mother, Luc Clairevoie failed the examination that should have propelled him straight into one of the finest schools of engineering in Paris; failed it so disastrously, in fact, that an examiner, who knew someone in the same ministry as Luc’s father, confided it was the sort of labour in vain that should be written up. Luc’s was a prime case of universal education gone crazy. He was a victim of the current belief that any student, by dint of application, could answer what he was asked.

Luc’s father blamed the late President de Gaulle. If de Gaulle had not opened the schools and universities to hordes of qualified but otherwise uninteresting young people, teachers would have had more time to spare for Luc. De Gaulle had been dead for years, but Roger Clairevoie still suspected him of cosmic mischief and double-dealing. (Like his wife, Roger had never got over the loss of Algeria. When the price of fresh fruit went high, as it did every winter, the Clairevoies told each other it was because of the loss of all those Algerian orchards.)

Where Luc was concerned, they took a practical course, lowered their sights to a lesser but still elegant engineering school, and sent Luc to a crammer for a year to get ready for a new trial. His mother took Luc to the dentist, had his glasses changed, and bought him a Honda 125 to make up for his recent loss of self-esteem. Roger’s contribution took the form of long talks. Cornering Luc in the kitchen after breakfast, or in his own study, now used as a family television room, Roger told Luc how he had been graduated with honours from the noblest engineering institute in France; how he could address other alumni using the second person singular, even by Christian name, regardless of whether they spoke across a ministerial desk or a lunch table. Many of Roger’s fellow-graduates had chosen civil-service careers. They bumped into one another in marble halls, under oil portraits of public servants who wore the steadfast look of advisers to gods; and these distinguished graduates, Roger among them, had a charming, particular way of seeming like brothers — or so it appeared to those who could only envy them, who had to keep to “Have I the honour of” and “If Mr. Assistant Under-Secretary would be good enough to” and “Should it suit the convenience.” To this fraternity Luc could no longer aspire, but there was still some hope for future rank and dignity: he could become an engineer in the building trades. Luc did not reply; he did not even ask, “Do you mean houses, or garages, or what?” Roger supposed he was turning things over in his mind.

The crammer he went to was a brisk, costly examination factory in Rennes, run by Jesuits, with the reputation for being able to jostle any student, even the dreamiest, into a respectable institute for higher learning. The last six words were from the school’s brochure. They ran through Roger Clairevoie’s head like an election promise.

Starting in September, Luc spent Monday to Friday in Rennes. Weekends, he came home by train, laden with books, and shut himself up to study. Sometimes Roger would hear him trying chords on his guitar: pale sound without rhythm or sequence. When Luc had studied enough, he buckled on his white helmet and roared around Paris on the Honda. (The promise of a BMW R/80 was in the air, as reward or consolation, depending on next year’s results.) On the helmet Luc had lettered “IN CASE OF ACCIDENT DO NOT REMOVE.” “You see, he does think of things,” his mother said. “Luc thinks of good, useful things.”

Like many Parisian students, Luc was without close friends, and in Rennes he knew nobody. His parents were somewhat relieved when, in the autumn, he became caught like a strand of seaweed on the edge of a political discussion group. The group met every Sunday afternoon in some member’s house. Once, the group assembled at the Clairevoies’; Simone Clairevoie, pleased to see that Luc was showing interest in adult problems, served fruit juice, pâté sandwiches, and two kinds of ice cream. Luc’s friends did not paint slogans on the sidewalk, or throw petrol bombs at police stations, or carry weapons (at least, Roger hoped not), or wear ragtag uniforms bought at the flea market. A few old men talked, and the younger men, those Luc’s age, sat on a windowsill or on the floor, and seemed to listen. Among the speakers the day they came to the Clairevoies’ was a retired journalist, once thought ironic and alarming, and the former secretary of a minor visionary, now in decrepit exile in Spain. Extremist movements were banned, but, as Roger pointed out to his wife, one could not really call this a movement. There was no law against meeting on a winter afternoon to consider the false starts of history. Luc never said much, but his parents supposed he must be taking to heart the message of the failed old men; and it was curious to see how Luc could grasp a slippery, allusive message so easily when he could not keep in mind his own private destiny as an engineer. Luc could vote, get married without permission, have his own bank account, run up bills. He could leave home, though a course so eccentric had probably not yet occurred to him. He was of age; adult; a grown man.

The Clairevoies had spent their married life in an apartment on the second floor of a house of venturesome design, built just after the First World War, in a quiet street near the Bois de Boulogne. The designer of the house, whose name they could never recall, had been German or Austrian. Roger, when questioned by colleagues surprised to find him in surroundings so bizarre, would say, “The architect was Swiss,” which made him sound safer. Students of architecture rang the bell to ask if they might visit the rooms and take photographs. Often they seemed taken aback by the sight of the furniture, a wedding gift from Roger’s side of the family, decorated with swans and sphinxes; the armchairs were as hard and uncompromising as the Judgment Seat. To Roger, the furniture served as counterpoise to the house, which belonged to the alien Paris of the nineteen-twenties, described by Roger’s father as full of artists and immigrants of a shiftless kind — the flotsam of Europe.

The apartment, a wedding present from Simone’s parents, was her personal choice. Roger’s people, needing the choice explained away, went on saying for years that Simone had up-to-date ideas; but Roger was not sure this was true. After all, the house was some forty years old by the time the Clairevoies moved in. The street, at least, barely changed from year to year, unless one counted the increasing number of prostitutes that drifted in from the Bois. Directly across from the house, a café, the only place of business in sight, served as headquarters for the prostitutes’ rest periods, conversations, and quarrels. Sometimes Roger went there when he ran out of cigarettes. He knew some of the older women by sight, and he addressed them courteously; and they, of course, were polite to him. Once, pausing under the awning to light a cigarette, he glanced up and saw Luc standing at a window, the curtain held aside with an elbow. He seemed to be staring at nothing in particular, merely waiting for something that might fix his attention. Roger had a middle-aged, paternal reflex: Is that what he calls studying? If Luc noticed his father, he gave no sign.

Simone Clairevoie called it the year of shocks. There had been Luc’s failure, then Roger had suffered a second heart attack, infinitely more frightening than the first. He was home all day on convalescent leave from his ministry, restless and bored, smoking on the sly, grudgingly walking the family dog by way of moderate exercise. Finally, even though all three Clairevoies had voted against it, a Socialist government came to power. Simone foresaw nothing but further decline. If Luc failed again, it would mean a humble career, preceded by a tour of Army duty — plain military service, backpack and drill, with the sons of peasants and Algerian delinquents. Roger would never be able to get him out of it: he knew absolutely no one in the new system of favours. Those friends whose careers had not been lopped sat hard on their jobs, almost afraid to pick up the telephone. Every call was bad news. The worst news would be the voice of an old acquaintance, harking back to a foundered regime and expecting a good turn. Although the Clairevoies seldom went to church now — the new Mass was the enemy — Simone prayed hard on Christmas Eve, singling out in particular St. Odile, who had been useful in the past, around a time when Roger had seemed to regret his engagement to Simone and may have wanted to break it off.

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