Mavis Gallant - The Selected Stories of Mavis Gallant

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Since 1950, the year that
accepted one of her short stories and changed her life, Mavis Gallant has written some of the finest short stories in the English language. In tribute to her extraordinary career this elegant 900-page volume brings together the work of her lifetime. Devoted admirers will find stories they do not know, or stories that they will rediscover, and for newer admirers this is a treasure trove of 52 stories by a remarkable modern Canadian master.

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“Your mother would have the police out,” I said.

“She’d never dare,” said Juliette. “I’ve never called the police because she didn’t come home.”

“It would be …” I tried to think of what it could be for us. “It would be radical.”

Her hands began to move again, the other way, unbuttoning. She was the colonel’s child, she had already held her breath and jumped, and that was the start and the end of it.

“We may be in big trouble over this,” I said.

“Oh, what a pity,” she said. “We’ll always be together. We will always be happy. How lovely! What a shame!”

I think she still trusted me at that moment; I hope so.

RUE DE LILLE

The Selected Stories of Mavis Gallant - изображение 48

M y second wife, Juliette, died in the apartment on Rue de Lille, where she had lived — at first alone, more or less, then with me — since the end of the war. All the rooms gave onto the ivy-hung well of a court, and were for that reason dark. We often talked about looking for a brighter flat, on a top floor with southern exposure and a wide terrace, but Parisians seldom move until they’re driven to. “We know the worst of what we’ve got,” we told each other. “It’s better than a bad surprise.”

“And what about your books?” Juliette would add. “It would take you months to get them packed, and in the new place you’d never get them sorted.” I would see myself as Juliette saw me, crouched over a slanting, shaking stack of volumes piled on a strange floor, cursing and swearing as I tried to pry out a dictionary. “Just the same, I don’t intend to die here,” she also said.

I once knew someone who believed drowning might be easy, even pleasant, until he almost drowned by accident. Juliette’s father was a colonel who expected to die in battle or to be shot by a German firing squad, but he died of typhus in a concentration camp. I had once, long ago, imagined for myself a clandestine burial with full honors after some Resistance feat, but all I got out of the war was a few fractures and a broken nose in a motorcycle accident.

Juliette had thirty-seven years of blacked-out winter mornings in Rue de Lille. She was a few days short of her sixtieth birthday when I found her stretched out on the floor of our bedroom, a hand slackened on a flashlight. She had been trying to see under a chest of drawers, and her heart stopped. (Later, I pulled the chest away from the wall and discovered a five-franc coin.) Her gray-and-dark hair, which had grown soft and wayward with age, was tied back with a narrow satin ribbon. She looked more girlish than at any time since I’d first met her. (She fell in love with me young.) She wore a pleated flannel skirt, a tailored blouse, and one of the thick cardigans with gilt buttons she used to knit while watching television. She had been trained to believe that to look or to listen quietly is to do nothing; she would hum along with music, to show she wasn’t idle. She was discreet, she was generous to a sensible degree, she was anything but contentious. I often heard her remark, a trifle worriedly, that she was never bored. She was faithful, if “faithful” means avoiding the acknowledged forms of trouble. She was patient. I know she was good. Any devoted male friend, any lover, any husband would have shown up beside her as selfish, irritable, even cruel. She displayed so little of the ordinary kinds of jealousy, the plain marital do-you-often-have-lunch-with-her? sort, that I once asked her if she had a piece missing.

“Whoever takes this place over,” she said, when we spoke of moving, “will be staggered by the size of the electricity bills.” (Juliette paid them; I looked after a number of other things.) We had to keep the lights turned on all day in winter. The apartment was L-shaped, bent round two sides of a court, like a train making a sharp turn. From our studies, at opposite ends of the train, we could look out and see the comforting glow of each other’s working life, a lamp behind a window. Juliette would be giving some American novel a staunch, steady translation; I might be getting into shape my five-hour television series, Stendhal and the Italian Experience , which was to win an award in Japan.

We were together for a duration of time I daren’t measure against the expanse of Juliette’s life; it would give me the feeling that I had decamped to a height of land, a survivor’s eminence, so as to survey the point at which our lives crossed and mingled and began to move in the same direction: a long, narrow reach of time in the Rue de Lille. It must be the washy, indefinite colorations of blue that carpeted, papered, and covered floors, walls, and furniture and shaded our lamps which cast over that reach the tone of a short season. I am thinking of the patches of distant, neutral blue that appear over Paris in late spring, when it is still wet and cold in the street and tourists have come too early. The tourists shelter in doorways, trying to read their soaked maps, perennially unprepared in their jeans and thin jackets. Overhead, there are scrapings of a color that carries no threat and promises all.

That choice, Juliette’s preference, I sometimes put down to her Calvinist sobriety — call it a temperament — and sometimes to a refinement of her Huguenot taste. When I was feeling tired or impatient, I complained that I had been consigned to a Protestant Heaven by an arbitrary traffic cop, and that I was better suited to a pagan Hell. Again, as I looked round our dining-room table at the calm, clever faces of old friends of Juliette’s family, at their competent and unassuming wives, I saw what folly it might be to set such people against a background of buttercup yellow or apple green. The soft clicking of their upper-class Protestant consonants made conversation distant and neutral, too. It was a voice that had puzzled me the first time I’d heard it from Juliette. I had supposed, mistakenly, that she was trying it on for effect; but she was wholly natural.

The sixteenth-century map of Paris I bought for her birthday is still at the framer’s; I sent a check but never picked it up. I destroyed her private correspondence without reading it, and gave armfuls of clothes away to a Protestant charity. To the personal notice of her death in Le Monde was attached a brief mention of her father, a hero of the Resistance for whom suburban streets are named; and of her career as a respected translator, responsible for having introduced postwar American literature to French readers; and of her husband, the well-known radio and television interviewer and writer, who survived her.

Another person to survive her was my first wife. One night when Juliette and I were drinking coffee in the little sitting room where she received her women friends, and where we watched television, Juliette said, again, “But how much of what she says does she believe? About her Catholicism, and all those fantasies running round in her head — that she is your true and only wife, that your marriage is registered in Heaven, that you and she will be together in another world?”

“Those are things people put in letters,” I said. “They sit down alone and pour it out. It’s sincere at that moment. I don’t know why she would suddenly be insincere.”

“After all the trouble she’s made,” said Juliette. She meant that for many years my wife would not let me divorce.

“She couldn’t help that,” I said.

“How do you know?”

“I don’t know. It’s what I think. I hardly knew her.”

“You must have known something.”

“I haven’t seen her more than three or four times in the last thirty-odd years, since I started living with you.”

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