Mavis Gallant - The Selected Stories of Mavis Gallant

Carmela had two other reasons to be anxious that spring. One had to do with the room she slept in; the other was the sea. Although she had spent her life not many miles from the sea, it made her uneasy to be so close to it. At night she heard great waves knock against the foundations of the town. She dreamed of being engulfed, of seeking refuge on rooftops. Within the dream her death seemed inevitable. In the garden, coaxing the twins to walk, she said to the chauffeur from Castel Vittorio, “What happens when the sea comes out?”

In his shirtsleeves, walking the Marchesa’s dogs on the road outside, he stopped and laughed at Carmela. “What do you mean, ‘out’?”

“Out, up,” said Carmela. “Up out of where it is now.”

“It doesn’t come up or out,” he said. “It stays where it is.”

“What is there where we can’t see?”

“More water,” he said. “Then Africa.”

Carmela crossed herself — not out of a more ample fear but for the sake of her father, who had probably died there. He had been conscripted for a war and had never come back. There had been no word, no telegram, no congratulations from Mussolini, and of course no pension.

As for her room, it was off the pantry, almost higher than long, with a tiled floor and a good view, if one wanted that. Someone had died there — a relative of Mrs. Unwin’s; he had come for a long visit and had been found on the tiles with an electric bell switch in his hand.

“A peaceful death,” said Mrs. Unwin, utterly calmly, talking as if Carmela would need to know the history of the place. “Not even time to ring.”

The old man’s heart was delicate; he could not climb stairs. Who would have heard the bell? It rang somewhere in the passage. The servants they’d kept in those days slept out, and the Unwins took sleeping drafts, yellow and green, prepared in the kitchen and carried up to bed. Carmela felt the sad presence of the poor relation who had come ailing to a good climate and had been put in the meanest room; who had choked, panicked, grabbed for the bell, and fallen on it. The chauffeur from Castel Vittorio had still another version: This house had belonged to the old man. The Unwins had promised to look after him in his lifetime in exchange for the property. But so many debts had come with it that they could not raise any money on it. They were the next thing to paupers, and were known along the coast more or less as steady defaulters.

The chauffeur had often seen the uncle’s ghost walking to and fro in the garden, and Carmela herself was often to hear the thud as his body fell between her bed and the door. Under the bed — as beneath any bed that she knew of — was a devil, or a demon, waiting to catch her. Not for a fortune would she have sat on the edge of the bed with her feet dangling. At night she burrowed beneath the bedclothes with a mole tunnel left for breathing. She made sure that every strand of hair was tucked out of sight.

Mornings were tender — first pink, then pearl, then blue. The house was quiet, the twins were awake and smiling. From their upstairs window the sea was a silken cushion. White sails floated — feathers. The breeze that came in was a friendly presence and the fragrance of the Marchesa’s garden an extra gift. After a time Carmela’s phantoms were stilled. The softness of that June lulled them. The uncle slept peacefully somewhere, and the devil under the bed became too drowsy to stretch out his hand.

II

L ate in June, Carmela’s little brother ran away from the stonemason and came to the kitchen door. His blond hair was dark with sweat and dirt and his face streaked with it. She gave him a piece of bread she had saved from a French loaf, and a cup of the children’s milk out of the icebox. The larder was padlocked; Mrs. Unwin would be along to open it before teatime. Just as Carmela was rinsing the cup she heard, “Who is that, Carmela?” It was Mr., thank God, not Mrs.

“A beggar,” said Carmela.

The babies’ father was nearsighted. He wore thick glasses, never shouted, seldom smiled. He looked down at the boy in the doorway and said to him, “Why do you beg? Who sends you to do this?” The child’s hand was clenched on something, perhaps a stolen something. Mr. Unwin was not unkind; he was firm. The small fist turned this and that way in his grasp, but he managed to straighten the fingers; all that he revealed was a squashed crust and a filthy palm. “Why do you beg?” he repeated. “No one needs to beg in modern Italy. Who sends you? Your father? Your mother? Do they sit idly at home and tell you to ask for money?” It was clear that he would never have put up with an injustice of that kind. The child remained silent, and soon Mr. Unwin found himself holding a hand he did not know what to do with. He read its lines, caked with dirt and marked clearly in an M-shape of blackness. “Where do you live?” he said, letting go. “You can’t wander around up here. Someone will tell the police.” He did not mean that he would.

“He is going back where he came from,” said Carmela. The child looked at her with such adult sadness, and she turned away so gravely as she dried the cup and put it on a shelf, that Mr. Unwin would tell his wife later, in Carmela’s hearing, “They were like lovers.”

“Give him something,” he said to Carmela, who replied that she would, without mentioning that the larder was padlocked; for surely he knew?

Carmela could understand English now, but nobody guessed that. When she heard the Unwins saying sometime after this that they wanted a stonemason because the zoning laws obliged them to grow a hedge or build a wall to replace the sagging wire that surrounded their garden, she kept still; and when they asked each other if it would be worthwhile speaking to Carmela, who might know of someone reliable and cheap, she wore the lightest, vaguest of looks on her face, which meant “No.” It was the Marchesa who had lodged a complaint about the Unwins’ wire. The unsightliness of it lowered the value of her own property. Mrs. Unwin promised her husband she would carry the bitterness of this to her grave.

The light that had sent the house ghosts to sleep brought Mrs. Unwin nothing but despair. She remained in her curtained bedroom and often forgot even to count the change Carmela returned in the black purse. Dr. Chaffee, of the clinic down the hill, called to see Mrs. Unwin. He wanted to look at the children, too; their father had told him how Tessa and Clare were too lazy to walk. Dr. Chaffee was not Italian and not English. The English physician who had been so good with children and so tactful with their parents had gone away. He was afraid of war. Mrs. Unwin thought this was poor of him. Mussolini did not want war. Neither did Hitler, surely? What did Dr. Chaffee think? He had lived in Berlin.

“I think that you must not feel anxious about a situation you can’t change,” he said. He still wore the strange dark clothes that must have been proper in another climate.

“I do not feel anxious,” she said, her hands to her face.

Carmela parted the curtains a little so that the doctor could examine the twins by light of day. They were not lazy, he said. They had rickets. Carmela could have told him that. She also knew there was no cure for it.

Mrs. Unwin seemed offended. “Our English doctor called it softening of the bone.”

“They must have milk,” said Dr. Chaffee. “Not the skimmed stuff. Fresh fruit, cod-liver oil.” He wrote on a pad as he spoke. “And in August you must get them away from the coast.”

Mrs. Unwin’s hands slid forward until they covered her face. “I was too old,” she said. “I had no right to bring these maimed infants into the world.”

Dr. Chaffee did not seem to be alarmed at this. He drew Carmela near, saying, “What about this child? How old is she?”