Shashi Tharoor - The Great Indian Novel

Здесь есть возможность читать онлайн «Shashi Tharoor - The Great Indian Novel» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2009, Издательство: Penguin, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Great Indian Novel: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Great Indian Novel»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

A fictionalized account of Indian history over the past 100 years. It aims to remain true to the original events, including characters such as Gandhi and Mountbatten but it also utilizes characters, incidents and issues from the Indian epic, the Mahabharata.

The Great Indian Novel — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Great Indian Novel», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Perhaps they were right. Or perhaps it is simply that I can no longer distinguish between right and wrong, real and unreal. For as I arrived near the end of my telling of this story, Ganapathi, I again began to dream.

I dreamt again of Hastinapur. Not, this time, of the glorious palace of the princely era, resplendent in its prosperity and basking in the warmth of the people’s adulation, but of a drab township with squalid streets and peeling walls, with rancid rubbish accumulating in the open spaces of what had been the Bibighar Gardens. In my dream great hot winds blew into the town, filling it with swirling clouds of gritty dust. The sun disappeared from sight. Out of the breath-choking haze emerged, at savage random, flying objects that sprang from the sky and smashed in splinters on the ground, aimlessly mutilating passers-by and pavement-sleepers. In the murky half-light of dawn and dusk, hands outstretched as if groping for direction, roamed a hundred headless figures, the gaping emptiness at their necks suppurating horribly. The sacred river that flowed by the palace backed up in a surging torrent that swept it against nature, returning it toward its source.

I groaned in my sleep as I saw these things, Ganapathi, but my tossing and turning would not drive the images from my fevered brain. Hastinapur crumbled before my eyes. Fierce-toothed rodents scurried through the town, gnawing and nibbling at the stocks of grain, the vegetation, the electrical wiring and the fingers of the maimed street-dwellers. The milk on every stove boiled over, reeking of the odour of charred flesh. Pots and plates developed cracks; white vessels became black in the washing. The purest milk turned watery and ripe mangoes tasted more bitter than gourds. Sacks of rice were found to contain more stones than grain. The most carefully prepared food turned out to be crawling with maggots. Wells turned brackish, roads broke up into rubble, roofs caved in. I was dreaming, Ganapathi, of the worst kind of devastation — that which occurs when nature turns upon itself.

Even the full moon could not be seen on its appointed night. Instead the koyals, songbirds once, never stopped crowing; cows brayed like donkeys and whelped mules rather than calves; and jackals howled in the streets as if they belonged to the houses of Hastinapur rather than to the jungles surrounding it.

I could see, even in my sleep, that the process could not be overcome; it could only be escaped from. In the distant hills overlooking Hastinapur loomed the snow-covered top of a gleaming mountain, and from it, a celestial peace on their visages, Gangaji, Dhritarashtra and Pandu smiled and beckoned. From the debris of the town, looking up at that shining light on the mountain, our recent protagonists decided to embark on the ascent.

They had not even begun their march when Krishna fell to the ground, a deep wound oozing in his heel. He clutched his foot, his face contorted in agony. ‘I cannot move,’ he gasped. Krishna’s dark features were sallow with pain. ‘I can sit, I can speak, I can give you advice, but I cannot walk on with you. Go without me.’

And so, as the others sorrowfully turned away, Krishna’s life oozed into the earth of my dream. And a voice from the mountain-top echoed in my mind: ‘He could have prevented all this, but he chose not to act. He remained content with his little fief, giving advice and verse to Arjun, and then went back to his comforts and allowed all this to happen. India has too many Krishnas. His brilliance burned itself out without illuminating the country. He cannot reach the top.’

Leaving him behind, the others set out across rock and ravine, valley and hill, towards the foot of the mountain. A little dog attached itself to them, and trotted beside Yudhishtir. Onward they walked, then upward, till each step seemed unbearably heavy and the thin air rasped in their lungs. Then Draupadi collapsed to the ground.

‘Why her?’ I asked the faceless voice in my dream.

‘Democracy always falters first,’ came the echo. ‘She can only be sustained by the strength of her husbands. Their weakness is her fatal flaw. She cannot endure to the mountain-top.’

The others walked on After hours of trudging through the mire of my mind, Sahadev stumbled and fell. In my dream, I no longer needed to ask the question: the unseen voice answered the unspoken query.

‘He knew what was right, but did nothing with his knowledge,’ it said. ‘He stayed outside the country, saw its greatness and its failings in perspective, but did not involve himself in its true struggle for survival. He cannot stride to the mountain-top.’

Nakul was the next to give up.

‘He was too willing to serve institutions rather than values. Dharma consists of more than just doing one’s duty as narrowly defined by one’s immediate job. There is a larger duty, a duty to a greater cause, that Nakul ignored. He will not see the mountain-top.’

When Arjun fell, I remember the shock radiating even through my dream. But Arjun — the paragon of virtue, who by the unanimous wish of the people succeeded Priya Duryodhani! How can he fall?’

‘He believed himself to be perfect,’ resonated the reply, ‘and allowed others to believe it. But India defeats perfection, as the rainclouds obscure the sun. His arrogance tripped him up when his gaze aimed even beyond the peak. He will never get to the mountain-top.’

They were still some way from the crest when Bhim sank heavily to his knees.

‘He protected the Pandavas and the country, but that was not enough. He did not do enough to shield Draupadi Mokrasi from abuse, because he saw himself as only one of her guardians and placed his commitment to his brothers above his commitment to her. He will not stand on the mountain-top.’

Yudhishtir, unflagging, climbed on steadily, alone except for the little dog still trotting by his side. ‘Why him?’ I asked. ‘Yudhishtir, with his priggish morality, his blind insensitivity to others, his willingness to gamble Draupadi away, his self-serving adherence to the letter of honesty rather than its spirit? How can he be allowed to climb on when all the others have fallen?’

The voice seemed surprised by the question. ‘But he was true to himself throughout,’ it said. ‘He was true to dharma.’

And indeed, Yudhishtir at last reached the top of the mountain, and looked around him, seeing the peaks and the valleys below, at a level with the fluffy white clouds that floated past like gossamer from nature’s veil.

One of the clouds swooped down upon him in my dream. Upon it was seated a splendid figure of godlike magnificence, wearing a golden crown on his smooth and unwrinkled brow.

‘I am Kaalam, the god of Time,’ he said with a dazzling smile. ‘You have reached the mountain-top, Yudhishtir; your time has come. Mount my chariot with me and let us travel to the court of History.’

‘I am greatly honoured,’ our hero replied. ‘May this dog come with me?’

‘No, he may not,’ Kaalam said with some distaste. ‘History has no place for dogs. Come, we must hurry.’

‘I am sorry,’ Yudhishtir pursed his lips. ‘This dog has been my faithful companion throughout my long ascent. I cannot abandon him now that I have reached the top.’

‘Then I shall have to leave without you,’ Kaalam said impatiently.

‘Leave then, if you must,’ Yudhishtir’s jaw was set. ‘I shall not come without the dog. It would not be dharma to repay devotion in this manner.’

‘You must be crazy,’ Kaalam exclaimed. ‘You wish to turn down a place in history for the sake of a mere dog? A creature associated with unclean things, in whose presence no meal is eaten, no ritual performed? How did the noble and upright Yudhishtir form such a peculiar attachment?’

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Great Indian Novel»

Представляем Вашему вниманию похожие книги на «The Great Indian Novel» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Great Indian Novel»

Обсуждение, отзывы о книге «The Great Indian Novel» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x