Shashi Tharoor - The Great Indian Novel

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A fictionalized account of Indian history over the past 100 years. It aims to remain true to the original events, including characters such as Gandhi and Mountbatten but it also utilizes characters, incidents and issues from the Indian epic, the Mahabharata.

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‘Ashwathaman?’ I asked Yudhishtir later when we were alone. ‘I thought you told the old man he was dead.’ I shook my head in disappointment. ‘You, Yudhishtir; you of all people. I believed you could never lie.’

‘You believed right, VVji,’ Yudhishtir said implacably. ‘I didn’t lie this time either. When I said Ashwathaman was dead, I was speaking the truth. Before leaving the house I caught a cockroach in the closet, named it Ashwathaman, and crushed it under my prime-ministerial despatch-box. So you see, VVji, I did not lie to Drona. I never said it was his son who had died.’

I stared at him, breathless at his sophistry. ‘Your words, Yudhishtir,’ I said at last, ‘took away the last spark of life from the old man. In effect, they killed him.’

‘You are being most unjust, VVji,’ Yudhishtir replied. ‘He was ill; he was dying. Perhaps his grief hastened his end, but is it not said that the time of our going is determined from our births? I may not have spoken the whole truth, but I spoke no un truth, and my words may have helped sustain a greater truth by prompting him to endorse my plea for unity. Would it have been better to allow his tremendous moral authority to have been manipulated by the radical rabble to bring down the government that has restored Indian democracy? I believe, VVji, that I acted righteously, in full pursuit of dharma. Dharma, you know, is a subtle thing.’

‘But not as subtle as that, Yudhishtir,’ I replied sadly. ‘I do not believe you will profit from your deception. Our national motto is “Satyameva Jayate,” Truth will Prevail. Not your truth or mine, Yudhishtir; just Truth. A truth too immutable to be uttered only in the letter and violated in the spirit.’ I rose, clenching my walking stick so tightly my palm hurt. ‘Goodbye, Yudhishtir. You shall not see me again.’

I did not turn to see if my exit had even momentarily shaken his complacency.

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It did not matter for of course I was right Dronas dying benediction - фото 142

It did not matter, for of course I was right. Drona’s dying benediction achieved no more than his lifetime’s crusades. A majority of the Front’s MPs left the Prime Minister’s emunctory embrace. The government fell; and in the elections that followed, Priya Duryodhani was returned overwhelmingly to power. The still unresolved case against her was discreetly withdrawn. Dharma had turned full circle.

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What remains to be said Ganapathi There is of course the question of - фото 143

What remains to be said, Ganapathi? There is, of course, the question of expectations. This story, like that of our country, is a story of betrayed expectations, yours as much as our characters’. There is no story and too many stories; there are no heroes and too many heroes. What is left out matters almost as much as what is said.

Let me, as so often in our story, digress once more. There is, Ganapathi, a curious parallel. To most foreigners who know nothing of India, the one Indian book they know anything about is the Kama Sutra. To them, it is the Great Indian Novelty. The Kama Sutra may well be the only Indian book which has been read by more foreigners than Indians. Yet it is for the most part a treatise on the social etiquette of ancient Indian courtship, and those who think of its author Vatsyayana as some sort of fourth-century pornographer must surely be sorely disappointed to go through his careful catalogue of amatory activities, which reads more like a textbook than a thriller. But what a far cry it is from the precision of the Kama Sutra to the prudery of contemporary India! It never ceases to amaze me, Ganapathi, that a civilization so capable of sexual candour should be steeped in the ignorance, superstition and prurience that characterize Indian sexual attitudes today. Perhaps the problem is that the Kama Sutra’s refined brand of bedroom chivalry cannot go very far in a country of so many women and so few bedrooms.

It is no better with the great stories of our national epics. How far we have travelled from the glory and splendour of our adventurous mythological heroes! The land of Rama, setting out on his glorious crusade against the abductors of his divinely pure wife Sita, the land where truth and honour and valour and dharma were worshipped as the cardinal principles of existence, is now a nation of weak-willed compromisers, of leaders unable to lead, of rampant corruption and endemic faithlessness. Our democrats gamble with democracy; our would-be dictators do not know what to dictate. We soothe ourselves with the lullabies of our ancient history, our remarkable culture, our inspiring mythology. But our present is so depressing that our rulers can only speak of the intermediate future — or the immediate past.

Whatever our ancestors expected of India, Ganapathi, it was not this. It was not a land where dharma and duty have come to mean nothing; where religion is an excuse for conflict rather than a code of conduct; where piety, instead of marking wisdom, masks a crippling lack of imagination. It was not a land where brides are burned in kerosene-soaked kitchens because they have not brought enough dowry with them; where integrity and self-respect are for sale to the highest bidder; where men are pulled off buses and butchered because of the length of a forelock or the absence of a foreskin. All these things that I have avoided mentioning in my story because I preferred to pretend they did not matter.

But they matter, of course, because in our country the mundane is as relevant as the mythical, Our philosophers try to make much of our great Vedic religion by pointing to its spiritualism, its pacifism, its lofty pansophism; and they ignore, or gloss over, its superstitions, its inegalities, its obscurantism. That is quite typical. Indeed one may say it is quite typically Hindu. Hinduism is the religion of over 80 per cent of Indians, and as a way of life it pervades almost all things Indian, bringing to politics, work and social relations the same flexibility of doctrine, reverence for custom and absorptive eclecticism that characterize the religion — as well as the same tendency to respect outworn dogma, worship sacred cows and offer undue deference to gurus. Not to mention its great ability to overlook — or transcend — the inconvenient truth.

I have been, on the whole, a good Hindu in my story. I have portrayed a nation in struggle but omitted its struggles against itself, ignoring the regionalists and autonomists and separatists and secessionists who even today are trying to tear the country apart. To me, Ganapathi, they are of no consequence in the story of India; they seek to diminish something that is far greater than they will ever comprehend. Others will disagree and dismiss my assertion as the naivety of the terminally nostalgic. They will say that the India of the epic warriors died on its mythological battlefields, and that today’s India is a land of adulteration, black-marketing, corruption, communal strife, dowry killings, you know the rest, and that this is the only India that matters. Not my India, where epic battles are fought for great causes, where freedom and democracy are argued over, won, betrayed and lost, but an India where mediocrity reigns, where the greatest cause is the making of money, where dishonesty is the most prevalent art and bribery the most vital skill, where power is an end in itself rather than a means, where the real political issues of the day involve not principles but parochialism. An India where a Priya Duryodhani can be re-elected because seven hundred million people cannot produce anyone better, and where her immortality can be guaranteed by her greatest failure — the alienation of some of the country’s most loyal citizens to the point where two of them consider it a greater duty to kill her than protect her, as they were employed to do.

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