Assaf Gavron - The Hilltop

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The Hilltop: краткое содержание, описание и аннотация

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Hailed as "The Great Israeli Novel" (
Tel Aviv) and winner of the prestigious Bernstein Prize,
is a monumental and daring work about life in a West Bank settlement from one of Israel's most acclaimed young novelists.
On a rocky, beautiful hilltop stands Ma'aleh Hermesh C, a fledgling community flying under the radar. According to the government it doesn't exist; according to the military it must be defended. On this contested land, Othniel Assis — under the wary gaze of the neighboring Palestinian village — plants asparagus, arugula, and cherry tomatoes, and he installs goats — and his ever-expanding family. As Othniel cheerfully manipulates government agencies, more settlers arrive, and, amid a hodge-podge of shipping containers and mobile homes, the outpost takes root.
One of the settlement's steadfast residents is Gabi Kupper, a one-time free spirit and kibbutz-dweller, who undergoes a religious awakening. The delicate routines of Gabi's new life are thrown into turmoil with the sudden arrival of Roni, his prodigal brother, who, years after venturing to America in search of fortune, arrives at Gabi's door, penniless. To the settlement's dismay, Roni soon hatches a plan to sell the "artisanal" olive oil from the Palestinian village to Tel Aviv yuppies. When a curious
correspondent stumbles into their midst, Ma'aleh Hermesh C becomes the focus of an international diplomatic scandal and faces its greatest test yet.
By turns serious and satirical,
brilliantly skewers the complex, often absurd reality of life in Israel, the West Bank settlers, and the nation's relationship to the United States, and makes a startling parallel between today's settlements and the kibbutz movement of Gabi and Roni's youth. Rich with humor and insight, Assaf Gavron's novel is the first fiction to grapple with one of the most charged geo-political issues of our time, and he has written a masterpiece.Hailed as "The Great Israeli Novel" (
Tel Aviv) and winner of the prestigious Bernstein Prize,
is a monumental and daring work about life in a West Bank settlement from one of Israel's most acclaimed young novelists.
On a rocky, beautiful hilltop stands Ma'aleh Hermesh C, a fledgling community flying under the radar. According to the government it doesn't exist; according to the military it must be defended. On this contested land, Othniel Assis — under the wary gaze of the neighboring Palestinian village — plants asparagus, arugula, and cherry tomatoes, and he installs goats — and his ever-expanding family. As Othniel cheerfully manipulates government agencies, more settlers arrive, and, amid a hodge-podge of shipping containers and mobile homes, the outpost takes root.
One of the settlement's steadfast residents is Gabi Kupper, a one-time free spirit and kibbutz-dweller, who undergoes a religious awakening. The delicate routines of Gabi's new life are thrown into turmoil with the sudden arrival of Roni, his prodigal brother, who, years after venturing to America in search of fortune, arrives at Gabi's door, penniless. To the settlement's dismay, Roni soon hatches a plan to sell the "artisanal" olive oil from the Palestinian village to Tel Aviv yuppies. When a curious
correspondent stumbles into their midst, Ma'aleh Hermesh C becomes the focus of an international diplomatic scandal and faces its greatest test yet.
By turns serious and satirical,
brilliantly skewers the complex, often absurd reality of life in Israel, the West Bank settlers, and the nation's relationship to the United States, and makes a startling parallel between today's settlements and the kibbutz movement of Gabi and Roni's youth. Rich with humor and insight, Assaf Gavron's novel is the first fiction to grapple with one of the most charged geo-political issues of our time, and he has written a masterpiece.

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When she wasn’t at his side, Roni spoke about her. They spent almost every minute of the day together. They sat next to each other in class, and they made out during recess until they got in trouble with their teacher. They skipped classes to kiss in the hallway and played hooky to linger in their room on the kibbutz, in bed, to touch and talk for hours. She knew how to touch him better then he knew how to touch himself. She told him he was her first, and he thought either she was not telling the truth and did have experience, or she had a natural talent, because she touched him so perfectly, knew precisely the right intensity, the right softness, the right rhythm, when to speed up and when to slow down. Her endless kisses sent him to a heaven from which he never wanted to return, and the feel of her body on his, the weight, the scent, the long brown hair were intoxicating.

The first time they did it was when she turned sixteen. Some girls started younger — like the beautiful Orit with Baruch Shani on the shores of the Kinneret between eighth and ninth grades, and some of Yifat’s friends from the kibbutz. But she had told him not before her sixteenth birthday, and he accepted it. He was pleased he’d be her first, and she his. Some of his friends had already been baptized by fire, but he wasn’t in a hurry, he wasn’t wanting for anything; and in the winter, it arrived.

* * *

Winter on the kibbutz. The rain came down hard on the roof of the Upper Galilee Regional Council’s bus; the cold seeped in through the cracks between the windows and their frames. Yehiel, the driver, his gray tembel hat a permanent fixture on his head, whistled softly under his mustache. The large wipers on the front windshield moved from side to side with labored clumsiness, out of sync, each emitting a dull thud at the end of its respective arc — one after the other, one after the other. After passing through the hoof-and-mouth wheel disinfection dip at the entrance to the kibbutz, the bus continued onward and tried to get as close as possible to the children’s dormitories, but there was still quite some distance to cover, and the children spilled through the door of the vehicle, hunched over and breaking into a fast walk, some of the girls with umbrellas, some of the boys covering their heads with their school bags, others displaying indifference, their heads held high between the drops. So intense was the grayness that it was almost dark out, and large brown puddles dotted the road and yards and open expanses, and a rich smell rose from the earth and blew in from the mountains and spiraled up from the agricultural fields that embraced the kibbutz.

Gabi and Yotam hurried to their room, and Ofir joined them. The rain brought them together — there’d be no walks to the mountain, no girlfriends, no swimming pool. Unrelenting rain has that quality, the ability to comfort and reunite. They paged through the magazines with pictures of totally naked girls that Roni had given his brother a few weeks ago, and also a small book with a torn cover by Shulamit Efroni that Roni had bought at Tel Aviv’s Central Bus Station, which contained stories about totally naked girls. When he showed up with the shopping bag full of magazines and books, Roni told Gabi that it was about time he learned about such things, but Gabi knew that Roni simply wanted to clean out his room in case Yifat showed up; he didn’t want to make a bad impression on her.

The three teens, each with a magazine or small book in hand, read with complete focus and in silence. The only sounds in the room came from the rain beating against the shutters, and the radiator, which emitted a metallic groan every few minutes, and the rustling of pages. Yotam lay sprawled on his bed. Gabi and Ofir shared Gabi’s, each in his own corner. Yotam cleared his throat.

“What’s all this wetness?” Ofir asked.

“What wetness?” Gabi responded, looking up at the ceiling. “Is there a leak?”

“No, in these stories,” Ofir said, and pointed at the magazine in his hand. “When they say the woman is wet, what is she wet from?”

Yotam put down Shulamit Efroni’s Central Bus Station book. “It means she is turned on, that she wants it,” he said.

“Yes, okay, I got that. But what exactly is she wet from?”

Silence fell over the room, accentuating the driving rain and the heater’s fatigue. The three youths scanned their literature — thinking.

“Is it sweat?” Ofir suggested — and then confirmed: “I think it’s sweat.”

“Sweat?” Gabi asked, and looked over at his friend, who sat cross-legged on the bed.

“No way,” Yotam said. “It’s blood.”

“Blood?”

“Of course. It’s inside the body, like you are going inside her body. There’s blood inside there. And once a month, when she has her period, the blood comes out, and then she needs tampons. Surely you must know that.”

“We know that, but…”

“And why do you think there’s blood the first time you do it? Because all the blood is being held inside by the hymen, and then when it tears, the blood comes out.”

Gabi and Ofir looked at Yotam, the images forming in their minds.

“Actually,” Gabi said, “couldn’t it be pee? I mean, because that’s where the pee comes out of, right? So if you insert a finger or…”

“No, no way. It’s not pee. The pee comes from somewhere else, and it only comes out when you need to pee. I’m telling you, it’s blood,” Yotam said.

Ofir wasn’t convinced. “I don’t know,” he said. “It doesn’t make sense to me. I still think it’s sweat. It sounds like sweat to me.”

“What makes it sound like sweat? Read it out loud, read it out loud,” Yotam insisted.

Ofir retraced his place a few lines back and, somewhat uneasily, read out the part about the woman’s wetness.

“To be honest,” Gabi said, “it really does sound more like sweat than anything else.”

“No,” Yotam ruled, but now with a tinge of uncertainty in his voice.

“I’ll ask Roni,” said Gabi, the only one of the three who had an elder brother to ask.

They returned to their reading material.

* * *

It was Yifat’s sixteenth birthday. She and Roni were in his room because she didn’t want to do it in hers; she didn’t want someone she knew to hear or see. He arranged for his roommate to sleep elsewhere that night, and after drinking a few beers, they were necking and laughing as usual. But they were nervous, too, and excited; tonight was the night. He took off his pants. He had on a pair of boxer shorts with a picture of an openmouthed alligator. Yifat laughed, touched the alligator, lifted her eyes to look into Roni’s, and removed his underwear. Then he removed hers, and saw, and smelled, and inserted a finger — not like a lover but like a baby poking its finger into a cheesecake, and he felt the mysterious wetness and withdrew his finger, overexcited, crestfallen. He smiled embarrassedly, kissed her lips, gripped and tried to arouse himself, to no avail. So, just like that, as is, he tried to enter her, and managed to do so. The magazines from the Central Bus Station that he had cleared from his room were wrong, and so were the books by Dahn Ben-Amotz. They didn’t fulfill their promises: she neither moaned nor screamed; he didn’t say, “Yeah, baby”; he was still limp — not entirely, yet far from what he knew he was always able to achieve, easily, simply from reading the magazines and Dahn Ben-Amotz, simply by fantasizing, simply from looking at the female volunteers, simply from a deep kiss with Yifat. But this time, the nervousness, the beers, the pressure… He was in nevertheless, just so, back and forth, five or six times, for thirty seconds, perhaps, and breathing deeply, he climaxed, and giggled awkwardly again, and she smiled, somewhat confused — the first time.

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