Margriet de Moor - The Storm

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On the night of January 31, 1953, a mountain of water, literally piled up out of the sea by a freak winter hurricane, swept down onto the Netherlands, demolishing the dikes protecting the country and wiping a quarter of its landmass from the map. It was the worst natural disaster to strike the Netherlands in three hundred years.
The morning of the storm, Armanda asks her sister, Lidy, to take her place on a visit to her godchild in the town of Zierikzee. In turn, Armanda will care for Lidy's two-year-old daughter and accompany Lidy’s husband to a party. The sisters, both of them young and beautiful, look so alike that no one may even notice. But what Armanda can’t know is that her little comedy is a provocation to fate: Lidy is headed for the center of the deadly storm.
Margriet de Moor interweaves the stories of these two sisters, deftly alternating between the cataclysm and the long years of its grief-strewn aftermath. While Lidy struggles to survive, surrounded by people she barely knows, Armanda must master the future, trying to live out the life of her missing sister as if it were her own.
A brilliant meshing of history and imagination,
is a powerfully dramatic and psychologically gripping novel from one of Europe’s most compelling writers.

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“The way every woman does automatically.”

“—for that particular living swelling in the middle, to check the state of my husband’s faith in the world. So, I was holding my husband’s rudder and we were already heading for the sluice, when at a certain point I became uneasy. Shouldn’t I look to see what the patient’s moans were signifying? I slid back out, and his eyes lit up. ‘I know what you like best is you underneath and me on top,’ his eyes said. My eyes answered: ‘That’s right.’ He: ‘But you can see that’s not going to work right now.’ What, Armanda? Oh. What then? That his half-closed eyes actually flashed, from the bottom of his heart: ‘You’re the only desirable woman in the world, and I’m not going to change my opinion for the rest of my life, even if they put me on the rack?’ Also good. So, in brief, I made the well-known bridge over him. In the spell of some secret, guilty delight, I began to pleasure him in the most exquisite way, using the muscles inside me. Oh God, that was love! If I shut my eyes, all I saw was flashes of light, and if I opened them again I saw him lying there keeping hold of himself, and I realized there was no distinction between his pain, his enjoyment, and my bliss. I was shocked by my feelings for him. Sjoerd was a man it was usually very easy to satisfy.”

“You don’t need to tell me! For example, if you put a wonderful dish on the table, cod, slices of potato, rice, dill, and mustard, he would look at you with a surprised look that said ‘How did you guess what I’ve been wanting all day?’”

“But this time, I don’t know, he wanted some absolutely special effort from me, and believe me, I gave him that pleasure. Movements can take seconds, then minutes to build toward something that you know is coming with absolute certainty. The question, in which you want to the best of your capacity to retain the upper hand, is quite simple: when? When my husband and yours reached that point on this particular day, I was glad that our bedroom was up on the top floor of the house, in the soundproof attic; the roof didn’t touch the neighbors’, because they were hipped roofs and each sloped up into a cone.”

“How old are you now?”

“Me? Not that old, I think. Don’t ask me to tell you exactly. You know, in some people, the decline sets in quite early. Years ago, I was walking down the street and I looked at my feet. I saw them quite clearly, one little boot in front of the other, making their way along a pavement of rectangular flagstones, yet I had absolutely no awareness that I was going anywhere. That’s it, I thought, I have no sense of speed anymore, the needle’s on zero, the world is going backward exactly as fast as I’m trying to go forward. That evening I called my children and asked them to tell me straight when they began to notice I was in the process of going senile. They promised, because what I was saying, implicitly, was that when that happened, I would take my own measures.”

“But they didn’t.”

“Of course not. Telling you straight is only okay when there’s no reason yet to have to do it. Otherwise it would be so heartless, wouldn’t it, and so hateful? Looking a little confused now and then, forgetting a name here and there, it happens to everybody. But start laughing to yourself when you’re alone and refusing to explain why, pretend you’re hard of hearing, lock yourself in, fail to turn off the gas, go wandering through town in your pajamas and dressing gown and be unable to find your way home again, and your children will most certainly stop saying, ‘Mama, we think it’s reached that point.’”

“Oh, what does it matter!”

“That’s what I think too. Nicely locked up in a warm building, and unable to go forward anymore, I look back. I am Armanda, the sister of a woman who was very young when she drove away one morning from a happy home and sadly never came back. Since that time she lives inside me. Do you believe that I soon gave up my favorite licorice and started eating cream fondants? Good, so, when I was twenty-eight and then thirty, I enlarged my sister’s family, which had consisted until then of a husband, a wife, and a little daughter, with an additional daughter and a son. When the marriage collapsed, the world, to my astonishment, continued to follow its set habits. Action, place of action, dialogue, and protagonists remained in the absolute control of my sister. To give you an example, Lidy, take the lovers who surfaced from time to time after my divorce. As regards my sainted sister, and considering that she would have known how much more easygoing life in the Netherlands had become, would they have been accepted by her? The true nature of the sister of my sister remained: her. I maintain that the only person who ever really knew me was Sjoerd, and you, Lidy, have the absolute right to feel offended that he drew a line at our ménage-à-trois. I’m sorry, but I obviously didn’t manage your husband very well.”

“Oh, sweetheart, we’re both only human. I don’t blame you for anything. But why do you keep yawning?”

“Because I prefer to spend the day like a sleepless night. The waking hours of someone who’s constitutionally sleepy are dreamless and dull, like the back side of the moon. Nevertheless my mythic sister still manages to come floating through in the guise of three dead cows or something. Hello, Lidy. How did you get into this sodden chaos again? I know there are mean tricks that can never be put right again.”

“I was just wild about the idea of driving a car again, you don’t forget how so easily.”

“Liar.”

“No-o.”

“Ye-es. Oh, you don’t have to tell me about memory. Just when you’ve lost it is when you recognize how astonishing it is. The memory of someone who at some point allowed themselves to play a joke that went completely wrong works completely differently from the memory of some lucky devil who managed always to be good and behave well. I know how to treasure your magnanimous thoughts. It’s a performance I’ve been giving for a long time now. Oh, how you wanted to go on that weekend expedition, which was supposed to be an invitation to me — except you didn’t. The most important tool of memory is the ability to forget. Remember a phone conversation, even remember part of the actual dialogue, but to keep things simple, forget who proposed what and who in a whisper begged, ‘Oh, please!’ The thing about forgetting that’s piquant is that nine times out of ten it’s not forgetting at all, simply a cut that allows you to insert something. Who in God’s name wants to get lost time back, uncut? I’m old. My eyes are bad, my ears too, I stand absolutely helpless in the flow of time. But at the very last moment a motive I’d forgotten all about reenters the story. It was a kiss, Lidy, no more than that, but on pain of death, no less than that either. A hot, open kiss, a feeling of fire that I’d never encountered before in all my nineteen years, has reappeared in front of my eyes, through the thicket of years, out of the oblivion in which it had been buried. The scene was the wall under the fire escape of the Nausicaä, a dismal, dilapidated student dormitory in the Zwarte Handsteeg, where a party was going on. The time was night. The protagonists were Sjoerd, in an exceptionally resolute role — he must have worked out the whole kiss and had it ready — and your sister, Armanda, who lost the plot just at the moment when her opposite number wanted to get under her skirt, because an angry-looking guy appeared in this garbage-strewn, film-noirish inner courtyard, walking his dog. I wanted to get the kiss back, Lidy, I wanted to have it forever, in my heart….”

“Well, it’s not important.”

“Weak. Your voice sounds weak, because you know, you absolutely know, that I spent that Monday evening pacing around my room, torturing myself with the desire to come clean about the damn kiss. One step, another step, then another, on and on. Till I’d reached the magic goal of my journey, my woman’s will, and, I have to add, the center of the person I am deep in my heart, in my own opinion. I went to the telephone in the upper hall. That was me. Don’t take it badly that I’m going into this with such detail, but really, I was the one who made the call and I’ve been horribly conscious of that my whole life long. It comes in moments that are like being jolted with a brief electric shock, and then before you can deal with them, they’re gone again. Maybe you couldn’t see my persuasive smile, but you could certainly hear it. You could understand my chatter and my whispers, on that Monday there wasn’t yet the slightest breath of a northwest wind to drown out anything. Wonderfully precocious little wife and mother, just listen , is what you heard? God, you really fought back. ‘Huh? What are you talking about? I don’t think I feel like it, thanks.’ I had to make a big effort to persuade young Mrs. Blaauw to flee the everyday grind for once. That’s what happened, and alas there’s no act of penance that can undo the basic maliciousness of the facts. The despicable plan crossed my path, I seized it on tiptoe, you have every right to be angry. Meantime I stand on the top floor of Tabitha House and look out like a ghost. There’s an old, bare elm in front of the house on the other side of the street, and in its branches is a whole swarm of parrots, there must be ten of them, they never stop talking. Strange. I think I’ll lie down now and have a doze.”

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