Margriet de Moor - The Storm

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On the night of January 31, 1953, a mountain of water, literally piled up out of the sea by a freak winter hurricane, swept down onto the Netherlands, demolishing the dikes protecting the country and wiping a quarter of its landmass from the map. It was the worst natural disaster to strike the Netherlands in three hundred years.
The morning of the storm, Armanda asks her sister, Lidy, to take her place on a visit to her godchild in the town of Zierikzee. In turn, Armanda will care for Lidy's two-year-old daughter and accompany Lidy’s husband to a party. The sisters, both of them young and beautiful, look so alike that no one may even notice. But what Armanda can’t know is that her little comedy is a provocation to fate: Lidy is headed for the center of the deadly storm.
Margriet de Moor interweaves the stories of these two sisters, deftly alternating between the cataclysm and the long years of its grief-strewn aftermath. While Lidy struggles to survive, surrounded by people she barely knows, Armanda must master the future, trying to live out the life of her missing sister as if it were her own.
A brilliant meshing of history and imagination,
is a powerfully dramatic and psychologically gripping novel from one of Europe’s most compelling writers.

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“Yes?”

“Oh, you know, basically it’s always remained inexplicable. But inexplicable doesn’t mean, according to people who know that sort of thing, that it doesn’t happen quite often. The goal of life, which everyone makes such a big deal out of, seems to be totally irrelevant when it comes to the actual impetus that keeps the whole thing going — it must be some terrifying sort of egoism, pure willpower, that can occasionally dump the whole mess at your feet. Nadja asked for a glass of water, and someone, a lonely lady sitting on a bench with a book, so they told me, went into a pub and got it for her. She had no heart trouble, at least nothing pathological, the autopsy established that. Strange, yes. The local doctor, lacking her medical history, couldn’t issue a death certificate. Nadja had driven her car to the center of the village. No, not for a long time, although she quite often came to Amsterdam while Mother was still alive. Next to her on the front seat was a folded newspaper, half read. As the traffic barriers came down and she had to stop, she may have glanced at it, but I find it unthinkable that a list of performances and events for music, art, and film could be the cause of a sudden fatal heart attack, mors subita , no matter how sensitive the victim was. So, to cut a long story short, the barriers went up again and the traffic moved on at a moderate pace. Suddenly I find myself wondering what novel the lady may have been reading as Nadja got out shakily and everyone behind her began to honk their horns, because they were still stopped on the train tracks. This line runs right through the village, it’s a much-traveled stretch, at any moment the warning signal could sound again. And the lady was reading, undistracted, under her tree, completely transported, wonderful. You don’t have to act, yet you still experience everything, you don’t have to speak, yet you converse with amazingly intelligent partners on your own level, and if you don’t know how to love and to flirt, well, you know now. Oh dear old Lidy, the sea-green screen between us has become completely transparent meantime. With one of us pedaling the bike and the other on the carrier, we race along the canal in the watery dusk. There’s no wind, all the flags are hanging slack on their poles. Does it still matter who read which book? Who lent the other which pullover, who inherited a child and a husband from whom? In cases of sudden death, the assumption is that some emotional distress unconnected with the immediate surroundings simply stopped the muscles of the heart.” “Dear God, Manja, does such a thing really happen?” “Apparently yes. Inner factors sometimes succeed in completely hollowing out the psyche undetected, and then … you’re suddenly gone. Do you know how much the heart of an adult woman weighs?”

“Well?”

“They check it during the autopsy, they weigh the heart.”

“Heavens! The scales, the pans of the scale, the weighing of souls !”

“It weighed twelve ounces, which is normal. You know, don’t you, that Nadja, who was widowed, was in love again, and didn’t want to talk about it to anyone — nor was she allowed to. So I don’t need to tell you what was involved, of course: a secret, adultery, hopeless. There came a time when she started to look pale, but was not audibly or visibly suffering. God preserve us, she may have thought, from the person who spends so much time pitying themselves that the whole world has to know about it. What was noticeable, however, during this period was that she went almost every day to the long-term-care section of Tabitha House, yes, here, where I am now, to visit her grandma, our crumpled, demented little mother, now almost ninety-three. If you’ve been bound to silence, you can still use an incomprehensible oracle to have dialogues with. Once when I asked her — looking all sympathetic the way an insider does — how Grandma was, she reported: ‘Oh, fine, we listened to a Schubert sonata together.’ It must have been about two months after the death of our little mother, previously known as our mother, that Nadja also crossed over and pulled the drawbridge up after her.”

“She was so sweet.”

“Oh God, wasn’t she!”

“So unselfaware. Once I went with her to a place that sold children’s clothes, where she was to try on a winter coat with teddy bears embroidered on it. She could already stand by then. The saleswoman sat her up on a chest of drawers, all jammed up in the thick, stiff coat that made her arms stand out like a penguin’s, and she gave me a blank look of such force that it silenced every piece of nonsense in my head. That winter she caught pseudo-croup, and Sjoerd and I were sure she was going to die, because she couldn’t inhale anymore.”

“I think you’re wrong. It wasn’t that winter, it was two or three winters later. But it’s true, we were scared to death. In those days in Amsterdam if you called a doctor in the middle of the night in a panic, he actually came, those were men—”

“They certainly were.”

“—who didn’t just keep the phone within reach of the bed but their shoes and socks too. ‘Of course she won’t die.’ He picked up the little girl, the favorite of my children forever, took her into the bathroom, and ordered us to turn on the hot tap. And I’m telling you, the steam made the swelling in her throat go down immediately, her air passages were open again, and in a flash she was back to breathing normally. Sjoerd and I lay next to each other in the darkness afterward, deeply impressed by how narrow the dividing line is between helplessness and a wonderful, warm bed. I stretched out my hand. My sister’s husband, I could feel it, isn’t going to be able to go to sleep yet, maybe he’s thinking about God and marveling at the compositional gift that He exercises when He sets life and death not one behind the other but side by side. In the morning, when I woke up, he was way over on the other side of the bed.”

“We always slept in each other’s arms.”

“Oh, mostly we did too.”

“Oh, oh, oh, we were so in love with each other! Love at first sight, colon, with this one, quote unquote. No power in the world could have aroused me like that for any other reason. Oh, that mad, grand, heathen ‘yes!’ That bow to nature, pure and simple!”

“Yes, and its trump card at a most particular moment is the indivisible First Person Plural. He was a horny man, wasn’t he? Always ready, even when the circumstances, physically speaking, weren’t exactly ideal. Advanced pregnancy, raging hangover, once the two of us had a real flu …”

“Well, speaking for myself, I had good experiences with the flu. There’s no better aphrodisiac than one or two degrees of fever, damp sheets, and a red-hot pillow. ‘I’ve brought thyme syrup and a bottle of champagne,’ he said once, when I’d spent quite a while in bed waiting for a solicitous husband, and he crawled in with me under the covers, shivering slightly, with aching joints, swollen membranes, and a raw throat.”

“The sun shone through the bedroom window, the top half of which was made of lead glass and colored everything around us cinnabar red. Free-hanging tendrils of black ivy swayed in the breeze outside the windowpanes.”

“But the craziest thing I remember is when he had his traffic accident. Right-of-way ignored when turning left from the Amstel to the Berlage Bridge. ‘Come here, lie down close for a moment, I’m so cold from the sheer fright.’ He pushed back the covers and I couldn’t understand how he had managed all three flights of stairs on his own or how the ambulance crew from Onze Lieve Vrouwe Gasthuis could have let him go. I took off my clothes and lay down, being careful of the blue-purple bruises on his hips; there was a big, white, unbelievably imposing bandage round his knee. It makes you feel quite instinctively guilty. And why wasn’t I at home when he was delivered by a taxi, so wounded and pathetic, and rang his own front doorbell? Soon my hand wasn’t the only thing that disappeared under the covers — my head did too. I wanted to do something, anything at all. That’s just the way it is, isn’t it? Something, blindly, no matter what, it’s our way of rebelling against the outrage of our human powerlessness. I kissed all his grazed and swollen places and reached out my hand—”

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