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Ben Greenman: What He's Poised to Do: Stories

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Ben Greenman What He's Poised to Do: Stories

What He's Poised to Do: Stories: краткое содержание, описание и аннотация

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Ben Greenman is a writer of virtuosic range and uncanny emotional insight. As Darin Strauss has noted, "Like Bruno Schulz, George Saunders, Donald Barthelme, and no one else I can think of, Greenman has the power to be whimsical without resorting to whimsy." The stories in this new collection, , showcase his wide range, yet are united by a shared sense of yearning, a concern with connections missed and lost, and a poignant attention to how we try to preserve and maintain those connections through the written word. From a portrait of an unfaithful man contemplating his own free will to the saga of a young Cuban man's quixotic devotion to a woman he may never have met; and from a nineteenth-century weapons inventor's letter to his young daughter to an aging man's wistful memory of a summer love affair in a law office; each of these stories demonstrates Greenman's maturity as a chronicler of romantic angst both contemporary and timeless, and as an explorer of the ways our yearning for connection informs our selves and our souls.

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Tomas’s mother, Camilla Garcia, also hailed from Spain, where she had been considered a great beauty. Comfort and love filled the Tintas’ Camagüey home, which was completed by the addition of a baby girl named Sofia in 1926; the Tintas basked in the glow of their mutual love for their children and their success as entrepreneurs, which led them to open three more shoe stores. But then, in 1935, suddenly and without warning, Antonio Tinta was called back to eternity, and all at once things changed. The money that Antonio had earned from his first stores had, the family discovered, gone into opening the later stores, and Camilla, try as she might, could not make sense of the business. Two years after Antonio went into the ground, his beloved wife followed. Sofia went to stay with a cousin in Havana, an elderly devout who believed she could raise girls up into proper women. She did not have the same confidence when it came to boys, and so Tomas was placed in the care of a friend of the family, a country doctor named Ferrer. Dr. Ferrer was of high standing but not of high character. He beat Tomas when he did not listen to him or when he looked at him. Tomas endured a life of great privation and violence. Five years after coming to Dr. Ferrer, Tomas was finally able to rejoice when the doctor followed his dear parents down into the hereafter.

By this time Tomas was old enough to enter a trade school, and so he did. He began training to become a typesetter. As luck would have it, a distant cousin of his mother was a head operator at a company in Havana. The city was a tonic. Work kept his mind sharp, and he was reunited with his sister, Sofia, which brought him much joy. Pleased with his apprenticeship at the printing company, Tomas set his sights on becoming a full type operator, and as the law required an age of sixteen, he falsified documents to that effect. He was a printer, after all. He was awarded his certification.

In the early part of 1940, an event occurred that changed Tomas Tinta’s life forever. It took place on the last day of March, when Tomas, in search of work in Havana’s type shops, met a woman named Yamila Rodriguez. Tomas had a coffee in his hand and spilled it when he saw her. “My hand went limp with fear and hope,” he wrote to her in a letter that was composed on the first day of April. “The apparition had jet-black hair and a ripe little plum of a smile. I could not tell whether she was smiling at me or past me, and then I came to realize that they were one and the same, because I had been expanded by that smile.” This is the first known letter written by Tomas Tinta; it is also the first of more than two thousand letters he wrote to Yamila Rodriguez. In the second letter, written the very next day, Tomas confessed his unconditional love for her. “A man who has discovered love in his heart can pretend to wait before making his declaration,” he wrote. “But that would be like visiting a museum, standing before a masterpiece, and reserving judgment. What would be the point, apart from stubbornness and pride?” According to a letter of April 19, Tomas had revealed his new love for Rodriguez to his sister, who took the news with cautious enthusiasm. “She told me that she had always felt that my heart was a fragile vessel, and as such it should not be filled too quickly for fear of shattering it. I assured her that my feelings have quite the opposite effect, and that they are giving me a strength I could not have imagined. She then asked if she could meet you, and I told her that if she has met me, she has met you, so tightly woven together are our souls. This answer did not satisfy her. Perhaps you can come for dinner one day soon.”

It is not known whether Rodriguez ate dinner with Tomas and Sofia. What is known is that, in early May, she disappeared from Havana entirely. Tomas continued to write letters regularly, and these letters remained passionate and poignant. They were not, of course, mailed, as he did not know her whereabouts. On the first of July, Tomas boarded the ship Leandro and sailed for Miami, Florida. “I do believe I know where you are, my Yamila,” he wrote in a letter during the voyage, “or rather, I believe I know where you are in addition to being in my heart. It is said that a man cannot spend his entire life in pursuit of one goal, particularly if that goal is merely a woman. Merely a woman? This strikes me as a terrific affront. Better to say ‘merely a cathedral’ or ‘merely a gold mine.’”

Arriving in Miami, Tomas could not find a station in his given career, so he took work as a clerk in a shoe store, which was a bittersweet reminder of his youth. He continued to write to Rodriguez at a steady rate but did not mail his letters, as her location was still a mystery. The correspondence only occasionally reveals disappointment or frustration in Tomas’s tone. More typical is a February 1941 letter that reads, in part, “Today I spent some time by the water, walking along it, gazing across it, wondering which of these behaviors, each of which a mathematician would correctly call a ‘vector,’ most accurately reflects my position with regard to you. Am I walking alongside you, always, or looking across an expanse to find you?”

In the spring of that year, Tomas was badly injured in an automobile accident. For one month both of his arms were in a cast; this is one of only two sustained gaps in his ongoing correspondence with Rodriguez. When Tomas resumed his letter-writing, in mid-May, he once again did so with a regularity that did not ebb even when, in June, he struck up an intimate relationship with a daughter of the city of Miami named Eileen Ogham. The relationship had no discernible effect on the correspondence; in fact, Tomas even wrote freely to Rodriguez about Ogham. “Eileen and I are traveling up to Sarasota tomorrow, where she has an uncle. I think she expects me to romance her in the most obvious manner.” Tomas did so, evidently, because in July he wrote to Rodriguez that he and Ogham were to be wed. “I love her,” he wrote, “and I will tell you all about it when I see you, my dear Yamila. The two of us, entwined from the start of time and still in that most exalted of states, will sit at the shore and watch the waves recede like all that we have forgotten: I mean not that the waves will go away like the events that we have forgotten, but that they will go away like forgetting itself.”

At the shoe store, Tomas befriended several customers, including some soldiers. One of them had been a newspaper reporter before the war, and when he returned to his position after the war’s end, he recommended Tomas to a position as a typesetting foreman. He began his employ on the sixth of March of 1947. Three months later he and Eileen had their first child, a daughter named Julia. “She was a light to me from her first moments, just as you were,” he wrote in another unmailed letter to Rodriguez. “Do you remember how I felt when I first saw you on that Havana afternoon? Perhaps you cannot, and neither can my daughter. I held her in my arms and felt the rapid beat of my heart.” A second child, a boy, followed. “Thomas is his name,” he wrote to Rodriguez. “He is a scamp compared to Julia, who is something of an angel. I have spent some time imagining how they will look when they are older. Thomas, I think, has Eileen’s features. Julia has, I like to imagine, my sister’s. I imagine that you are curious to learn more about Sofia. In that, again, we are one. She has not written or called me since I left Cuba. I wonder if she is well.”

In 1949 Tomas lost his printing job and was forced to return to the shoe store, and the amount he was able to earn there was not enough to keep food on the table. Then the store suffered a small fire and Tomas was forced to take work as a busboy in a café, where the pay was worse still. “At least I can bring home food at the end of the day for my wife and children,” he wrote to Rodriguez. “Yesterday I was packing up the food, which consisted primarily of burned meatloaf that could not be served, and I found myself thinking of you. Inexplicable, perhaps, but the thought was strong and sudden and brought a blush to my face. I will tell you about it soon. Now, I have limited time. I am going to meet with Eileen’s father. In my time of trouble, her parents have not offered any help and in fact they have turned against us in a surprising way.” The meeting seemed successful. But this was an illusory success; before the end of the year, Eileen had left Tomas to take up with another man. “It is painful,” Tomas wrote to Rodriguez, “to imagine him raising my children as his own.”

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