Christian Kiefer - The Infinite Tides

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The Infinite Tides: краткое содержание, описание и аннотация

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Keith Corcoran has spent his entire life preparing to be an astronaut. At the moment of his greatness, finally aboard the International Space Station, hundreds of miles above the earth’s swirling blue surface, he receives word that his sixteen-year-old daughter has died in a car accident, and that his wife has left him. Returning to earth, and to his now empty suburban home, he is alone with the ghosts, the memories and feelings he can barely acknowledge, let alone process. He is a mathematical genius, a brilliant engineer, a famous astronaut, but nothing in his life has readied him for this.
With its endless interlocking culs-de-sac, big box stores, and vast parking lots, contemporary suburbia is not a promising place to recover from such trauma. But healing begins through new relationships, never Keith’s strength, first as a torrid affair with one neighbor, and then as an unlikely friendship with another, a Ukrainian immigrant who every evening lugs his battered telescope to the weed-choked vacant lot at the end of the street. Gazing up at the heavens together, drinking beer and smoking pot, the two men share their vastly different experiences and slowly reveal themselves to each other, until Keith can begin to confront his loss and begin to forgive himself for decades of only half-living.
is a deeply moving, tragicomic, and ultimately redemptive story of love, loss, and resilience. It is also an indelible and nuanced portrait of modern American life that renders both our strengths and weaknesses with great and tender beauty.

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Audrey giggled. More customers had begun to arrive, each eyeing them as they passed, but Audrey remained where she was on the sidewalk in front of the store.

Campbell strained briefly against Peter’s armpits and then quit. “OK, so that didn’t work so well.”

“Grab an arm,” Keith said. “We’ll pull him up.” Then, more loudly: “Peter, we’re going to put you in the car.” Then, quietly again: “Give him a push, Audrey,” and Audrey put her hands on Peter’s shoulders and the three of them managed to push and pull him at least partially to his feet, a tottering configuration of muscle and bone, his head lolling about in a kind of bewilderment, eyes half open and then drifting closed again. He mumbled something that might have been a question, his voice a slur of vowels and elongated consonants: English or Ukrainian or some other language entirely.

A short journey punctuated by a dozen declarations of shit and whoa and hold on and finally they tipped him into the small passenger seat of the rental car. Not a car made for such a situation as this but they managed to fold and press him into it as if stuffing a series of springs into a box slightly too small to hold them all.

“Now how are you gonna get him out of there?” Campbell said.

“I’m not sure. He lives over by me. Maybe some of the neighbors will help.”

“I’d better follow you in my truck,” Campbell said.

Keith nearly told him that this further act of kindness was not necessary, but then he also knew that he could not get Peter to his front door in this state, not by himself. “OK,” he said. “That’s very kind of you.”

“Damn right it is. I’m a busy man. I have the whole day scheduled to sit here on my bony ass and listen to Frank Poole bullshit about the good old days. Let’s get out of here before that old windbag shows up.”

“I thought you two were best friends,” Audrey said.

“Friends of necessity, sweetheart. We’re the two oldest people alive. We’re like ancient moths both trying to fly toward the light at the same time and we got tangled up in each other’s bullshit on the way.”

“You’re so funny,” Audrey said.

“Don’t I know it. I’m a regular comedian,” Campbell said. “Let’s get out of here, Corcoran.”

Keith closed the passenger door and swung around to the driver’s seat and they pulled out of the parking lot. Peter snored loudly from the passenger seat, his knee partially blocking the gearshift so that Keith had to push it out of the way every time a gear change was necessary. He realized that he had not even managed to get a cup of coffee. Nonetheless, the activity had cleared his head and the sense of immediate purpose had driven away the brooding guilt of his morning. In the rearview mirror was Campbell’s blue pickup truck, the U.S. Navy Retired cap upon the old man’s head and a look of purpose and determination on his face.

They turned into the housing development and Keith pulled the driver’s license out of his shirt pocket and looked at it and then compared it to the nearest home that passed. Kovalenko. He looked at the card again. Kovalenko. There were no trees or shrubs tall enough to obscure the home numbers, each one a black sign moving by in even increments on nearly identical earth-toned homes: 3438, 3440, 3442, and finally 3444. He pulled his car to a stop at the curb and then changed his mind and backed up a few feet and pulled into the driveway. Campbell’s truck stopped in front of the house, the door swinging open and Campbell himself emerging, the cane clicking on the concrete, his movements as quick and fluid as a teenager’s.

“Let’s see if anyone’s home,” Keith said.

Campbell nodded and Keith approached the front door. It opened before he was able to knock. “Mrs. Kovalenko?” he said.

She was about his age, perhaps slightly younger, with skin the color of paper and black hair curling in at her shoulders as if to frame her pale shining face and dark almond-shaped eyes. “Yes?” she said.

“I have Peter in the car,” he said.

She looked at him, confused.

“He’s pretty drunk. He was passed out and I brought him back here.” His own head remained fuzzy and in this moment between exertions he felt weak and exhausted.

“Oh,” she said. It was more an involuntary sound than a statement or question. She looked confused and for a moment Keith wondered if she understood English. Then she stepped outside. Behind her, a child’s voice said, “Mama?” and she said something in Ukrainian in the tone of a mother trying to quiet a worried child.

She moved past him to the car, her eyes on the window. When she passed Campbell he said, “Good morning, ma’am,” and she looked at him briefly and without expression and then went to the passenger door and opened it carefully. Peter lolled back against the seat. “Petruso,” she said. She leaned in close to him and touched his face. “Petruso,” she said again. Peter mumbled something incomprehensible in response, his head rolling back and forth until she lay her hand upon his sweating brow and stilled it and then stood there for a long while, staring at him, and even from where he stood Keith could hear her softly whispering: “Shhh.”

When her husband had calmed she stepped back from the car to where Keith stood at the edge of the concrete walkway. “Thank you from bringing him home,” she said. As soon as the last syllable had been spoken she turned toward her husband again.

“It’s not a problem,” he said. He waited for her to say something else but there were tears in her dark-lashed eyes and no further words came. “We should bring him in,” he said at last.

She leaned toward her husband. “Petruso,” she said again. She paused and then said something in Ukrainian, a whisper.

Peter did not move at all. The only sign that he was alive was the sound of breath rushing into and out of his body.

“We’ll get him,” Keith said.

“Best clear a path for us,” Campbell said from his station by the truck. “He’s as heavy as a load of bricks.”

Peter’s wife stepped away from them. She had closed the front door to the house when she had stepped outside but now it was open again and two children peered out from the shadows. She said something that Keith could not understand and both children disappeared into the house and she walked to the doorway and then turned toward Keith again. She looked like a war bride awaiting news of her returning husband, something from an old black-and-white film, beautiful and fragile and somehow resigned to the situation, a thin, elegant woman who stared out at them with her eyes curved slightly into a kind of desperate sadness. Keith wondered if Petruso Kovalenko often appeared in this condition and if she had grown accustomed to her husband’s wrecked body being dumped back into her home.

“Let’s do this,” he said.

He grasped Peter by the arms and together he and Campbell heaved the man onto his feet. Peter seemed somewhat more awake, for when they tipped him forward his legs actually took some of the weight, feet moving in jerking, stumbling steps even though his eyes remained closed and his head rolled back and forth against his chest.

They managed to get him through the doorway and into the house as far as the sofa, where they lowered him as gently as his weight would allow. All the while, Peter’s wife stood nearby with her fingers against trembling lips. Peter himself did not stir. Keith stood over the body. “Well, that’s it then,” Campbell said. “Safely home.”

“I am sorry,” Mrs. Kovalenko said. It was the voice not of an angry wife but of a frightened child. “He does not … he has never …”

“It’s no problem,” Keith said.

“Where you found him?” she said. She moved to the sofa and sat on the arm and leaned over to stroke her husband’s forehead with her fingertips.

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